In her 2018 In the Library with the Lead Pipe article, “Vocational Awe and Librarianship: The Lies We Tell Ourselves,” Fobazi Ettarh rightly points out that “librarianship is dominated by white women,” noting the history of White women in the profession due to their characteristics, the fact that libraries have been “complicit in the production and maintenance of white privilege,” how these librarians participated in “selective immigrant assimilation and Americanization programs,” and that librarianship “plays a role in creating and sustaining hegemonic values,” while contributing to a culture of white supremacy like other institutions. She further asserts that depictions of libraries as “places of freedoms” like intellectual freedom, freedom of access, education, and more “do not elide libraries’ white supremacy culture with its built-in disparity and oppression,” adding that values that librarianship builds itself upon is “inequitably distributed amongst society.” She gives the example of segregation of public libraries in the U.S. South, desegregation efforts of those libraries,with access to materials “often implicated in larger societal systems of (in)equality.” She also pointed to libraries gathering “large amounts of patron data in order to demonstrate worth” or can “operate as an arm of the state” by working with library vendors which work with government entities.
I could easily build off every single one of her points in a long and drawn out post. Instead, in this post, I will examine over 20 White female librarians across various animated series and how these fictional depictions are emblematic of the overwhelming Whiteness in librarianship. More directly I’ll look at what this means when it comes to appearance, fashion, and standards imposed on librarians by Whiteness itself. Simply put, Whiteness is a socially constructed classification which conveys certain privileges, comforts, and advantages that those who not White do not enjoy automatically. It ends up setting the standard for reality and normality itself. Any deviations are seen as subversions, offenses, disruptions, or disturbances, policing its borders in a literal and figurative way. It can sometimes operate in hidden ways at different strata within library profession, while remaining multidimensional. 
I’ll start with Kaisa, who is one of the most prominent librarians in animation to date, in the series Hilda.  As librarian and library instructor Gina Schlesselman-Tarango put it, library professionals often navigate White grooming and beauty standards, while people of color are policed within library spaces. Librarian Jessica Macias added that librarians often face dress and grooming codes. It is something which women of color doesn’t always fit into, feeling alienated and different. Macias argued that these unwritten codes ban so-called “distracting” and “unnatural” hairstyles, unkempt clothing, hygiene, and hair. She, along with April Hathcock and Stephanie Sendaula adds that this is restrictive for people of color, facing implicit barriers, claims of unprofessionalism, and the idea that librarians of color are not librarians, as perceived by fellow patrons and librarians. 
Her unique appearance fits within White beauty standards, even though she is casually gothic and witchy. In the series, she wears a gray sweater, grey leggings, black skirt, black cloak, and white blouse. She often wears black-grey headphones attached to a media player. Librarians are often shown wearing skirts, cardigans, while others have been more stylish with dresses, cardigans, sweaters, tights, and coats.  While Kaisa has her own unique style it fits within those standards. It fits with her calm personality, although she can be strict at enforcing rules, or even stern. At other times, she can be secretive and soft-spoken, but has an ability to know what people are looking for. Undoubtedly, this leads to certain insecurities, and feeling like an outcast, despite the fact she can be nice, supporting Hilda, Frida or David in their tasks throughout the series.
Although Kaisa is perhaps the prominent librarian character in an animated series in recent years, there are other librarians which fit the White standards of appearance. These same standards, of course, exclude and restrict librarians of color, as Macias pointed out.  Other fictional librarians dress even more conservatively, even if their style is not as distinctive as the one that Kaisa has in Hilda. This includes the curmudgeon librarian in the DC Super Hero Girls episode “#SoulSisters Part 2.” She wears horn-rimmed glasses, a hair bun, a whitish high collar, cuffed sleeves, and a bluish dress of some kind, I believe. She fully fits the spinster librarian stereotype as outlined by Jennifer Snoek-Brown on her blog, Reel Librarians.
The same can be said for the Violet Stanhope, the librarian ghost in an episode of Archie’s Weird Mysteries (“The Haunting of Riverdale“), Francis Clara Censorsdoll in multiple episodes of the mature animated series Moral Orel, Mrs. Higgins in a Sofia the First episode (“The Princess Test”), and Rita Book in a Timon & Pumbaa episode (“Library Brouhaha“). All of these librarians are dressed in a “proper” way and well-groomed, even if not all of them conduct themselves professionally. What I mean is that Francis burns books she doesn’t like and Rita demands total quiet, while Violet and Mr. Higgins are more helpful. The latter two characters fulfill what the UMW Libraries called “quality service, positive attitude, good patron relations, and pleasing personal appearance.” The clothing of the characters, is in line with existing library dress codes that ban shorts, halter tops / tank tops, flip flops, backless shoes, ill-fitting clothing, or t-shirts with writing / slogans, no bare shoulders, no or few face piercings, no denim pants, and no torn jeans. It often goes beyond what could be called “business casual” ins some contexts. 
Apart from the above-mentioned older librarians, there are some librarians who have a bit more style. This includes the unnamed librarian in a Steven Universe episode (“Buddy’s Book”), one of the protagonists of I Lost My Body, an animated film set in France, Gabrielle, and Marion the Librarian in various episodes of Hanny Manny. The most casual of these is the Steven Universe librarian who is shown wearing what looks like a green cardigan and glasses, with a green undershirt of some kind shown in the comics. However, she may be more casual in the comics than in the animated series, as she could be wearing a collared shirt in the episode, as shown below:
Her style is in line with librarians who say  that they wear cardigans, black dress pants, oxford shirts, dressy shoes, casual pants, slacks, blouses, sweaters, button downs, leggings, tights, and skirts. I haven’t seen any fictional librarians in dresses that I can recall, however nor in sundresses, jumpers, t-shirts, shirt and tie, khakis, with tattoos or with piercings. It is likely that the Buddwick Public Library in Beach City has a business-professional dress code that prohibits shorts, sneakers, t-shirts with writing, backless shoes, and blue jeans. We can’t know for sure, because we never see the librarian, or any other librarians, outside of their work behind the information desk. 
Compare the unnamed librarian in Steven Universe to Gabrielle in I Lost My Body and Marion the Librarian in Hanny Manny. Both characters wear business casual more than casual, looking comfortable in their workplaces while they look professional. However, it is unlikely that either of them have “highly regularized” librarian dress, but rather that there are continuing struggles over what it means to “dress professionally” in their jobs. Even so neither are wearing t-shirts, jeans, gym shoes, jeans, or even open-toed shoes in line with varied dress codes, or anything similar to the variety of adorable outfits out there which are inspired by librarians. Instead, they have a practical, curated, and straightforward style, likely recognizing that what you wear has a “lot to do with identity” even if they aren’t aware of the cultural stereotypes out there of librarians. 
There are other librarians who have style, even if in a more “traditional” way. This includes elderly librarians enforcing rules, like the librarian in Uncle Grandpa episode (“Back to the Library”), Miss Dickens in Carl Squared episode (“Carl’s Techno-Jinx”), Ms. Hatchet in Kim Possible episode (“Overdue”), Mrs. Shusher in an episode of The Replacements (“Quiet Riot“), and the unnamed librarian in a few episodes of Kick Buttowski: Suburban Daredevil. The same can be said for the stickler librarian in an episode of Rugrats, Ms. L in an episode of Dexter’s Laboratory (“Book ‘Em“) and the briefly appearing librarian in an episode of Martin Mystery (“Return of the Dark Druid“).  What they are wearing is reflect of what Brytani of The Intrepid Nerd pointed out: that often librarians are portrayed in fashion catalogs, Pinterest, and elsewhere with “vintage looks.” This includes dresses or skirts, sweaters / cardigans / blazers, “smart” shoes, and glasses. She concluded that people give librarian’s this look because there is “something nostalgic about reading books” and working somewhere that is full of them, or a more disturbing conclusion: that people dress librarians this way “because they think the career is outdated.” Hopefully, the creators of Uncle Grandpa, Carl Squared, Kim Possible, The Replacements, Kick Buttowski: Suburban Daredevil, Rugrats, Dexter’s Laboratory, and Martin Mystery don’t think this way about librarians.
This dress doesn’t take away from the fact that the librarian in Uncle Grandpa and the librarian in Rugrats are super kind  even though they are dressing conservatively. This is in contrast to the sadistic Ms. Hatchet in Kim Possible and the unnamed librarian in Kick Buttowski: Suburban Daredevil or the strict shushing librarians Mrs. Shusher in The Replacements, Miss Dickens in Carl Squared, Ms. L in Dexter’s Laboratory, and a librarian in Martin Mystery. What they all have in common is what they are wearing fulfills what eHow has called the “classic librarian costume,” admitting it goes along with the librarian stereotype.  At the same time, how they dress may be about appearing professional and some of those libraries may even have formal dress codes.
Even more simplified is Amity Blight in The Owl House, who is directly shown as a librarian in the episode “Through the Looking Glass Ruins”. As she travels into a dangerous/forbidden section of the library to help her friend Luz Noceda, she wears a library employee card in a lanyard around her neck, a black short sleeve dress, black point shoes, and orchid leggings. In the episode, she ties up her hair in a typical librarian style, as shown in the image above. She looks similar to those working in religious libraries, especially a nun or even a priest.
When I saw what she was wearing, it immediately make of something religious. Wearing the color black can express self-confidence, sensitivity, an attempt to impress someone, could indicate someone has a rebellious nature that doesn’t accept authority, exudes a person’s feelings of power and influence, and building walls to protect themselves. It doesn’t necessarily make you “part of a suspicious sect” or anything like that. Rather, wearing black-colored clothes can be classy, mysterious, or distinguished. More specifically, some have argued that wearing black can be slimming, elegant, sexy, chic, or even overbearing and evil. Most of the positive qualities are the reasons that Amity is watching it, as the wearing black-colored clothes can signal “a desire to reclaim one’s power.” 
Inter-related with this is the fact that librarian and library perform a specific role “in the language of fashion,” employed in phrases like librarian chic, conjuring imperatives and fantasies on librarians, their labor, and recognition. This centers “class-privileged white women” as the stewards of librarianship and space of the library itself. Furthermore, cuteness can compel viewers to place value on what is cute, worthy to be desired, protected, and cared for. As such, if Whiteness is seen as cute, it is devoid of its “power to inflict violence” and is not threatening. The latter is the case with Amity, as often seen by fans, as she is clearly attractive, delightful, appealing, or even clever and mentally keen, and is White.  In that sense, the styles of Amity and Kaisa are somewhat similar.
Amity is also a lesbian, something which I mentioned back in October. Like everyone else, lesbians internalize societal standards of appearance and weight, even though they were more critical of “traditional social norms” when it came to roles and rights of women. A large number saw physical attractiveness as “important in a partner,” even though such attractiveness was functional rather than a concern for looks like straight women. Not surprisingly, there is even a fashion style known as “lesbian chic.”  Shawn(ta) Smith-Cruz, archivist at the Lesbian Herstory Archives, argued that librarians are marginal due to enduring values just as lesbians are marginal, noted that lesbian is a sexual orientation and a “constructed political identity.” She also said that all lesbians may not be “equipped to be librarians” with a lesbian “subject specialty.”  Amity may not have that specialty, nor may she know nothing about lesbian herstory, lesbian separatism, or lesbian feminism, but she would provide service of a high caliber to patrons and fight lesbian erasure at the same time.
Like Amity, other librarians also have their own style. This includes Mo Testa in Dykes to Watch Out For, public librarian Myra in The Public, Sabine in Sabine: an asexual coming-of-age story, Desiree, Sara, and Sarah, her two work colleagues. The latter three characters are in Too Loud, an animated web series. Starting with Mo, a lesbian feminist and reference librarian, is described as a “worrier and kvetch extraordinaire” on the comic’s official website, she has a “penchant for striped clothing” just like the comic’s author, Alison Bechdel. This means that Mo is falling into the style of being “overly conventional,” and not as colorful as, let’s say, drag queens.  The same can be said about what Desiree, Sara and Sarah wear while working at the library. Their clothes falls into typical wear like cardigans, dresses, brown pants, and sensible shoes. However, when Desiree finally dresses up in more girly clothes during the episode “Slumber Party,” it makes clear what the now defunct Misfit Librarian’s Style Catalog blog tried to prove: that librarians are stylish people despite some a perception of the opposite. 
Myra and Sabine also wear simple clothes, but nothing that could be called “dated” or “conservative”. Sabine, even more than Myra, exudes a level of coolness as she is also a student as well as a part-time librarian at the college library. This is something that even the New York Times recognized years ago, noting that emergence of hip and cool librarians in a profession described as “nerdy” and a haven for “left-wing social engagement.” More than any of the other librarians in this post, Sabine is more trendy and fashionable, although not as dedicated to fashion trends as those like Sam, Alex, and Clover in Totally Spies! to give three examples. Very few of the librarians I’ve described in this post are those are either wear hair in a bun, wear glasses, or a cardigan, with librarians getting a bad rap for the latter.  Rather they tend toward being more stylish, especially in terms of Amity, who dyes her hair green (her original hair color is brown) and later lilac, and Kaisa, who has put purple streaks in her black hair.
There are some exceptions, however. For instance, the librarian in Totally Spies episode (“Totally Switched”), who becomes “way buff,” as I wrote about back in March when I rewatched the episode. She wears a blazer, a collared shirt, has on glasses, and has her hair in a bun. This similar to how The images of librarians in cinema 1917-1999 displays librarians, or smocks worn by New Zealand librarians into the 1980s, while some librarians adopted corporate uniforms or t-shirts.  This unnamed librarian, likely voiced by Janice Kawaye, has an even more professional outfit. She doesn’t wear anything that invokes the problematic and is not a degrading sexy librarian stereotype. In her own way, she is classy and chic, or even cool. If she was an actual librarian, she would be among those which author and photographer Kyle Cassidy profiled in his 2014 photo-essay “This is What A Librarian Looks Like” for Slate magazine. 
Of the librarians I’ve named in this article, arguably the unnamed librarians in Rugrats, Uncle Grandpa, DC Super Hero Girls, and Kick Buttoswki all could be considered spinster librarians of some type, using the definition Snoek-Brown outlines. The same could be said for Violet Stanhhope, Mrs. Higgins, Rita Book, Miss Dickens, Ms. Hatchet, Mrs. Shusher, and Ms. L. Contrasting this would be Kaisa, Gabrielle, Marion the Librarian, Amity, Mo, Myra, Sabine, Desiree, Sara, Sarah, and even the unnamed librarians in Martin Mystery, Steven Universe, and Totally Spies!, who are all information providers. Most extreme is Francis Clara Censordoll, who is not anti-social, a failure, naughty, comic relief, or liberated. She is the librarian-censor. Some might say she is the anti-librarian since she stands against everything that librarians seem to stand for. However, as Matthew Noe, the ALA GNCRT President, pointed out in March, it is going to be hard “to put a stop to this massive censorship lobby harassing libraries and schools when we can’t even convince all library workers to stop doing censorship.”
On a stylistic note, some of these librarians have an aristocratic style, along with avant-garde and celtic styles. I haven’t seen any librarians with art deco, art nouveau, beach bum, beatnik, biker, black loli, babushka bois, bohemian, equestrian, flapper, heavy metal, hippie, hipster, punk, retro / vintage, surf, to name a few styles. Characters like Malkuth in the Library Of Ruina, a simulation game that followed the 2008 game Lobotomy Corporation would fall into the aristocratic and possibly avant-garde styles. I also haven’t seen any military librarians. The closest I’ve come to that are the characters in Library War. Such librarians would likely be bound, if they were in the U.S., by very specific grooming and personal appearance standards. 
Those librarians who work in public spaces, especially, would likely be pushed to accept the idea that you need to “dress for success” either with business casual or casual attire which is “smart.” This would be reinforced by the common perception in Western society that conflates appearance and health, affecting women, and leading to potential harm. This is made worse by the fact that unattractiveness leads to negative judgment from people. Such negativity can cause isolation, dieting, and emotional distress. Appearance, for humans, is “one of the most direct sources of information about other people.” In workplaces, there are additional stresses, like so-called “common standards of professional appearance,” which look down upon those with visible piercing and tattoos. This is obviously interlinked with the “societally sanctioned standards of appearance.” 
There are many librarian styles. Whether they are depicted in pop culture matters since real-life librarians exist and embody those styles. Furthermore, whether librarian styles in real-life translate over to pop culture, in animation, anime, comics, or elsewhere, is anyone’s guess.
© 2022 Burkely Hermann. All rights reserved.
 Todd Honma, “Forward” in Topographies of Whiteness: Mapping Whiteness in Library and Information Science (ed. Gina Schlesselman-Tarango, Library Juice Press: Sacramento, CA: 2017), p. ix; Gina Schlesselman-Tarango, “Introduction” in Topographies of Whiteness: Mapping Whiteness in Library and Information Science (ed. Gina Schlesselman-Tarango, Library Juice Press: Sacramento, CA: 2017), p. 2; Ian Beilin,”The Academic Research Library’s White Past and Present” in Topographies of Whiteness: Mapping Whiteness in Library and Information Science (ed. Gina Schlesselman-Tarango, Library Juice Press: Sacramento, CA: 2017), p. 83.
 I am putting aside the librarian in Futurama episode (“The Day the Earth Stood Stupid”), Librarian in Zevo-3 episode (“Zevo-3”), Librarian in Martin Mystery episode (“Return of the Dark Druid”), Librarian in Martin Mystery episode (“The Warlock Returns”), Librarian in Martin Mystery episode (“Return of the Dark Druid”), Librarian in Amphibia episode (“True Colors”), Librarian in Beavis and Butt-Head episode (“Cyber-Butt”), Librarian in Bob’s Burgers episode (“Y Tu Ga-Ga Tina Tambien”), Arlene in Phineas & Ferb episode (“Phineas and Ferb’s Quantum Boogaloo”), Librarian in Phineas & Ferb episode (“The Doonkelberry Imperative”), Librarian in The Flintstones episode (“The Hit Songwriter”), Librarian in The Owl House episode (“Lost in Language”), Unnamed librarian in Sofia the First episode (“Forever Royal”?), Librarian in Sarah and Duck episode (“Lost Librarian”), Librarian in Boyfriends, Lara in Action Comics, The Librarian in Detective Comics, Rupert Giles in Giles: Girl Blue, Skeezix in Guillotine Public Library, Barbara Gordon in Huntress: Year One, Ghost in Library Ghost, Crawley in Library of Ruins, Librarian in Meau!, Rabbi Rava in Monolith, Marten Reed in Questionable Content, Claire in Questionable Content, Rex Libris in Rex Libris, Suzie in Sex Criminals, Prysia in Smitty and Majesty, Lazurus Luca in Sword & Sphere, Daniel in The Library, Jane Case / Wonder Woman in Wonder Woman, as they either have minor roles or I haven’t read the comics enough to cover them here.
 Jessica Macias, “Looking the Part” in Topographies of Whiteness: Mapping Whiteness in Library and Information Science (ed. Gina Schlesselman-Tarango, Library Juice Press: Sacramento, CA: 2017), p. 113-5; Gina Schlesselman-Tarango, “Introduction” in Topographies of Whiteness: Mapping Whiteness in Library and Information Science (ed. Gina Schlesselman-Tarango, Library Juice Press: Sacramento, CA: 2017), p. 5; April M. Hathcock and Stephanie Sendaula, “Mapping Whiteness at the Reference Desk” in Topographies of Whiteness: Mapping Whiteness in Library and Information Science (ed. Gina Schlesselman-Tarango, Library Juice Press: Sacramento, CA: 2017), p. 254-5.
 See Jennifer Snoek-Brown’s “Librarian action figure,” “Christmas with a reel librarian in ‘My Side of the Mountain’,” and “Stylish female reel librarians” for instance.
 Macias, “Looking the Part,” 118.
 “Dress Code,” UMW Libraries Public Services, accessed Mar. 15 2022; “Dress Code Policy…,” Adventures of a Misfit Librarian, Oct. 26, 2010; Comments on “Dress Codes” discussion on /r/librarians in May 2014; Comments on “Does your library have a dress code for librarians, aides, etc.?” discussion on /r/librarians in September 2014.
 See Comments on “Dress Codes” discussion on /r/librarians in May 2014 and Comments on “Does your library have a dress code for librarians, aides, etc.?” discussion on /r/librarians in September 2014.
 Alexa Newman, “Workplace Dress Codes – Does Your Library Have One?,” ALSC Blog, Dec. 28, 2017.
 How should I dress for a library job?,” Janetpanic.com, Dec. 19, 2019; Ruthann Robson, “Dress Code for Librarians,” Dressing Constitutionally, Jun. 7, 2013; Lisa Knasiak, “Dress Codes at the Library,” Public Libraries Online, Sept. 14, 2015; “The Ladies Of A Beautiful Mess Love Libraries…,” Misfit Librarian’s Style Catalog, Mar. 17, 2012; “Sister Style: Library Inspired,” A Beautiful Mess, Mar. 8, 2012; “Dotty The Librarian From Little Chief Honeybee…,” Misfit Librarian’s Style Catalog, Sept. 6, 2011; Kaelab Beauregarde, “Dotty the Librarian,” The Charming Life, Sept. 2011; “Library Date Dress From A Beautiful Mess…,” Misfit Librarian’s Style Catalog, Aug. 22, 2011; “The Library Date Dress: 3 Ways To Wear It,” A Beautiful Mess, Aug. 22, 2011; Molly Wetta, “What makes a work wardrobe?,” Librarian Style, Jun. 1, 2021., “
 I can’t get a photograph as of now, but Ms. Herrera in the same Archie’s Weird Mysteries episode as Violet might be another character.
 These words are used by Angeline to describe her work outfit on her June 2011 post “The librarian ‘do [outfit]” on her blog The New Professional.
 Rachel Sawaya, “Ideas for a Librarian Costume,” eHow, accessed Mar. 15, 2022. They specifically outline options that follow the librarian stereotype, including, “a pencil skirt…for women…a pair of dark, formal slacks for men….a crisp, pale, high-necked blouse or collared shirt…[or] a dark vest with buttons..a tie or bowtie…for men. A plain silk scarf…for women. [or] a classic cardigan…stockings or pantyhose for women. [or] plain, dark leather shoes or ankle boots.” They also say that “classic items” include spectacles with thin rims, a small pile of books, hollowing out an old book, and “literary-themed accessories.”
 Here is What Wearing Black Says About You (and the 5 most common personality traits of these people),” iheartintelligence, May 28, 2020; Cassandra Sethi, “How to Wear Black,” ehow, Feb. 21, 2022; Ada Polla, “5 Rules for Wearing All Black Clothing,” HuffPost, Dec. 6, 2017; “What does black clothing symbolize?,” Colorbux, access date March 22, 2022; Cameron Wolf, “Study Confirms That Wearing Black Clothing Makes You Appear More Attractive, Intelligent, and Confident,” Complex, Aug. 28, 2015; bethany, “In Defense of Wearing All-Black,” College Fashion, Jan. 31, 2019; Ellie Krupnick, “14 Reasons Black Is The Only Color Worth Wearing,” HuffPost, Dec. 6, 2017; Brianna West, “The Psychological Reason Some Women Love Wearing All Black,” Thought Catalog, Jan. 30, 2022.“
 Vani Natarajan, “Nostalgia, Cuteness, and Geek Chic: Whiteness in Orla Kiely’s Library” in Topographies of Whiteness: Mapping Whiteness in Library and Information Science (ed. Gina Schlesselman-Tarango, Library Juice Press: Sacramento, CA: 2017), p. 122, 132; “Cute,” Dictionary.com, accessed March 22, 2022.
 Karen Heffernan, “Lesbians and the Internalization of Societal Standards of Weight and Appearance” [Abstract], Journal of Lesbian Studies, Vol. 3, No. 4, Oct. 12, 2008; “How to Dress Lesbian Chic,” Wikihow, Jan. 31, 2022.
 Shawn(ta) Smith-Cruz, “Lesbian Librarianship for All: A Manifesto” in Reference Librarianship & Justice: History, Practice & Praxis (ed. Kate Adler, Ian Beilin, & Eamon Tewell, Library Juice Press: Sacramento, CA: 2018), p. 298-299, 301, 304. I’m not even getting into the somewhat problematic and strange idea that all librarians can be “lesbian librarians” even those who aren’t lesbian. I think she just chose the wrong term for it. Maybe “social justice librarian” or something like that would have been better.
 “Cast Biographies,” Dykes to Watch Out For Official Website, accessed March 22, 2022; Janine Utell, “The Comics of Alison Bechdel: From the Outside In,” University Press Scholarship Online, Sept. 2020; Michael Rhode, “Alison Bechdel at Politics and Prose bookstore,” May 4, 2012, Wikimedia Commons; Elizabeth Fernandez, “It’s just a drag, darling, but this is a big election,” F.M.I.: Female Mimics International, Vol. 20, No. 1, #57, 1990, p. 41. My favorite part of this quote was this: “Other critics offer a more unusual complaint: The contest has become overly conventional. Candidates nowadays resemble librarians more than drag queens, some say.” It made me laugh a lot as it says a lot about what people see as librarians.
 Molly Wetta, “What makes a work wardrobe?,” Librarian Style, Jun. 1, 2021.
 “Bookworms’ backs up,” Sunday Star Times, Jan. 31, 2009; Kara Jesella, “A Hipper Crowd of Shushers,” New York Times, Jul. 8, 2007; Brytani, “A Study of Librarian Fashion,” The Intrepid Nerd, Oct. 6, 2011; Heather Slania, “Welcome to the Librarian Fashion blog!,” Librarian Fashion, Mar. 22, 2011. Slania is now the Director of the Decker Library at MICA and was formerly the Director of the Library at the National Museum of Women in the Arts.
 “Library fashion slideshow,” New Zealand History, Ministry for Culture and Heritage, accessed Mar. 22, 2022; The Sassy Librarian has a tag on their website with stylish librarian outfits; Roberta, “Rounding Up,” The Chic Librarian, Oct. 18, 2013. Wikihow has a whole article entitled “How to Wear the Sexy Librarian Look” in which they describe it as “playing on the idea of a quiet library with a quiet librarian” with clothes like: “partially unbuttoned shirts, dark stockings, sexy heels, and red lipstick.” A perfect example of this is a cutaway gag of a librarian in a Family Guy episode where the librarian tries to act sexy but the man looks away.
 Kyle Cassidy, “About,” This is What a Librarian Looks Like, accessed Mar. 22, 2022; Jordan G. Teicher, “This Is What a Librarian Looks Like,” Slate, Feb. 11, 2014. There is also a Tumblr which ran from 2010 to 2020 which smashed stereotypes about what librarians wear, called “Librarian Wardrobe.”
 “Personal Appearance: Beards and mustaches in the US Navy,” Naval History and Heritage Command, May 7, 1963; Devon Suits, “Army announces new grooming, appearance standards,” Army News Service, Jan. 28, 2021.
 “Dress for Success,” Harvard University Facility of Arts and Sciences, Office of Career Services, accessed Mar. 22, 2022; Helen Monks, Leesa Costello, Julie Dare, and Elizabeth Reid Boyd (2021), “‘We’re Continually Comparing Ourselves to Something’: Navigating Body Image, Media, and Social Media Ideals at the Nexus of Appearance, Health, and Wellness” [Abstract], Sex Roles, 84, 221-237; Atefeh Yazdanparast Ardestani, “The Quest for Perfect Appearance: an Examination of the Role of Objective Self-awareness Theory and Emotions” [Summary], Aug. 2012, UNT Digital Library; D.J. Williams., Jeremy Thomas, and Candace Christensen, “‘You Need to Cover Your Tattoos!’: Reconsidering Standards of Professional Appearance in Social Work” [Abstract], Social Work, Volume 59, Issue 4, October 2014, Pages 373–375; Leslie J. Heinberg, J. Kevin Thompson, and Susan Stormer, “Development and validation of the sociocultural attitudes towards appearance questionnaire” [Abstract], International Journal of Eating Disorders, Jan. 1995; Oleg O. Bilukha and Virginia Utermohlen, “Internalization of Western standards of appearance, body dissatisfaction and dieting in urban educated Ukrainian females” [Abstract], European Eating Disorders Review, Dec. 21, 2001.