Tag: Japanese women

Celebrating fictional library workers

Post author By Burkely Hermann
Post date May 1, 2023
No Comments on Celebrating fictional library workers

Happy May Day! Today is also known as Labour/Labor Day and International Workers’ Day, celebrating working classes and laborers, which is promoted by the international labor movement. It is celebrated every year. In her 2018 In the Library with the Lead Pipe article, “Vocational Awe and Librarianship: The Lies We Tell Ourselves,” Fobazi Ettarh stated that a lack of compensation for library work is nothing new, with underemployment issues as a continued source for unhappiness. Librarians continue to be paid hourly and isn’t a primary job for everyone, while the institution gains reduced price or free labor with the enforcement of awe through its “dramatic and heroic narratives.” Interconnected to this is the mythologies of vocational awe which reinforces “themes of sacrifice and struggle,” while librarianship sustained itself through labor of librarians who reap only the “immaterial benefits” of having done supposedly “good work.”

This interconnects to fictional librarians. In this article I’ll focus on librarians who presumably get a wage, rather than student librarians which I wrote about earlier this month, or salary. [1] These librarians include Kaisa in Hilda, Isomura in Let’s Make a Mug Too, Lydia Lovely in Horrid Henry, and Ms. Herrera in Archie’s Weird Mysteries. There’s also unnamed librarians in We Bare Bears, Gabriel DropOut, Akebi’s Sailor Uniform, and Cardcaptor Sakura, to name a few who work in public or school libraries. All of those and more will be reviewed in this article.

Kaisa is a supporting character in Hilda and she works at the Trolberg Library. Although she is never shown getting a paycheck, there is no doubt that she is receiving some wages or salary. However, it is implied that she may be overworked and may be experiencing burnout. She often has to deal with annoying patrons, like Hilda herself. Even so, she is still helpful to patrons like Hilda and her friends. She is even a person who would stand up to her bosses, as she would have done in standing against them in a scene which never made it in Hilda and the Mountain King. Otherwise, she seems relatively content with her job, at least as her scenes in the show indicate, although the times we see her is relatively limited, so its hard to know for sure.

Since the show is set in an alternate version of Scandinavia, we can say she would earn an average salary of approximately 9,936 Euros or about $17,843 U.S. Dollars. [2] However, if we chose largest amount, she would earn about $42,274 U.S. Dollars a year, and around $3,386 U.S. Dollars a year at the minimum. Compared to those classified as Librarians and Library Media Specialists by the BLS, the average salary of $61,190 U.S. Dollars a year. Her salary is closer to those classified as Librarian Technicians and Assistants by the BLS which earn an average salary of $34,050 U.S. Dollars a year. Hopefully Trolberg has enough money to pay her, so I’m going to hope that she earns the equivalent of $37,000 a year, which means she would earn about $17.78 dollars an hour, assuming a 2,080 hour work year. That may be far too optimistic, but I’m really hoping here.

That brings me to Isomura in Let’s Make a Mug Too. She is a librarian and curator of local ceramics museum in the town of Tajimi. Since she has both jobs, she doesn’t devote all of her time to the library. However, she is from the city hall and is apparently a new hire. Now, librarians in Japan have an average salary of $5,882,809 Japanese Yen, the equivalent of $44,355 U.S. Dollars or $295,721.24 Chinese Yuan Renminbi. As for curators, they earn a bit more, $6,717,387 Japanese Yen. [3] That is equivalent of $337,578.57 Chinese Yuan Renminbi or $50,647 U.S. Dollars. If we average the two together, assuming she has a librarian-curator position, she would be earning an equivalent of $47,501 U.S. Dollars a year. If we use the same amount of hours per year I mentioned earlier, then she would earn about $23 dollars an hour! That’s pretty good for an amount of money to earn in a year.

The curator talking to the show's protagonist about pottery in Let's Make a Mug Here — The curator talking to the show’s protagonist about pottery

More broadly, the library that Isomura works in is one of the thousands of libraries in Japan. Some of those are listed on the “List of libraries in Japan” page. A small number of these libraries are “beautifully designed” and I’d guess that some of them are like temples, as some are said to be designed by so-called “master architects.” Libraries in Japan have evolved from being a study room and place for limited use to a place with attitudes about guarding the “people’s right to know” and ensuring equal and free access to information for everyone. Furthermore, librarians in Japan said to be “very passionate” about including “all areas of thought” in their daily discourse and collections, since library collections in World War II were heavily censored. [4]

There are many librarians in Japan who work at public libraries. Take, or example, the unnamed librarians Cardcaptor Sakura. The latter show has librarians shelving books and searching for items on their computers, helping the protagonists. They seem respected by those in the library itself. Unfortunately, looking at the listing on IMDB, it does not appear that the four, or even more, librarians in the episode are uncredited, unless they are listed as a character. The same can be said about the two unnamed librarians who appear briefly in the first episode Rascal Does Not Dream of Bunny Girl Senpai, “My Senpai is a Bunny Girl”. Both work at Fujisawa Library, a public library.

Similarly, consider the librarian in Gabriel DropOut. She has a more direct role. In the episode “Fun Forever After…”, an unnamed female librarian helps Tapris, who stumbles at first when getting into the library and struggles to get on the internet. She doesn’t even know what a mouse is, and even touches the screen when its not a touch screen. The librarian helps her, guiding her to books on computers and programming, leading Tapris to read books about them. Again, unfortunately, the librarian is not credited.

This differs from the unnamed librarian in Akebi’s Sailor Uniform. She works at an all-girls private school, Roubai Girls’ Academy. In one episode, “There’s No School Tomorrow, Right?”, she shushes protagonists Akebi and Erika after they excitedly talk to one another. After the librarian shushes them so they express themselves non-verbally and remain excited to hang out that upcoming Saturday, the following day, together. Like other school librarians, she likely takes training courses and work to make sure the services of the school library meets the needs of the school. [5]

This contrasts with Lydia Lovely in Horrid Henry, a children’s animated series set in the United Kingdom. She works as a school librarian during the series but is generally disrespected by the show’s protagonist. Putting aside that a White woman voices her, even though she is a Black woman, as I’ve talked about how this is problematic in the past, lets consider an average salary. In the UK a librarian earns about £23,019 British Pounds a year, and £10.14 British Pounds an hour. [6] That’s the equivalent of about $28,788 U.S. Dollars a year, or about $13 USD an hour. That is relatively low compared to what I’ve mentioned before. I’ll get to librarians in the U.S. later.

Henry's teachers, with Lovely on the right — Henry’s teachers, with Lovely on the right

The diversity of UK librarians is even worse than in the U.S.: 97% of librarians identify as White! Compare that to the U.S. where 87% identify as White according to recent information. As such, Lydia Lovely is in the minority in terms of Black librarians in the UK. I don’t know whether there are Black librarian groups there like there are in the U.S., but I sure hope so, because they really need more diversity in their ranks of librarians, without a doubt.

They aren’t the only librarians in the UK which I’ve found in my watching of animated series. There’s the unnamed librarian in Sarah and Duck, a non-human librarian. Appearing in the episode “Lost Librarian” and voiced by Tom Britton, this librarian works at what appears to be working at the public library. Sarah and Duck who had gone to the library to learn about a periscope, help him after he loses his paper catalog . He eventually gets back the paper catalog, even as he shushes the duck at a later point. The one thing that is strange is that he has a paper catalog and there is no back-up. Strange and supports the idea of stereotypes of librarians and libraries as antiquated.

This profoundly contrasts with the librarian in Totally Spies who may be voiced by Janice Kawaye, a voice actor of Japanese descent, as I’ve written before, most recently in March 2022. She works at the Liverpool Library, based off the Liverpool Central Library as I noted in my post on April 18. It is the largest of the libraries in Liverpool. If she continued to work there, even as a buff librarian, with some spinster qualities, she would be in a building with “Wi-Fi access throughout the building with 150 computers” according to the library’s official website. The library also has 15,000 rare books, a local studies collection which provides the “rich and fascinating history of Liverpool“. Furthermore, in connection to what the librarian does in the episode, they charge for late returned items. This is something being phased out in many libraries, although Liverpool Central Library isn’t one of them.

That brings me to Gabrielle in I Lost My Body. In the mature animated film, set in France, this librarian, voiced by Victoire Du Bois, she is a young woman who becomes friends with the protagonist after he, a pizza delivery person, delivers a pizza to her. She asks if he is ok, says he should change jobs, and they talk through the intercom while there is a hard rain outside the apartment building. She tells him she works in a library. It is later revealed, she delivers medicine to a man named Gigi. That she works at the Guy de Maussurant Library, possible referring to Guy De Maupassant, who is a great French writer of short stories. As a librarian there, checks out books for him there, helps him, tells him to bring them back in four weeks. Through it all she has an annoying unnamed library supervisor, while acting thoughtful, elusive, and hip from time to time. She rides a motorcycle, like Rin Shima in Laid-Back Camp, and is unique in that way.

Currently, the average salary of librarians in France is €47,292 Euros. That is the equivalent of about $50,534 USD per year, or $24.2 per hour, assuming the same 2,080 hour work year I mentioned earlier. It is worth noting that there are over 16,000 “public reading spaces” in France, but only 17% of the population are registered library users, due to limited hours open, remoteness, and continued stereotypes. At the same time, libraries of American Committee for Devastated France, otherwise known as CARD, containing librarians from the U.S., served as the foundation of modern libraries in France. There are also various professional organizations for librarians in the country. [7]

For Gabrielle, her job is probably pretty secure, even recommending The World According to Garp when he brings back another book. She probably doesn’t he has a second job seems to imply that her librarian job may not be paying her enough to stay afloat. However, if a second job is emblematic of the librarian field in France, one might say it means there is precarity at play. As Yoonhee Lee put it in American Libraries, “precarity within and outside of libraries is tied to larger structural forces.” If this is the case for Gabrielle, it could mean, on the one hand, that her job is not as secure and a symptom of larger trends. After all, it seems to be the case in France, at least to some extent, especially for those in the gig economy. [8]

Bookworm supports oppression against Rocky and Bullwinkle

That brings me to Cletus Bookworm in The Adventures of Rocky and Bullwinkle and Friends. He is a librarian in the small town of Frostbite Falls, Minnesota. Considering he is in the U.S., and in small town, what Jessi Baker, a small-town librarian said, is relevant here, that such librarians “often follow a different set of professional norms” since what may be considered “professional behavior in a larger area could be considered impersonal behavior by a small-town patron.” There is even an Association for Small and Rural Libraries. Other librarians also pedal around books and deliver them across the town. [9]

In the case of Bookworm, he appears to be respected enough to stay in his position even though he is complicit in kidnapping of his own patrons. Although this matters little to him, as all he wants in the library, similar to the general librarian stereotype of shushing librarians. is order in the library by any means necessary. He is very different from other librarians, like Archie the Archivist in Regular Show, which is set in an indeterminate location, who helps the protagonists, and is also the guardian of special laser discs, for some reason.

That brings me to the many librarians in the U.S. As I noted earlier, Librarians and Library Media Specialists earn an average of $61,190 U.S. Dollars a year and Librarian Technicians and Assistants earn an average salary of $34,050 U.S. Dollars a year. Most of the animated librarians in Western animation work in public libraries. Consider the unnamed librarian in We Bare Bears who is seemingly of Thai descent, who works at a branch of the the Los Angeles Public Library. She is shown as burned out and overworked, similar to Kaisa in Hilda.

She is not unique in this. Arguably Stewart Goodson and Myra in The Public may be be burned out to an extent. This differs from Mr. Anderson, the library manager. They all work at the Cincinnati Public Library. Also working in the Midwest is Bobby Daniels in The Ghost and Molly McGee and Clara Francis Censordoll in Moral Orel. Daniels is unique. He is one of the only Latine librarians apart from Mateo in Elena of Avalor and Eztli in Victor and Valentino that I know of in animation. Mateo is voiced by a gay man named Joseph “Joey” Haro, who is of Cuban descent, while Eztli is seemingly voiced by Jenny Lorenzo, who is also of Cuban descent. Daniels is voiced by Danny Trejo, he is presumably of Mexican descent since Trejo is of Mexican descent. There is a rich history of Mexican-American librarians, otherwise known as Chicano librarians, which tries to change the culture of the libraries they worked in to better suit their communities rather than White culture despite institutional resistance.

Censordoll is fundamentally different. In fact, her whole character stands against all the ethics and codes which librarians attest to. She dips books in kerosene so they can be burned and throws away books said to be “objectionable.” She is the equivalent of what the librarian-soldiers were fighting against in Library War and the present-day equivalent of book-banning/censorship efforts in the U.S., which seem to get worse every day. Such efforts are arguably a manifestation of fascism, although people don’t always use that word for them.

Other librarians appear in the Mid-Atlantic. This includes Harold in Craig of the Creek, who works at a librarian in the fictional town of Herkleton, Maryland in the Baltimore/D.C. metropolitan area. Additionally, the unnamed librarian in an episode of Steven Universe, “Buddy’s Book”, is located somewhere in Delmarva, along the Atlantic coast, in what can be called the Eastern Shore. Harold is voiced by Matt Burnett while the voice of the librarian in the Steven Universe episode is not currently known. The latter librarian may be more exhausted and tired than the former, although it is hard to know for sure because she is only shown very briefly in the episode itself.

three librarians in fiction — from left to right: Sherman “Swampy” in *Phineas and Ferb*, unnamed librarian in *Rugrats* and Mr. Ambrose in *Bob’s Burgers*

Apart from these is Sherman “Swampy” in Phineas & Ferb, possibly in the mid-Atlantic region, or other unnamed librarians in the series. This contrasts from Rugrats. Considering the series is seemingly set in Southern California, it means the unnamed librarian in that series is in the same area. This differs from Bob’s Burgers which is set somewhere in the Northeastern United States. Mr. Ambrose works in a school library there, specifically at Wagstaff School. He is said to be “flamboyant” on his fandom page, implying that he could be gay.

Similarly, Archie’s Weird Mysteries is set in New York, in the fictional town of Riverdale. The series includes Ms. Herrera, who may be Latine, and a librarian ghost named Violet Stanhope. In some scenes, she is shown as not a ghost. She remains in the town as she has unfinished business in the human world and can’t leave until it is completed. For all the hassle that Herrera goes through, I sure hop she is compensated well. That’s my hope, although I’m not sure if it is fulfilled or not

Then there is the unnamed librarian in Kim Possible who would fall within the “high school librarian” and “school librarian” category listed by the BLS Occupational Outlook Handbook. She is voiced by April Winchell. The series takes place in a possibly Midwestern town named Middleton, but still located in the U.S. Considering the fact that she is a menace in the school, she may have strong-armed the administration to pay her adequately. Alternatively, she might be underpaid and is lashing out at students because her pay is low. Its hard to know. I wish someone would write a fan fiction about her, one day.

That’s all for this post. Until next time!

Notes

[1] It is possible that Iku Kasahara and Asako Shibasaki in Library War are paid, although I can’t confirm that.

[2] “Librarian Average Salary in Norway 2022.” Salaryexplorer. Accessed June 6, 2022, says average salary is 396,000 NOK (39,250.194 Euros); “Librarian [Sweden].” SalaryExpert. Accessed June 6, 2022, says average salary is 414,891 kr (39,575.039 Euros); “Librarian Average Salary in Iceland 2022.” Salaryexplorer. Accessed June 6, 2022, says average salary of 467,000 ISK (3,376.6099 Euros); “Librarian Average Salary in Finland 2022.” Salaryexplorer. Accessed June 6, 2022, says average salary of 3,170 EUR; “Librarian Average Salary in Denmark 2022.” Salaryexplorer. Accessed June 6, 2022, says average salary of 28,600 DKK (3,844.6069 Euros); “What is the average salary of a librarian in Finland? Which source do I search for more information ? There is a librarian average salary history?” Ask a Librarian, Jun. 22, 2015. Used XE’s Currency Converter on June 6, 2022, inputting these average salaries then divided by five.

[3] “Librarian Salary in Japan.” Salary.com. Accessed June 6, 2022; “Museum Curator” [Japan]. SalaryExpert. Accessed June 6, 2022. Used XE Currency Converter on June 6, 2022.

[4] “Beautiful Libraries in Japan“. JapanTravel. Accessed June 6, 2022; “8 Beautiful Modern Libraries Designed by Master Architects in Japan.” Tsunagu Japan. Accessed June 6, 2022; Kawasaki, Yositaka, Genjiro Yamaguchi, and Ryoko Takashima. “The Development of Public Libraries in Japan After World War II.” 62nd IFLA General Conference – Conference Proceedings – August 25-31, 1996; Drake, Olivia. “Librarian Speaks on Intellectual Freedom in Japan.” The Wesleyan Connection. Oct. 5, 2006.

[5] Iwaski, Rei, Mutsumi Ohira, and Junko Nishio. “Pathways for School Library Education and Training in Japan.” IFLA, May 2019. The library also appears in “Have You Decided on a Club?”, when the head of the literature club is talking to her friends in the library, and seems to read her books there to students as part of the club.

[6] “Average Librarian Salary in United Kingdom.” Payscale. Accessed June 7, 2022. Used XE Currency Converter on June 7, 2022.

[7] “Librarian Salary in France.” Salary.com. Accessed June 7, 2022; “France.” Libraries Without Borders. Accessed June 7, 2022; Dormant, Marcelline. “The French Connection.” American Libraries, Feb. 16, 2017; “Library Associations: France.” Internet Library for Librarians. Accessed June 7, 2022. The Economic Research Institute says something slightly different. Used XE Currency Converter on June 7, 2022.

[8] Lee, Yoonhee. “Bumpy Inroads.” American Libraries, May 1, 2020; Jensen, Kelly. “Librarians Under Pandemic Duress: Layoffs, Napkin Masks, and Fear of Retaliation.” Book Riot, Apr. 24, 2020; Babb, Mauren. “A Reflection on Precarity.” Partnership, Feb. 3, 2022; “Librarians fight rise of precarious work.” CBC, Mar. 27, 2016; Apouey, Bénédicte, Alexandra Roulet, Isabelle Solal, and Mark Stabile. (2020) “Gig Workers during the COVID-19 Crisis in France: Financial Precarity and Mental Well-Being.” J Urban Health 97, no. 6: 776-795; Thorkelson, Eli. (2016) “Precarity Outside: The political unconscious of French academic labor.” American Ethnologist 43, no. 3: 476.

[9] Arata, Hannah. “Hometown Librarian: Q&A with a Problem-Solving Small-Town Librarian.” Programming Librarian, May 19, 2021; Arata, Hannah. “Library on Wheels: Q&A With a Book Biking Librarian.” Programming Librarian, Aug. 23, 2021.

Tags Akebi's Sailor Uniform, burnout, Cardcaptor Sakura, catalogs, Cuban librarians, Cuban men, Cuban women, DC Super Hero Girls, elderly people, Fobazi Ettarh, Gabriel DropOut, Hilda, Horrid Henry, Japanese librarians, Japanese women, Kaisa, Kim Possible, Laid-Back Camp, Latine librarians, Latine men, Let's Make a Mug Too, librarian stereotypes, Librarians of Color, librarianship, Libraries are not neutral, Libraries as temples, library patrons, library stereotypes, Library War, library workers, magic, Mexican librarians, Mexican men, Moral Orel, motorcycles, Non-human librarians, Phineas and Ferb, precarity, Rascal Does Not Dream of Bunny Girl Senpai, reading, Regular Show, Rocky & Bullwinkle, Rugrats, Sarah and Duck, shelving, shushing, spinster librarians, Steven Universe, Thai librarians, Thai women, The Ghost and Molly McGee, The Owl House, Totally Spies, vocational awe, voice actors, We Bare Bears, White librarians, White women

animation anime comedy Comics fantasy Fiction genres harem Japanese people Librarians Libraries Pop culture mediums public libraries romance romantic comedy school libraries slice-of-life special libraries speculative fiction webcomics

From action to romance: Examining student librarians in anime

Post author By Burkely Hermann
Post date April 11, 2023
1 Comment on From action to romance: Examining student librarians in anime

The Japanese Library Association (JLA) reports that almost all of the schools in Japan have libraries, with tens of thousands in elementary and junior high schools, and less in high, middle, and special schools. Specifically, there are many more libraries in elementary schools than in other schools, due to the number of schools. Even so, there is a School Library Law first enacted in 1953, which states that schools “should have libraries,” and a 1997 amendment which led teacher librarians to be sent to schools with more than 12 classes. However, they aren’t excepted from regular duties as teachers of specific subjects in classrooms. [1] In addition there is a library law which was first enacted in 1950, with amendments from 1952 to 1965. This focus is reflected in anime, which I’ll focus on in this post, bringing together many other scattered posts on this blog which have included student librarians.

All these characters work in school libraries, otherwise known as school library media centers, which are libraries within schools where students, staff, and parents of the school have access to resources, with a mission to allow all members of the school’s community to have equitable access to resources,while using different types of media, the internet, and books. They are distinct from public libraries because they extend, support, and individualize the curriculum of the school, and as the coordinating and central agency for school materials. They have been praised for positively supporting student assessment. [2] These libraries are meant to serve small and large groups,having a learning space for students, functioning as a central location of information available. It also allows students to safely access internet, and has collaborative ventures with staff, providing opportunities for students. At the same time, the budget is important, while school libraries are staffed either by librarians, teacher librarians, or others who have a library science degree. [3]

When it comes to librarians in anime, they are student librarians. Speaking broadly, not specifically about Japan, but about these librarians in general, they provide valuable input for library development and “raise the profile of the library among their peers”. They also ensure day-to-day operations of libraries, although they only work during lunch and break times, but has to perform their duties or they will be replaced or fired. In such schools where this is available, many students have the opportunity to become a librarian. However, in some higher education institutions, students can be paid. In other cases, they might be student library aides. [4]

One of the first librarian characters I came across was Hisami Hishishii in R.O.D. the TV. Voiced by Taeko Kawata in Japanese, and by Megan Taylor Harvey in English dub, Hisami is a student librarian. Her character also is, in keeping with how librarians are usually portrayed, quiet, shy, and lover of books. At the same time, she is a friend with the protagonist, Anita King, who she has a crush on. She further has the distinction of being a 13-year-old author as well. Such characters appear as they are in line with preferences of anime viewers who are mostly in high school themselves, meaning that many anime are set in high school, although that doesn’t always limit the storytelling. [5]

Some examples of student librarians in anime. From left to right: Yamada, Azusa Aoi, Fumi Manjōme, Fumio Murakumi, and Himeko Agari

This contrasts with Yamada in B Gata H Kei. Voiced by Yukari Tamura in Japanese, and Brittney Karbowski in English dub, she goes to a high school in Japan. Using data summarized by the JLA, elementary schools have four times more libraries than high schools, because there are many more elementary schools than junior high schools, middle schools, or special schools. Similarly, Azusa Aoi in Whispered Words, who is voiced by Mayuki Makiguchi, and Fumi Manjōme in Aoi Hana / Sweet Blue Flowers, who is voiced by Ai Takabe, are both student librarians in their respective anime. Additionally, there’s Fumio Murakumi in Girl Friend Beta, voiced by Kaori Nazuka, who goes to a high school, and Himeko Agari in Komi Can’t Communicate, voiced by Yukiyo Fujii. If I remember right, Hasegawa Sumika in Bernard-jou Iwaku a.k.a. Miss Bernard said, voiced by Aya Suzaki, is at an elementary school or some school lower than a high school.

Beyond this is Rin Shima in Laid Back-Camp, voiced by Nao Tōyama, Nagisa Yasaka in My Roommate is a Cat (“What Connects Us”), who is voiced by Hisako Tōjō, and Sumireko Sanshokunin a.k.a. “Pansy” in Oresuki, voiced by Haruka Tomatsu. There’s also an unnamed and uncredited librarian in Kin-iro Mosaic aka Kinmoza (“The Girl on My Mind”). In fact, the only male student librarian with a name I know of at present is Yuu Izumi in Shikimori’s Not Just a Cutie (“Cultural Festival I”). He is voiced by Shūichirō Umeda and he works alongside Kamiya, who is voiced by Ayaka Fukuhara.

There are two or three unnamed librarians in a Revolutionary Girl Utena episode (“The Sunlit Garden – Prelude”). From my current listing of fictional librarians, I’m not aware of any student librarians in Western animation as of yet, apart from the library clerk in The Simpsons episode (“Bart’s Girlfriend”), who is voiced by Hank Azaria. That’s it. Most are much older. Sabine in Sabine; an asexual coming of age story, is a student librarian, but she is in a webcomic and it is unlikely that will become an animation. However, if it does become an animation, she will be the first asexual librarian that I’m aware of in an animated series.

Some student librarians go to special schools. For instance, Chiyo Tsukudate in Strawberry Panic!, voiced by Chiwa Saitō, goes to an elite all-girls school. She goes to St. Miator’s Girls’ Academy, which is affiliated with two other all-girls schools, specifically St. Spica’s Girls’ Institute and St. Lulim’s Girls’ School. Comparably, in Manaria Friends, Anne and Grea go to the Mysteria Academy of Magic. Anne, who is voiced by Yōko Hikasa, and Grea, voiced by Ayaka Fukuhara, both help out in the library during the episode “Hide-and-Seek”. They also serve as library patrons in various other episodes.

There are various characters who are not student librarians, like Lilith in Yamibou, who is voiced by Sanae Kobayashi, an unnamed librarian in a Little Witch Academia episode (“Night Fall”), or characters in Library War like Iku Kasahara and Asako Shibasaki. Furthermore, Sophie Twilight in Ms. Vampire who lives in my neighborhood is a personal librarian and does not go to school. This is just a small listing of those librarians who are not students and are not, as a result, student librarians. [6]

The same can be said for the librarian in the strange first-person series, Makura no Danshi, also known as Makuranodanshi. Although he is apparently a “librarian boy”, he is 28 years old. Named Shirusu Mochizuki and voiced by: Kōsuke Toriumi, he appears in the episode “Librarian Danishi”, talking to the audience while shelving books and waking up a sleeping patron. In a connection to my review of librarians who sleep at the information desk back in January, he declares that naps disturb the other patrons and to not sleep in the library.

He also remembers frequent patrons, sees what people are reading in the library and he says he enjoys selecting books for patrons to read. He later makes an exception for the audience saying to rest there until his shift is over and goes further and declares that the library can become a place of “emotional healing.” That connects, in some way to my next example, this time of a student librarian.

Izumi and Kamiya working in the library together

One of the more intriguing student librarians I have come across during my anime watching is a blue-haired girl Kamiya, also known as Kamiya-san, in Shikimori’s Not Just a Cutie. She is friends with the purple-haired protagonist, Izumi. She is on the library committee and he helps her put away some books, which all have Japanese call numbers. Although she is described as having a “cool but kind exterior,” with male and female fans, along with the ace of the volleyball team, this, and Izumi’s description of her as calm, composed, and pretty, is somewhat thrown into question.

She may be socially awkward as despite her popularity she wants to get away from it all and find a place that is quiet, the library. That is, in fact, how they first met, a year and half before, when she showed him how to enter books and items into the library catalog. At the present, she first tells Izumi he is different because he has a girlfriend, Shikimori, then grills him about it. She becomes impressed with his story and is a bit of a romantic rival to her in more ways than one.

It is later revealed to be a coincidence that both are paired for couples photos for the cultural festival and are on library duty together. In many ways, Kamiya is fulfilling the IFLA/UNESCO School Library Manifesto of 1999 which states that school libraries equip “students with life-long learning skills and develops the imagination, enabling them to live as responsible citizens”, as the skills he learns while working at the library will likely help him in the future.

Then, in the episode “Cultural Festival II”, Izumi and Kamiya are again in the library for library duty while the cultural festival is going on. They both talk about a recent movie they both watched. She has a vision or dream before that, at the beginning of the episode that she is losing Izumi to Shikimori, which makes her sad. While Izumi says he wasn’t expecting a conversation about lost love and expectations with Kamiya, he is glad they are talking about it. Kamiya even has the grace to trade e number with Shikimori so she can be with Izumi during the festival, something she didn’t have to do, but it says a lot about her as a character. As such, she is a librarian character, and so much more, who has a strong supporting role in this anime.

This is in stark contrast to other librarians in anime. Take for example the unnamed student librarians in an episode of Azumanga Daioh (“One Spring Night”). Seen helping patrons at the beginning of the episode while at the information desk, these two librarian aides, one of whom is a woman and the other a man, tell the protagonists, who are studying there, that they are leaving for the day. They ask them to turn off the lights when they leave. While this would be unthinkable for some librarians to ask patrons to close up for them, it is in-keeping with the slice-of-life vibe of the series, which sometimes is a bit chill and at other times wades into surreal comedy. In any event, the protagonists end up turning off the light and leaving before it gets too dark, as they have no reason to stay there and have to get back home.

Joro sitting next to Pansy at a table in the school library

Diametrically opposed to the previous examples is Sumireko Sanshokunin a.k.a. “Pansy” in Oresuki. Voiced by Haruka Tomatsu, she wears glasses, braids, and has a “sharp tongue,” to say the least. In the first episode, she is described as a quiet and plain library aide by the show’s protagonist, Amatsuyu “Joro” Kisaragi, at first. This is thrown into question when it turns out she has been stalking and watching him, while she holds the Strange Case of Dr Jekyll and Mr Hyde, a novel by Robert Louis Stevenson.

The novel is said to be a book defining in the gothic horror genre, while the phrase “Jekyll and Hyde”refers to those who appear outwardly good but are actually shockingly evil. In this episode, she has some of that nature in that she ships a bench Joro had been sitting on to the library and pressures (and manipulates) him to coming to the library every day during lunch after confessing her love to him. He agrees on the proviso that the library is a “secluded” space.

Her actions on the face, violate the Code of Ethics for Librarians outlined by the JLA. In fact, Joro calls her a “demonic stalker” in the next episode. However, she remains aware of everything going on, an helps him out, and is later called, in the episode “I Met You Before” as a “formidable woman”. As rumors swirl across the school about Joro, she uses her role as a student librarian to encourage Oga, a star athlete at the school, to reveal he set up Joro, by convincing two other students, Himawari and Cosmos, that he lied to them. It is then that she reveals to Joro that she is the girl he fell in love with at a baseball game and is only taking on the appearance of a quiet, reserved librarian to hide her true nature from everyone else, especially from a supposed “demon” who is after her.

As the show goes on, the library becomes a place that Joro, and his newfound friends, Cosmos, Himawari, and Oga, study, while Pansy gains new friends of her own. It even becomes a place to whether the crises he weathers, like a libelous article claiming he has three girlfriends written by a jealous reporter, Asunaro. In the meantime, she becomes more comfortable with herself, and a new student even meets everyone in the library.

The “demon” of Pansy is revealed when there is a concerted effort to save the library, in the latter part of the show’s second season, a boy from her previous school, Hose. The school administration declares that there needs to more traffic from people using the library, i.e. more patrons, to prevent it from being closed. This is successful, and the library becomes a social hub for students, but its role as a secluded place is lost. Even so, more students means she can more effectively serve library patrons and beats an attempt to impede library activities, standing against the JLA’s statement on intellectual freedom in libraries which was last revised in 1979.

It turns out that Hose once had a crush on her in middle school, and he will stop at nothing to make her his, with two girls almost serving as his lackeys. This means she changed her appearance in order to avoid a possessive man who still loved her. Ultimately, Hose loses a bet with Joro, and Pansy says they can keep meeting in the school library, saying she still loves Joro, despite the fact she calls him “industrial waste” after he asked Pansy, Cosmos, and Himawari to be his girlfriends. The latter is seemingly a plea to get Pansy to have more friends, showing he cares about others beyond himself, at least in this case, even though he is generally a despicable character.

Library in Seitokai Yakuindomo — As of the writing of this post, I have not yet watched *Seitokai Yakuindomo*, the screenshot of which is shown above, but according to the fandom page, in this series the library is a “popular place during exam season” and many characters hang out there.

What Pansy experienced is not at all surprising considering there are reports of people sexually molesting girls in Japanese libraries, which are known as toshoshitsu in Japanese, ongoing sex-child prostitution involving high school girls, and sexual assault of schoolgirls on public transit. On a non-terrifying and disturbing note, there’s also a dedication to the privacy of library users, in line with the JLA’s statement I mentioned earlier, saying that it isn’t right if “people cannot use a library free from anxiety.”

Topics in libraries in Japan are organized by subject and letter, along with reference and foreign language books. What’s in the library would differ depending on whether the library is in a preschool, elementary, junior high, or high school. Furthermore the fact that attendance is almost universal with no absences, the education is intense, rules for uniforms are strict, students clean the bathrooms, classrooms, and cafeterias of their schools, and balanced meals provided in schools undoubtedly influence library environments in schools. [7]

There are other libraries in Japan too, beyond those in schools. This includes the National Diet Library, which made an appearance in R.O.D. the TV, the National Film Center Library, Automobile Library, Asia Library, Japan Aeronautic Association Aviation Library, an anime library, a manga library, and the related Diplomatic Archives and National Archives of Japan, to name a few. There’s also, apart from the ALA, the Japan Association of National University Libraries, Japan Special Libraries Association, and Japan Society of Library and Information Science. There’s even overnight libraries which are styled after remolded traditional homes which can be used by students as a place to study after school or relax. At one time they were even lending libraries at hospitals, library festivals in some places in Japan, and books just devoted to autobiographies. [8]

More broadly, there are libraries in “nearly every town and neighborhood in Japan,” meaning that is common to see people during their commutes or outside reading books and other materials. These libraries are “cultural facilities for the dissemination of knowledge” in Japan, sometimes having unique designs, water fountains, and library committees (at least in schools) where students are assigned library duties. Due to this role, it is no surprise that many libraries in the country prohibit photography. [9]

All of these libraries in Japan is not much of a surprise. After all, in Japan, having “harmonious relations with others” with reciprocity and fulling social obligations is more important than a relationship someone has to a so-called “higher power”. As such, order, harmony, and self-development underlie much of Japanese social interaction, which is why substitutes are rarely used, lunches are eaten in classrooms, and summer break is only 5 weeks long. Some schools even have classes on Saturday and there are various student clubs. Most also walk or bike to school if the distance isn’t that long. [10]

The fact that many Japanese librarians in anime are schoolgirls is in line with the audience of such animated series and likely current dynamics in school itself. Japan is a patriarchal society where men are portrayed to be the leaders and not in “feminized” professions like librarianship, with more men in the workforce, for all professions, than women. This is happening while Japan’s society is greying with an estimated 40% of the population to be elderly by 2060. [11] In the end, there will continue to be Japanese librarians in school environments going forward, a trend which isn’t going to end anytime soon.

Notes

[1] Teachers who are part of the JLA are part of its School Library Division. There are also divisions for public libraries, university libraries, junior college libraries, special libraries, and education. There are also committees and working groups which focus on, according to the JLA, “library policies, library management, copyright, intellectual freedom, bibliography, preservation and conservation, services for the handicapped, publications, library services for children and young adults, international relations, etc.” A June 2020 article in Nippon also stated that the number of libraries in Japan is increasing.

[2] “Standards for the 21st Century Learner,” American Association of School Librarians (AASL), 2007; “Frequently Asked Questions.” American Library Association, May 12, 2008; “School Library Campaign.” American Library Association,” November 23, 2008; Morris, Betty J. Administering the school library media center (Westport, CT: Libraries Unlimited), 2013, p.32; “Student Learning through Ohio School Libraries : The Ohio Research Study.” Ohio Educational Library Media Association, Feb. 21, 2004; Lonsdale, Michele. “Impact of School Libaries in Student Achievement.” Australian School Library Association, 2003. Also see AASL position statements.

[3] Morris 2004; De las Casas, Dianne. (2010). “Tag! you’re it!”: playing on the digital playground. Knowledge Quest, 39(1), 80-82; “School Library Handbook.” The Wyoming State Library, Jun. 6, 2021; Thomas, Margie J. and Patsy H. Perritt. “A Higher Standard: Many states have recently revised their certification requirements for school librarians.” School Library Journal, Dec. 1, 2003; “School Libraries & Education.” American Library Association, accessed June 4, 2022; “Strong School Libraries Build Strong Students.” AASL, 2013. Also see some sources listed on the School library Wikipedia page.

[4] “Student librarians.” National Library of New Zealand. Accessed June 5, 2022; “School student librarians.” St. Augustine’s CE High School. Accessed June 5, 2022; “2019-2020 Student Librarians.” Ilako Library. Accessed June 5, 2022; “Student Librarians.” Co-Op Academy Walkden. Accessed June 5, 2022; Slater, Lewis. “The Student Librarians.” Unity College, Jun. 1, 2019; “Student Librarians.” Tarlton Law Library. Accessed June 5, 2022; “Student Librarians Update Library.” Cambian University, Apr. 3, 2022; “Librarians for First-Year Students.” Harvard Library. Accessed June 5, 2022; Pollock, Natasha. “Student Librarians: Contributors in Our Learning Community.” Books Are Just the Beginning, Feb. 14, 2017; “Student Librarians.” Kettering Science Academy. Accessed June 5, 2022; Onwubiko, Emmanuel Chidiadi. “An Assessment of the Effect of Self-efficacy, Reading Culture, Utilization of Library Habits on the Academic Achievements of Student-librarians.” Library Philosophy and Practice, May 2022; “History.” Board Of Student Librarians. Methodist’ Boys School Kuala Lumpur, Aug. 23, 2010; Heraper, Sue. “Managing a Successful Student Library Aide Program.” Student Library Aide. Accessed June 5, 2022; “Student Library Aide.” Mississippi Department of Education. Accessed June 5, 2022.

[5] Kemner, Louis. “25 Best High School Anime, Ranked.” CBR, May 15, 2022.

[6] Others include Aruto, Iina, Kokoro in Kokoro Toshokan a.k.a. Kokoro Library, Hamyuts Meseta, Mirepoc Finedel, Noloty Malche, Ireia Kitty, Mattalast Ballory, Volken Macmani, Ruruta Coozancoona, Mokkania Fluru, Fhotona Badgammon, and Makia Dekishart in Tatakau Shisho: The Book of Bantorra, Isomura in Let’s Make a Mug Too episode (“The Garden of Sky and Wind”), unnamed librarian in Akebi’s Sailor Uniform episode (“There’s No School Tomorrow, Right?”), unnamed/uncredited librarian in Gabriel DropOut (“Fun Forever After…”), four unnamed/uncredited librarians in Cardcaptor Sakura episode (“Sakura and the Summer Holiday Homework”), and two librarians in Rascal Does Not Dream of Bunny Girl Senpai (“My Senpai is a Bunny Girl”), Atsushi Dojo, Mikihisa Komaki, Hikaru Tezuka, Ryusuke Genda, and Kazuichi Inamine in Library War, and Riichi Miura in The Ancient Magus Bride: Those Awaiting a Star.

[7] “Man arrested for sexually molesting junior high school girl in library.” JapanToday, Oct. 19, 2021; “Japanese Vocabulary – School Rooms.” PuniPuni, accessed June 4, 2022; “Statement on Intellectual Freedom in Libraries.” Japan Library Association, 1979; “Japanese School System.” Education in Japan, accessed June 4, 2022; “Explore Japan: Schools.” KidsWebJapan. JapanLinks, accessed June 4, 2022; Dom Alex, “Japanese High School Library Tour,” YouTube, Feb. 6, 2016; xxDotheMonkeyDancexx. “RYE Japan #30 – school library.” YouTube, May 16, 2013; Schaub, Michael. “Haruki Murakami’s library list is published, and Japanese librarians are up in arms.” LA Times, Dec. 5, 2015; Fifield, Anna. “For vulnerable high school girls in Japan, a culture of “dates” with older men.” The Denver Post, May 16, 2017, reprinted from The Washington Post; Ripley, Will. “Fascination with Japanese schoolgirl culture hiding a darker side?” CNN, Dec. 27, 2015; Ekin, Annette. “Sexual assault in Japan: ‘Every girl was a victim’.” Al-Jazeera, Mar. 8, 2017. Also see the Wikipedia page “Education in Japan” for more information.

[8] “Libraries & Archives: National & Administrative Libraries.” JapanLinks. Ministry of Foreign Affairs of Japan. Accessed June 5, 2022; “Libraries & Archives: Library Associations.” JapanLinks. Ministry of Foreign Affairs of Japan. Accessed June 5, 2022; “Libraries & Archives: Libraries in Specific Fields.” JapanLinks. Ministry of Foreign Affairs of Japan. Accessed June 5, 2022; “What’s Cool: Sleeping Surrounded by Books – Bookstores and Libraries that Double as Accommodation.” KidsWebJapan. JapanLinks. Ministry of Foreign Affairs of Japan. Accessed June 5, 2022; “Reading for All: “Barrier-Free” Picture Books for Children.” Trends in Japan, Dec. 9, 2002; “Library Festival.” KidsWebJapan. JapanLinks. Accessed June 5, 2022; “This is My Life: Young and Old Producing Autobiographies.” Trends in Japan, Sept. 22, 2000; “What’s Cool: Suginami Animation Museum.” KidsWebJapan. JapanLinks. Ministry of Foreign Affairs of Japan, Apr. 2005; “Exploring the History of Manga.” Trends in Japan, Jan. 22, 2007. The National Diet Library is said to have more books (and presumably materials) than any other library in Japan.

[9] “Japan in Photos – Japan Celebrates Reading Week.” Japan Up Close. Ministry of Foreign Affairs of Japan, Dec. 1, 2021; “Seaside Momochi: Waterfront Development for a Multimedia Society.” JapanAtlas. WebJapan. Ministry of Foreign Affairs of Japan. Accessed June 5, 2022; “Japan’s Blue Created With Indigo Dye.” Trends in Japan, Jan. 2014; “In the Morning.” KidsWebJapan. WebJapan. Ministry of Foreign Affairs of Japan. Accessed June 5, 2022; “Special Feature on Schools in Japan: Classroom Duties.” WebJapan. Ministry of Foreign Affairs of Japan. Jan. 2021; “Feeling Like a Protagonist on Location.” Trends in Japan. Accessed June 5, 2022; “Japan, Land of Water.” niponica, no. 15, 2015.

[10] “Values and Beliefs” within Japan: A Country Study (Washington: GPO for the Library of Congress, 1994, ed Ronald E. Dolan and Robert L. Worden), reprinted on countrystudies.us; “Explore Japan: Schools.” KidsWebJapan. WebJapan. Ministry of Foreign Affairs of Japan. Accessed June 5, 2022; Freeman, Ellen. “9 Ways Japanese Schools Are Different From American Schools.” Mental Floss, Dec. 18, 2015; “Japanese Educational System.” Japan Educational Travel.” Accessed June 5, 2022; Johnson, Marcia L. and Jeffrey R. Johnson, “Daily Life in Japanese High Schools.” ERIC Digest, Oct. 1996. School cleaning by students is intended to make students responsible for their surroundings, although there are cleaning staff as well. Also see Nishioka, Kanae. “Historical overview of curriculum organization” in Curriculum, Instruction and Assessment in Japan: Beyond Lesson Study (ed. Koji Tanaka, Kanae Nishioka and Terumasa Ishii, New York: Routledge, 2017), pp. 11-27; Tokyo Five. “13 Ways Japanese Schools Are Different From American Ones.” Business Insider, Jul 17, 2014; “Top Performing Countries: Japan.” NCEE. Accessed June 5, 2022; Ooman, Emily Joy. “10 Facts About Education in Japan.” The Borgen Project, May 20, 2020; Mandrapa, Nebojsa. “Interesting Facts about Japanese School System.” Novak Djokovic Foundation, Mar. 11, 2015; Abe, Namiko. “The Japanese Education System.” ThoughtCo, Sept. 8, 2018; “Japanese high-school students.” Contents Library. Japan Foundation. Accessed June 5, 2022.

[11] “Labor force in Japan from 1973 to 2021 by gender.” Statista, Feb, 2022; “Labor force, female (% of total labor force) – Japan.” WorldBank, Feb. 8, 2022; “Labour force participation rate by sex and age (%) – Annual.” ILOSTAT Explorer, 2021; “Country Profiles.” ILOSTAT. International Labour Organization, select “Japan” from drop-down menu; “Labor force, total – Japan.” WorldBank, Feb. 8, 2022; “Japanese Workforce Statistics 2022: Digging Into the Labor Market of Japan.” TeamStage. Accessed June 5, 2022; “Demographic Change in Japan.” Ministry of Health, Labour and Welfare of Japan. Accessed June 5, 2022; “How Japan can take the lead with an ageing workforce.” World Economic Forum, May 8, 2019. Recent statistics from the Statistics Bureau of Japan (see table 1 on this page) show more women working in the education field than men. Furthermore, e-Stat shows 144,000 men and 201,000 women working in education learning support in Japan in 2021, 136,000 women and 99,000 men working in school education in 2021. The same chart shows that 22,000 men and 12,000 women work in video picture, sound information, character information production, and distribution in 2021, which I’m assuming is referring to anime production. There does not appear to be a category for libraries, unlike the BLS in the U.S. Also see the badly sourced and poorly maintained “Labor market of Japan” page on Wikipedia for further information.

anime Fiction genres idol Japanese people Librarians Libraries Pop culture mediums school libraries

Behind the Screen: Additional Japanese voice actors who bring fictional librarians to life!

Post author By Burkely Hermann
Post date April 4, 2023
No Comments on Behind the Screen: Additional Japanese voice actors who bring fictional librarians to life!

five japanese vas — From left to right: Yukari Tamura, Mayuki Makiguchi, Ai Takabe, Chiwa Saitō, and Yōko Hikasa

Part of understanding fictional librarians is understanding those behind the screen,specifically for voices of animated characters. Part 1 of this series focused on Black voice actors, Part 2 on Asian and Latin American voice actors, Part 3 on Indian voice actors, Part 4 on Japanese voice actors, Part 5 on Japanese-speaking and English-speaking voice actors, Part 6 on White female voice actors, and Part 7 on White male voice actors.

This post brings together those characters which I forgot to add to previous parts of this Behind the Screen series and other characters I have found since putting together parts 1-7.

About the voice actors

Many of the voice actors who voice fictional librarians in anime are Japanese women. This includes Yukari Tamura who voices Yamada in B Gata H Kei, and Mayuki Makiguchi who voices Azusa Aoi in Whispered Words. Tamura is known most recently for her roles in Kaginado (Mai Kawasumi and Mei Haruhara) and Birdie Wing: Golf Girls’ Story (Mizuho Himekawa), according to her official website. Tamura previously voiced characters in Naruto, Super HxEros, Cutie Honey Universe, Crossing Time, Akame ga Kill!, Girl Friend Beta, Kin-iro Mosaic, Ben-To, Kampfer, Kashimashi: Girl Meets Girl, and R.O.D. the TV

Makiguchi is just as talented. She as voiced established characters in Bamboo Blade, Gintama, Soul Eater, Kimi ni Todoke, The World God Only Knows, Go! Princess PreCure, Puzzle & Dragons, and Master Journeys. She also provided dubbing with additional voices in Adventure Time.

The saddest story is the case of Ai Takabe who voices Fumi Manjōme in Aoi Hana / Sweet Blue Flowers, her voice acting debut role. Best known for playing Fumiyo Nabekura in Guren Onna and voicing Agiri Goshiki in Kill Me Baby. In 2015, she was arrested for cocaine use, and although the charges were dropped the following year, and she wasn’t prosecuted by the authorities, with the prosecutor admitting it was a miniscule amount of cocaine, it served as the end of her voice acting career. Some argued it was a “stark example” of the Japanese entertainment industry’s penchant for “distancing its projects from any sort of criminal activity.” In 2017, however, she married a man said to be an “elite representative of a major law firm.” She is also known for her roles voicing characters in Wandering Son and Sacred Seven.

Then there’s Chiwa Saitō who voices Chiyo Tsukudate in Strawberry Panic! and Yōko Hikasa who voices Anne in Manaria Friends. Saitō is best-known for her roles in voicing characters in Monogatari, Puella Magi Madoka Magica, Akatsuki no Yona, Fate/kaleid liner Prisma Illya, Aria, and Genshin Impact. In the case of this blog, its interesting that she voiced Anita King in R.O.D. the TV, since that series has library themes weaved throughout! She further voiced characters in Maria Watches Over Us (Mami Yamaguchi), Gintama, Whispered Words (Miyako Taema), and YuruYuri (Nadeshiko Ōmuro).

Hikasa, on the other hand, is known, for her roles voicing characters in K-On! (Mio Akiyama), Little Witch Academia (Diana Cavendish), and Shaman King (Yoh Asakura). She also voiced characters in series such as Gokujyo, Girl Friend Beta (Risa Shinomiya), Flip Flappers (Sayuri), Macross Delta (Claire Paddle), and A Couple of Cuckoos (Namie Umino).

Then there’s Ayaka Fukuhara and Aya Suzaki. Fukahara voices Grea in Manaria Friends and Suzaki voices Hasegawa Sumika in Bernard-jou Iwaku a.k.a. Miss Bernard said. Fukahara voices another fictional librarian, Kamiya / Kamiya-san, in Skikimori’s Not Just A Cutie. She is known for her role voicing characters in The Idolmaster Cinderella Girls, Arpeggio of Blue Steel and Qualidea Code. On another library-related note, she voices the Chairman in A Good Librarian Like a Good Shepherd, an anime which happens to not have that many library scenes weirdly enough.

Suzaki, on the other hand, most recently voiced Rio Isuzu in Cue!, Nora Valkyrie in RWBY: Ice Queendom, and Ichi Tanaka in Assault Lily; Bouquet. She also voiced characters in A Certain Scientific Railgun (Rikou Takitsubo), Kandagawa Jet Girls (Manpuku Kuromaru), Release the Spyce (Mei Yachiyo), and Knights of Sidonia (Ena Hoshijiro).

There are three other voice actors I’d like to mention: Nao Tōyama, Aoi Yuki, and Shūichirō Umeda. Tōyama voices Rin Shima in Laid Back-Camp, Yuki voices Dantalian in As Miss Beelzebub Likes, and Umeda voices as Yuu Izumi / Izumi-kun in Shikimori’s Not Just a Cutie.

Tōyama is known for her roles in voicing characters in The World God Only Knows (Kanon Nakagawa), Niskoi (Chitoge Kirisaki), My Youth Romantic Comedy Is Wrong, As I Expected (Yui Yuigahama), Rascal Does Not Dream of Bunny Girl Senpai (Tomoe Koga), and Kin-iro Mosaic (Karen Kujō). Yuki, on the other hand, also voiced a character in My Youth Romantic Comedy Is Wrong, As I Expected (Komachi Hikigaya) but also voiced characters in anime such as Puella Magi Madoka Magica (Madoka Kaname) and Rent-A-Girlfriend (Mami Nanami).

Finally, there’s Umeda. The only male voice actor in this post, he has voiced characters in anime such as Banana Fish, The Aquatope on the White Sand, and Zombie Land Saga.

About the characters

11 Japanese fictional librarians — Top row, from left to right: Yamada, Azusa Aoi, Fumi Manjōme, Chiyo Tsukudate, Anne and Grea. Bottom row, from left to right: Hasegawa Sumika, Rin Shima, Dantalion, Kamiya, and Yuu Izumi.

This brings me to the characters themselves. Yamada in B Gata H Kei is the protagonist of this anime. She a 15-year-old high school student who declares she will have sexual relations with 100 guys, but her insecurities result in rejections of anyone who makes a move toward her. So, Takashi Kosuda, her classmate, becomes the target of her seductive efforts. This includes working at the school library.

Azusa Aoi in Whispered Words and Fumi Manjōme in Aoi Hana / Sweet Blue Flowers are more directly librarians than Yamada, although both are also students like her. Azuza is a classmate of the protagonists, a lover of yuri, and likes to attended yuri-only events and write yuri dōjinshi. However, she disapproves of Tomoe and Miyako’s relationship as she believes that love between women should be fragile and pure, hidden away from people’s eyes. In contrast, Fumi is the protagonist of Sweet Blue Flowers. She is a shy and tall girl who has a crush on Yasuko and is good friends with the other protagonist, Akira Okudaira.

There are additional characters who are students and librarians at their respective schools. This includes Chiyo Tsukudate in Strawberry Panic!, Anne and Grea in Manaria Friends, and Hasegawa Sumika in Bernard-jou Iwaku a.k.a. Miss Bernard said. All of these characters are different from each other, however. Chiyo is a timid first-year who deeply admires Nagisa, Anne is a princess and magical prodigy, and Grea is half-human/half-dragon, who grows confident thanks to Anne. It is heavily implied that Grea has feelings for Anne and vice versa. Hasegawa is a protagonist, a librarian, and student as well.

This contrasts with Rin Shima in Laid-Back Camp. She is a student volunteer at her school library and loves to camp. She meets Nadeshiko while camping and they become friends. She is never shown doing much in the school library apart from reading a book, usually books about camping, or checking her phone. Similar in some ways to her is Dantalion in As Miss Beelzebub Likes who often sleeps in the library as he stays up late reading books upon books.

Contrasting this is Kamiya / Kamiya-san and Yuu Izumi / Izumi-kun in Shikimori’s Not Just a Cutie. Both work on the library committee together at their high school. In Kamiya’s real debut episode, “Cultural Festival I” [1] it is said that both of them had worked together before. In the episode, Kamiya says that Yuu has changed, saying it is because of his girlfriend, the show’s other protagonist, Shikimori. She is interested in his relationship with Shikimori, which he describes as uncharacteristic, remembering back to when he showed her how to use the library systems, like catalog books. The episode also shows them shelving books and Japanese call numbers on the sides of books. Anime News Network said that Kamiya “presents a cool but kind exterior, and has fans from boys and girls alike” and that she is “also the ace of the volleyball team.”

That’s all for this week. Until next week!

Notes

[1] Her fandom page says that she first appeared in episode 2, but she must have not made a lasting impression, because I don’t even remember her character. It isn’t until episode 7 that we get more of her backstory. She also has a crush on Izumi.

adventure animation anime dimly lit libraries fantasy Fiction genres iyashikei Japanese people Librarians Libraries magic libraries Pop culture mediums school libraries slice-of-life speculative fiction supernatural Thai people White people

“Against the hair of your professions”: Fictional librarians and hair buns

Post author By Burkely Hermann
Post date March 21, 2023
2 Comments on “Against the hair of your professions”: Fictional librarians and hair buns

12 librarians with hair buns in Western animation. [1] The last one is Censordoll again because she is a prominent bun-wearing librarian

Often librarians are portrayed as quiet, bookish people, who shush those who are noisy, and act in a stereotypical manner. However, librarians come in many types and kinds, either with an MLIS/MLS or not, and those stereotypes can be disrupted when a librarian changes professions as it changes audience expectations. Even so, librarians aren’t united on what the image of librarians should be changed into in order to counter the stereotypes. Through all of this, many librarians are portrayed with hair buns, part of the oft-stereotype. [2] Today, I’ll explore that, determining why this is the case, its significance in librarian portrayals, and what it means overall. As Swallow said in Act I of William Shakespeare’s classic comedy play, The Mary Wives of Windsor, “if you should fight, you go against the hair of your professions,” meaning that you are going against the grain.

Fictional librarians are often shown with so-called “traditional” outfits, looks, and hairstyles, including hair buns, which are symbolic in research around stereotypes themselves. This has even cropped up in webcomics. This is in part because styling one’s hair can be “highly politicized” and complicated, especially for people of color, who experience microaggressions when people want to “touch” their hair or question it entirely. Some have even argued that different hair styles can be empowering and resist stereotypes, even as a library can be a “very conservative” place to work, although this may not be as strict in university library environments. Hair can also be an opportunity to communicate change, while serving as an intricate part of the identity and responsibility of the profession itself, with different hair styles having the potential to dispel stereotypes. [3]

In Western animation, this is clear as librarians of color, like Clara Rhone in Welcome to the Wayne, and Mira in Mira, Royal Detective episode (“The Case of the Missing Library Book”) don’t wear hair buns. Neither does Ms. Herrera in a Archie’s Weird Mysteries episode (“The Haunting of Riverdale”). However, the unnamed librarian in a We Bare Bears episode (“The Library”) prominently wears a hair bun, and serves as the only librarian of color that I know of, in Western animation, that does so. This could be a function of her role in the library and set rules which may establish that she dresses to “impress” in a semi-formal outfit. So, it could be a consequence of that, as other librarians I’ve mentioned may work in environments which are more open with their rules around self-expression or care little about how people look.

When it comes to White female librarians in animation, it is a different story. Apart from Kaisa in Hilda, the unnamed librarian in a Steven Universe episode (“Buddy’s Book”), the librarian in the first Zevo-3 episode, Mrs. Higgins in a Sofia the First episode (“The Princess Test”), and Amity Blight in The Owl House, who briefly wears her hair in a pony trail, which became a sensation among fans of the series, to give a few examples, many of the other librarians wear hair buns. [4] This includes the librarian characters, who are effectively one-episode-wonders or only appear very briefly, in episodes of Futurama, DC Super Hero Girls, Rugrats, Kim Possible, Timon & Pumbaa, Dexter’s Laboratory, Totally Spies, Phineas & Ferb, and The Simpsons, to name a few shows.

Also, Francis Clara Censorsdoll in Moral Orel wears a hair bun. Even, the blue-glasses wearing librarian in The Flintstones episode “The Hit Songwriter” wears a hair bun. At times, it appears that librarians with hair buns are meant to symbolize social conservative and prudish people, like the librarian in an episode of Beavis and Butt-Head (“Cyber-Butt”), who faints when she sees a nude image on a computer screen. Although she doesn’t wear a hair bun, what she symbolizes is similar to how some librarians are portrayed in Western animation.

Others have declared that the perception of librarians with hair buns or lace collars should be discarded, as librarians are highly active and high tech now. While someone can easily agree with this, it is harder to push away the image of a spinster librarian with a hair bun, with some wearing buns and braids while working in the library. There is the further point that many librarians may not have enough hair to put into a bun in the first place. At one point, librarians adopted the hair bun style at one time, giving life to what became the stereotype and cliche. However, nowadays many younger librarians have different hair styles, and some might even have better eyesight than anyone else as they don’t need glasses! [5] Still, tropes like the”Prim and Proper Bun” remain, with those with this hairstyle said to be in charge or be respected. This is somewhat countered with the “Loony Librarian” trope, which is said to describe a librarian who’s let “their profession mess with their mind a little.”

11 fictional librarians without hairbuns — Top row, from left to right: Violet Stanhope in *Archie’s Weird Mysteries*, Miss Dickens in *Carl Squared*, Sara in *Too Loud*, Sarah in Too Loud, and Mrs. Shusher in *The Replacements*. Bottom row, from left to right, Marion the librarian in *Hanny Manny*, Millie in *Madagascar: A Little Wild*, unnamed librarian in *Kick Buttowski: Suburban Daredevil*, unnamed librarian in *Martin Mystery*, unnamed librarian in *Martin Mystery*, and unnamed librarian in *Uncle Grandpa*.

The stern librarian with hair tied tightly behind their head, peering at patrons from behind their glasses, still remains a go-to-stereotype for too many, even perpetrated by journalists who should know better. Some even try and make it sexy, serious, while others highlight other hairstyles or fashions instead. [6] The shushing librarian remains, despite the fact it doesn’t reflect reality, with uptight librarians fading from existence except in pop culture, where they remain a negative stereotype. They appear as early as a 1921 silent film, with hair buns becoming an “occupational indicator” of librarians over time, even as there is no single image of a librarian. [7] Instead, actual librarians are different, and have varying styles. Jennifer Snoek-Brown, who runs Reel Librarians, has recognized this with posts about librarian style, like a librarian-themed clothing collection she posted about in May 2022.

Of course, there are actual librarians out there, like the elderly White woman with grey hair in a bun shown at the beginning of Ghostbusters, and others who embody the stereotype or wear librarian costumes for Halloween. However, there are just as many who run afoul of that stereotype, either by not shushing any patrons. The stereotype itself has its roots in gender with the profession dominated by White woman, although it is not accurate in the slightest. [8] There is supposed “greying” of the profession which only reinforces the images of frumpy stereotypical librarians, an image with unknown origins. The latter image is something which has become a signifier of the profession, for better or worse, despite efforts to counter it. The fight to counter such images continues, with some showing they are more than a librarian, like those who also bellydance, and others who thrive on change and want to dispel of the bun entirely. [9]

There are various librarians in Western animations who don’t wear hair buns. Apart from Amity, who I mentioned earlier, there’s Violet Stanhope in an episode of Archie’s Weird Mysteries (“The Haunting of Riverdale”), Miss Dickens in Carl Squared episode (“Carl’s Techno-Jinx”), Sara and Sarah in Too Loud, Mrs. Shusher in The Replacements episode (“Quiet Riot”), Millie in Madagascar: A Little Wild episode (“Melman at the Movies”), and Marion the Librarian in Hanny Manny. There are additional unnamed librarians in Martin Mystery, Kick Buttowski: Suburban Daredevil, Uncle Grandpa, Phineas and Ferb, and Amphibia, none of whom wear hair buns either.

But there is something more to the bun hairstyle. In some ways, it can be practical, despite being a stereotype for librarians, and is claimed to add “glam” or “chic” to any outfit, with no “right or wrong way to wear a bun” as one site declared. This can also be pushed away by people of color who want to move away from being called a “bun lady”. At the same time, apart from the types of buns, some of which are said to show that a person is “sophisticated.”

Ancient Chinese, Koreans, Polynesians, and Greeks, often women, all wore hair buns. The hair style was popular in Korea and Japan among men, for one reason or another. It became popular beginning in the 1800s, as styles from ancient Greeks and Romans entering into high society, and again in the 1870s, during the Victorian period. [10]

This isn’t the case for all librarians, however. The above librarian, Nagisa Yasaka (voiced by Hisako Tōjō), appears in one episode of My Roommate is a Cat, “Ones Who Can’t Be Controlled”, and is overjoyed when the protagonist gives her a book, thinking she’d be interested in it, after struggling to decide what to give her, not knowing her interests. She tells him that she is a school librarian. Unfortunately, we only see her in this one episode and never again, so it isn’t known whether she wears a hair bun while working in the library or not.

She is not alone in this. Hair buns are somewhat rare for the librarians I’ve seen in anime to-date, with even Fumio Murakumi in Girl Friend Beta having her hair braided into tails, but not tied up in a hair bun. The same is the case for Hasegawa Sumika in Bernard-jou Iwaku a.k.a. Miss Bernard said, while Himeko Agari in Komi Can’t Communicate has hair too short to put into a hair bun. Even the two librarians briefly shown in the first episode of Rascal Does Not Dream of Bunny Girl Senpai don’t have a hair bun, as one as her hair in a ponytail and the other doesn’t have her hair tied up. The unnamed and uncredited librarian shown in an episode of Kin-iro Mosaic aka Kinmoza (“The Girl on My Mind”) doesn’t have her hair in a hair bun either. Instead, its just in a pony tail.

However, there are a couple librarians in anime who have a hair buns. Take for example, the unnamed librarian in an episode of Akebi’s Sailor Uniform episode (“There’s No School Tomorrow, Right?”). More prominently, there’s Rin Shima in Laid-Back Camp. Apart from her sleeping at the information desk, from time to time, as I described in a post back in January, she seems comfortable with a hair bun. It allows her to keep her hair tied up while she works, and doesn’t serve as a distraction. She might be the most prominent Japanese fictional librarian who wears a hair bun.

This difference in fictional librarians is one of the many aspects which sets apart librarians in anime from those in Western animation. If the photographs on Wikimedia and scattered images online are any indication, Japanese female librarians often don’t often wear hair buns. So, in this sense, the anime may be reflecting reality. The same may be the case for Western animation, to an extent, except that there has been a strong resistance to the “bun lady” perception in Western countries, especially by librarians of color, who don’t want to tie up their hair in buns. Hopefully, Western animation, in coming years, features more librarians without hair buns, and guts the stereotype entirely, even if it is too easy to rely on old cliches of librarians (often White) who are strict, curmudgeonly, and have hair buns.

Notes

[1] Top row, from left to right: unnamed librarian in Futurama, unnamed librarian in DC Super Hero Girls, Ms. Hatchet in Kim Possible, Rita Book in Timon & Pumbaa, unnamed librarian in Rugrats. Bottom row, from left to right: Mrs. L in Dexter’s Laboratory, unnamed librarian in Totally Spies!, unnamed librarian in We Bare Bears, Eztli in Victor and Valentino, Francis Clara Censordoll in Moral Orel, unnamed librarian in Big City Greens, Arlene in Phineas and Ferb, and Censordoll again.

[2] Matthew Wood. “10 Most Awesome Librarians in Pop Culture,” Comic Book Resources, Aug. 22, 2019; Stephen Walker, V. Lonnie Lawson. “The Librarian Stereotype and the Movies,” MC Journal: The Journal of Academic Media Librarianship, 1, no. 1 (1993): 16-28; Dana Vinke. “Unconventional Librarians,” Image of Libraries in Popular Culture, Fall 2001, accessed May 27, 2022; Sadie Trombetta. “11 Of The Coolest Librarians From Pop Culture,” Bustle, Mar. 2, 2015. For additional resources, see Ashanti White’s Not Your Ordinary Librarian: Debunking the Popular Perceptions of Librarians, Nicole Pagowsky’s The Librarian Stereotype: Deconstructing Perceptions and Presentations of Information Work, to mention two books. There are librarians like Lani in Diner Dash and Myrna Bookbottom in Freaky Flyers who both embody librarian stereotypes, but there are others that buck these stereotypes.

[3] Raymond Pun and Jesus Lau, “Hair and Hairstyles as Metaphors for Librarians,” IFLA WLIC 2018, pp. 1-5.

[4] Amity is beloved by fans since she is a somewhat prominent recurring character and she is a lesbian who is in a romantic relationship with the show’s protagonist, Luz Noceda.

[5] Christine Sharbrough, “What Does a Librarian Do All Day?,” BellaOnline, 2013; DarLynn Nemitz, “Male Librarians: Stereotypes and Role Models,” Image of Librarians in Popular Culture, Fall 2001; Amy P., “Librarian Who Hadn’t Updated Her Look In 8 Years Underwent An Extreme Head-To-Toe Makeover,” LittleThings, May 12, 2022; “So, what does a librarian do all day?,” Iowa State University University Library, Apr. 11, 2007; UNH Library, “The Top 10 Misconceptions about Libraries and Librarians,” The Charger Bulletin, Nov. 14, 2012; David Levy, “Reel Librarians: Images and Stereotypes of Librarians and Libraries in film and literature,” Proceedings of the 53rd Annual Conference of the Association of Jewish Libraries (Boston, MA – June 18-20, 2018), pp, 1-3; “How to Style Your Hair Into an Upside Down Bun,” StepByStep, accessed May 27, 2022; “More Librarian Misconceptions,” Bound: A Blog About Books & Libraries, Apr. 1, 2014; Glenn A. Hascall, “Larry & The Librarian,” accessed May 27, 2022; Megan Halsband, “Let’s Talk Comics: Librarians,” Headlines & Heroes, Library of Congress, Jul. 3, 2019; Jodi McFarland, “Saginaw Valley librarians ride Internet age forward,” mlive, Jul. 7, 2008;Michelle Reilly, “Librarians,” It’s a Dog’s Life, Jul. 10, 2008.

[6] Jesse Chadderdon, “Video: Librarians shake their book carts in national dance competition,” The Bulletin, Jul. 13, 2009; Eric, “One of the Wonders,” It’s all good, Jul. 8, 2007; Roger Ebert, “Party Girl,” Roger Ebert website, Jul. 7, 1995; Phyllis Korkki, “Spare a Hair Band? A Man Bun to Go,” New York Times, Jan. 26, 2012; “Hair Dos: 10 Beautiful Buns & Tucks,” The Frisky, Oct. 8, 2019; Lawrence Feldman, “The librarian’s bun — A ‘tail’ for the High Holy Days,” Times of Israel, Sept. 24, 2017; Emma Smart and Sarah Currant, “The 10 best librarians on screen,” BFI, Feb. 5, 2016; Ruth A. Kneale, “Librarians’ views of public perception in the Internet age,” You Don’t Look Like a Librarian!, Jun. 2002; Deliala Yasin, “Sexy Librarian Stereotypes,” Oct. 7, 2010; Kelly Jensen, “Queer Phobia and The Public Library,” Book Riot, Oct. 13, 2016; “Marian the Librarian – Pop! Profile,” Pop! Goes the Librarian, Jun. 7, 2012; “Image of Librarians,” LISWiki, Feb. 1, 2016; Caroline Murray, “What Do Men Think Of Buns?,” Stylecaster, Jun. 9, 2012; Heather, “Welcome to the Librarian Fashion blog!,” Librarian Fashion, Mar. 22, 2011.

[7] Pam Hayes Bohanan, “Librarians in Pop Culture,” Bridgewater State University, Sept. 12, 2013; “Librarian Stereotypes,” Life is Just a Bowl Full of Queries, Sept. 28, 2008; Jed Lipinski, “‘This Book Is Overdue!’: Hot for librarian,” Salon, Feb. 21, 2010; Joe Hardenbrook, “28 Lego Librarians (PHOTOS),” HuffPost, Oct. 5, 2013; Marcia J. Myers, “Images of Librarians in Science Fiction and Fantasy: Including An Annotated List,” Jun 1998, p. 3, 6, 8-9; “When it rains it pours… and other cliches,” lclibraries, May 28, 2013; Antoinette G. Graham, “Sign of the Librarian in the Cinema of Horror: An Exploration of Filmic Function,” Florida State University Libraries, 2010, pp. v, 12, 21, 23, 28, 47, 54; Carly Bedford and Chelsea Misquith, “Old Maid, Old Maid, How Librarians are Portrayed,” University of Toronto, 2015. Also see Kathleen Low’s book, Casanova Was a Librarian: A Light-Hearted Look at the Profession and another book by Ray Tevis and
Brenda Tevis entitled The Image of Librarians in Cinema, 1917–1999.

[8] Julie Manser, “Shushing the Librarian Stereotype,” Zócalo Magazine, Mar. 5, 2015; Monique L. Threatt, “Bad to the Bone, Librarians in Motion Pictures: Is It An Accurate Portrayal,” Indiana Libraries, The Image of Librarians, p. 7; Eric Sherman, “Librarians Confess Their Naughtiest On-the-Job Moments,” AOL, Oct. 8, 2013; Aaron Gouveia, “Librarians show off their moves,” Cape Cod Times, May 9, 2008; Arianna Rebolini, “Here’s What It’s Actually Like To Be A Librarian,” BuzzFeed News, Nov. 17, 2018; ““When they take of their glasses and put down their hair”: Defogging the Glasses Girl Stereotypes,” Things He Says, Feb. 17, 2016; Jenni Bean, “Teens rebel…. Library closes. WHAT?!?!,” My Life as a Married Super Librarian!, Jan. 2, 2007; Gabrielle Barone, “‘I don’t shush’: Local Librarians share their thoughts stereotypes rooted in their profession,” Daily Collegian, Penn State University, Nov. 15, 2017; Jeff Voyt, “Librarian Stereotypes,” A Year in the Life, Apr. 24, 2014; Macy Haford, “The New Sexy Librarian,” The New Yorker, Oct. 2, 2011;

[9] “On the Great Myth of the Librarian Grays,” Guardienne of the Tomes, Sept. 3, 2010; Jessamyn West, December 2002 entries, librarian.net, Dec. 2002; “Katharine L. Kan, MLS,” Librarian to Librarian, accessed May 27, 2022; Bari L. Helms, “Reel Librarians: The Stereotype and Technology,” Masters Thesis, Apr. 2006, pp. 3, 5, 9-10, 256; David James Brier and Vickery Kaye Lebbin, “Learning Information Literacy through Drawing,” Hawaii University, accessed May 27, 2022; Katy Shaw, “Buns on the Run: Changing the Stereotype of the Female Librarian,” University of Washington, October 2003; Chelsea Fregis, “Quick & Easy Curly Hair Styles for Finals Week,” NaturallyCurly, Nov. 7, 2011; Scholastica A.J. Chukwu, Nkeiru Emezie, Ngozi Maria Nwaohiri, and Ngozi Chima-James, “The Librarian in the Digital Age: A Preferred Nomenclature, Perceptions of Academic Librarians in Imo State Nigeria,” Library Philosophy and Practice, Dec. 2018, p. 5; Aja Carmichael, “The Changing Role of Librarians,” Wall Street Journal, Jan. 5, 2007; Ana Tintocalis, “Young, Hip Librarians Take Over,” KPBS, Jan. 10, 2011; “Hairstyle with Pins for Parties : Pinned to Perfection,” fashioncentrel, 2011; “Black History Month: Plainfield librarian challenged segregation, created literacy programs,” nj.com, Feb. 12, 2010; Eris, “The Bellydancing Librarian,” Nov. 21, 2013;Kay Oddone, “Change in the Library,” National Education Summit, Jan. 26, 2022; Genevieve Zook, “Technology and the Generation Gap,” LLRX, Aug. 27, 2007; Amanda Thomas, “Some minority librarians seeking to update image of white ‘bun lady’,” The Decatur Daily, Associated Press, Dec. 17, 2006. Also see the article entitled “The Graying of Academic Librarians: Crisis or Revolution?“, and many others, like: “Why I suck at blogging,” You have to go to college for that?!, Sept. 12, 2006; “Easy does it.,” You have to go to college for that?!, Jun. 24, 2006; Erin, “Gallery of Bellydancing Librarians,” The Bellydancing Librarian, Jul. 27, 2002; Dan Evon, “Tattooed Librarians Of The Ocean State Calendar Goes On Sale,” Inquisitr, Oct. 28, 2016; Kristy Gross, “Testing, Testing…,” Not Your Typical Librarian, Dec. 26, 2011; Jess Carter-Morley, “The updo is back,” The Guardian, Aug. 10, 2010; Regina Sierra Carter, “Librarians: Do Any Look Like Me?,” Inside Higher Ed, Mar. 29, 2017; Jack Broom, “Toymaker finds librarian who’s a real doll,” Seattle Times, Jul. 10, 2003; Leslie A. Pultroak, “The Image of Librarians in Poetry, 1958-1993,” MLS Research Paper, Kent State University, Aug. 1993; “Wend of the Webolution,” Anne of Green Labels, Mar. 12, 2009; Cynthia L. Shamel, “Building a Brand: Got Librarian?,” Searcher, Vol. 10, No. 7, Jul./Aug. 2002; Steven M. Bergson, “Librarians in Comics: Sources,” Aug. 17, 2002; Aimee Graham, “Debunking 10 Librarian Misconceptions,” INALJ, Jan. 12, 2015; Eliza, “7 Beautiful and Stylish Hair Dos to Give You a Whole New Look …,” All Women’s Talk, accessed May 27, 2022; Marcus, “Google Book Search and the Psychology of Librarians,” Marcus’ World, Apr. 28, 2007; Gabriel Spitzer, “Librarians Go Wild For Gold Book Cart,” All Things Considered, NPR, Jul. 13, 2009; Emelie Svensson and Evelina Magnusson, “Books, libraries and beige” [Abstract], Linnéuniversitetet, Institutionen för kulturvetenskaper, Dec. 31, 2012; Julie, “[Untitled],” A day in the library…, Jan. 24, 2010; Ruth Kneale, “Librarian Image Study,” Marketing Library Service Vol. 16, No. 8, Nov/Dec. 2002; Rachel Sawaya, “Ideas for a Librarian Costume,” eHow, accessed May 28, 2022; Sarika Sawant, “Women librarians in traditional and modern attires in India: Nationwide scenario,” IFLA WLIC 2018, pp. 1-17; Angeline Evans, “The librarian ‘do [outfit],” The New Professional, Jun. 2, 2011; Ted Menten, “The Naughty Librarian,” Sasha Street, Feb. 27, 2010; Manda Sexton, Samantha Reardon, Jennifer Carter, and Matthew Foley, “The Inked Experience: Professionalism and Body Modifications in Libraries,” Georgia Library Quarterly, Vol. 58, No. 4, Fall 2021, p. 1-2; Melissa Wooton, “Warrior Librarian: How Our Image is Changing (A Personal Look),” Indiana Libraries, c. 2003, p. 24; Catherine Butler, “[Review of] Margaret Mahy: Librarian of Babel,”Online Research @ Cardiff, Cardiff University, 2015, p. 3, reprinted from article of same name in Lion and the Unicorn, Vol. 39, No. 2, pp. 129-145; Miss Cellania, “Tattooed Librarians,” Neatorama, Aug. 3, 2009; Ellie D., “Bunning Without Breakage — The 5 Rules of Bunning Natural Hair,” BGLH Marketplace, Feb. 3, 2015; Adriane Alan, “Librarians in Children’s and Teen Literature,” Image of Libraries in Popular Culture, c. 2000, authorship shown here.

[10] “23 Types of Women’s Hairstyles – Do You Know them All?,” Headcurve, accessed May 27, 2022; Fiorella Valdesolo, “Why the Bun Is the Power Hairstyle of Our Multi-Tasking Age,” Vanity Fair, Apr. 4, 2019; Melanie Green, “Why Black people (including me) are cutting our own hair in Vancouver — and what that says about our city,” Toronto Star, Nov. 10, 2019; Amanda Thomas, “Some minority librarians seeking to update image of white ‘bun lady’,” The Decatur Daily, Associated Press, Dec. 17, 2006; “Hair Buns,” Black Hairspray, accessed May 27, 2022; “Is Fall Here, Yet?,” The Designer Librarian, Aug. 13, 2013; “Five-Minute Braided Bun,” A Beautiful Mess, accessed May 27, 2022; “Popular Ladies’ Hairstyles of the 1870’s,” Poughkeepsie Public Library District, accessed May 27, 2022; Tori, “12 Easy Messy Buns You Can Do in Under 5 Minutes,” TerrificTresses, accessed May 27, 2022; “How to Create Space Buns for a Fun, Effortless Look,” Beauty Magazine, L’Oreal Paris, Mar. 21, 2022; Christine George, “How to Do a Quick and Easy Hair Bun,” WikiHow, Sept. 15, 2021; “How To Create A Messy Bun In 3 Just Steps,” Beauty Magazine, L’Oreal Paris, May 27, 2022; Andrea Haba, “40 Easy & Cute Bun Hairstyles Trending in 2022,” Hairtyle Camp, Jun. 1, 2020; “The History of the Hair Bun,” Vieda, 2017; Wes, “Hair History: Topknots & Buns,” Hairstory, Sept. 12, 2017; Ellie Crystal, “Hairstyles Through the Ages,” Crystalinks, accessed May 27, 2022; “The allure of the bun,” The Australian Ballet, Jan. 3, 2012; “Buns & Braids,” History & Culture of Chinese Women’s Hair, Apr. 28, 2019.

Tags Akebi's Sailor Uniform, Archie's Weird Mysteries, Beavis and Butt-Head, books, Boyfriends (comic), Carl Squared, elderly people, Ghostbusters, Girl Friend Beta, hair, Hanny Manny, Hilda, Japanese librarians, Japanese women, Jennifer Snoek-Brown, Kaisa, Kin-iro Mosaic, Komi Can't Communicate, Laid-Back Camp, librarian stereotypes, librarian style, Librarians of Color, library patrons, Madagascar: A Little Wild, magic, Mira Royal Detective, Moral Orel, My Roommate is a Cat, quiet, Rascal Does Not Dream of Bunny Girl Senpai, Reel Librarians, shushing, Sofia the First, spinster librarians, Steven Universe, Thai librarians, Thai women, The Flintstones, The Owl House, The Replacements, Too Loud, visual impairment, We Bare Bears, Welcome to the Wayne, White librarians, White women, women librarians

animated animation anime fantasy Fiction genres idol Japanese people Librarians Libraries Movies music Pop culture mediums special libraries speculative fiction

School idol or librarian?: Examining Hanamaru Kunikida in “Love Live! Sunshine!!”

Post author By Burkely Hermann
Post date March 7, 2023
No Comments on School idol or librarian?: Examining Hanamaru Kunikida in “Love Live! Sunshine!!”

Hanamaru behind the library desk, smiling after the school idol group comes to the library to drop off some books. Ruby stands behind her.

When I began watching Love Live! Sunshine!!, an anime about girls who try to become school idols and is filled with music, I didn’t expect to come across a character who is a librarian, who is relatively popular among fans of the show. For this post, and on my blog in general, I use librarian broadly to mean anyone who works in a library, specifically those who care for the contents of the library, selecting and processing materials, engaging in information delivery, library instruction, or loaning out materials to meet user needs. Librarians may have a MLIS or MLS, but not having a professional degree does not disqualify someone from being a librarian despite what some snobbish people in the library field say. [1] This definition is apt for Hanamaru Kunikida, whose journey from being a librarian to a school idol fits into existing stereotypes in some ways, as I’ll explain.

Hanamaru is a first-year student who lives in a temple with her her family, as noted on the Wikipedia page for the series, voiced by Kanako Takatsuki in Japanese and Megan Shipman voices her in the English dub. She refers to herself as “ora” or “Mura” and ends many sentences with “Zur” due to her specific dialect. She is more than an “avid reader” at the library at Uranohoshi Girls’ Academy or a person who “loves to read” as a press release for the series put it. [2] Instead, she is a student assistant who volunteers at the school library as she is shown behind the information desk during the fourth episode, “Their Feelings”. In that episode, in a narration, she describes that the library has become her quiet place, her retreat, and that Ruby Kurosawa is her dear friend, who she says she will marry one day, [3] coming to the library with her often to read idol magazines.

In that episode, she returns to her world of books, as a librarian, rather than become a school idol, after she feels that her “trial” as a school idol was a “failure.” Later Ruby and the other school idol members, Chika Takami (who created the group), You Watanabe, and Riko Sakurauchi (a transfer student), convince her to join a group they call Aqours. She becomes a liberated female librarian in some ways as a result. Even though she is not a trapped or naïve woman who discovers who she is and what she is capable of with the help of a man, as Jennifer Snoek-Brown defines as a “liberated librarian” on her Reel Librarians blog, she is pushed by her friend Ruby and the other members of the school idol club to realize her passion to become a school idol. This “liberation” is a net positive for her as she is no longer suppressing a part of herself. On the other hand, this “liberation” is not part of the plot.

Like other “liberated” librarians she is young but isn’t wearing conservative or reserved clothing. When she practices as an idol her appearance does change but into clothes that are more casual. As such she doesn’t become attractive or more feminine but not less attractive. She is just as attractive as before. She is undoubtedly intelligent and seems committed to libraries in terms of it being an escape for her, and seems to stop volunteering as a librarian. She also has a lack of exposure to modern technology, whether it comes to laptops, hair dryers, or motion-activated water fountains. [4] In some ways she is similar to Swampy in Phineas and Ferb as I’ll explain later.

Hanamaru bucks the librarian stereotype, as she is on screen more than a “short period of time” in order to advance the story, and is not a stock character in the slightest. Although librarians may not need to take these stereotypes completely “to heart,” such stereotypes can be damaging if it is the main plot of an episode, as is the case in many animated series. Her fashion goes against the “common” style of librarians which cab be shown in “dowdy suits in muted tones,” and is completely blown out of the water as the series continues.

As the series goes forward, her talent for singing, as a member of the local choir, shines through. This is especially the case when she works alongside Chika Takami and many other friends as part of a school idol group called Aqours which tries to prevent her school from shutting down. Basically, she goes from “a shy and un-athletic bookworm” [5] to a school idol after Ruby tells her of Rin’s journey to self-confidence. In becoming a school idol, she is not a librarian as failure, nor a spinster, spirited young girl, naughty librarian, comic relief, or information provider. In later episodes of the series, as now a school idol, she remains “fascinated by the modernity” in a larger city, comes dressed in a silly outfit, id distracted by candy and sweets, works on songs with her fellow school idols, and puts together a fortune-telling booth with another group member. [6]

Hanamaru looking sad, while she looks up, taking a break before she reads more in the school library during the episode “Their Feelings”

Unlike Swampy, Hanamaru is not a failure and her presence in the library is not “suggestive of flaws in library” although she can be “uncomfortable in social/outside world situations.” Like him, she does not return to the library and her portrayal is not completely stereotypical as she never shushes anyone. Rather, the library is an escape of sorts for her, a refuge. It is a safe place for her, a places of calmness which seems removed from the pressures of the outside world, although she isn’t escaping any evil spirits like those in other series who flee to libraries for safety. In this way, the school library is doing exactly what physical library spaces often do, according to librarian Fobazi Ettarh, serving as sacred spaces, while being treated as sanctuaries by keeping people and sacred things, and becoming places of refuge or shelter. [7] This is true even though, apart from her saying that books dropped off by the school idol club will be shelved, she is never shown engaging in any typical librarian tasks.

While becoming a school idol allowed Hanamaru to not suppress a part of herself which and to not remove herself from everything else, quietly reading, and staying in her own world of sorts, the series series seems to be saying that you shouldn’t hold back yourself and that you can do anything. In the process, it gives the perception that quietly reading, and being a librarian who oversees a librarian by extension, is “bad” while becoming a school idol is “good.” This is just as problematic as Phineas and Ferb basically saying that libraries are outdated and outmoded, especially through Swampy going being a rockstar to a librarian, then back to a rockstar again, when pushed by the show’s two persistent protagonists. It is never answered what happens to the library after she leaves. The series portrays her time in the library as depressing and drab, apart from her interactions with her friend Ruby. However, after she becomes a school idol she is shown as happy and joyful. Does this mean that libraries can’t be joyful or happy places? I sure hope not, because that is definitely not true.

It is a big change for Hanamaru, a Brazilian-raised do-gooder and classic country girl, to go from being a librarian in her quiet place, the seaside Uranohoshi Girls’ Academy, to Tokyo and the back to Uchiura, Numazu, Shizuoka when they are not successful the first time when entering the Love Live! competition. [8] This setting has reportedly led tourists to come to Numazu, while various things in the city have special Love Live! designs. Currently, Uchiura is a village within Numazu. According to official websites, there are libraries in the area, like the Heda, Numazu City, and Shiritsu (Municipal) libraries. [9] In that way, while it could be a loss for students for her no longer to be a librarian, there would likely be someone who would take her place, perhaps another student, and anyone at the school could still go to local libraries as well, if they needed additional information.

The idol industry in Japan has horrific working conditions. There are strict rules imposed on Japanese and South Korean pop stars known as “idols” including bans on dating and getting married requiring permission, with such idols having little control over their personal lives. Some have described them as “corporate slaves” who cannot disobey their employers, with the industry pulling in 60 billion yen annually. Even those as young as two are billed as “junior idols,” with people interested in underage girls, with the innocence they have being sold as a “major commodity.” At the same time, there is a trend of preteen girls “striking provocative poses in slinky bathing suits” which has become big business. All the while idols are assaulted, bullied, intimidated, and harassed, even as they have the legal right to “happiness” and dates not under the control of managers, although it is not known how much this is enforced, as there have been strict measure imposed on idols in the past. After all, as one critic put it, “idols are universally acknowledged as manufactured—even by their fans,” meant to provide a “vision of accessible femininity to girls” and a celebrity girlfriend for boys. Another person argued that in Japan, an idol is in “the business of selling dreams…[an] illusion of a cute, slightly idealized person who is there for…the fan” while music is secondary since many idols can barely sing, with producers not putting in work to making them look or sound perfect. At the same time, idols have been popular in Japanese anime, including franchises like Love Live! of which Love Live! Sunshine!! is a part of, as has their fictional music. [10]

Hanamaru (left) performing as a school idol, with her friend Ruby (right)

As for this anime, Hanamaru is a school idol. While there are idol anime about male idols, like Starmyu, Uta no Prince Sama, and B-Project, with a focus on the idea of performance, Love Live! is unique in that it seems to exist in a world without men, even though it is, like other idol shows, targeted at men. The idea is to “emphasize the female characters’ relationships and moe appeal,” with everyone on screen seen as a “potential object of desire” whether through romantic yearning, a yearning for that character to have romance with their friends, or anything in-between. There is some evidence of the school idol trope, as TV Tropes calls it, in reality, with some idols who are high school classmates, and variations of these schools existing, but not many of them, with such schools having strict dating, personal presentation, and uniform rules. This is bolstered by the fact that some idols wear school uniforms during their performances. [11]

Despite all their efforts, Aquors is unsuccessful in saving their school, as shown in the season 2 episode “The Time Left.” In that episode, in fact, we see Hanamaru in the library, working as a library assistant. This is short lived se agrees with the leader of Aquors, Chika, and the other group members that they can perform and win at the Love Live! contest in order to immortalize the school’s name. All the while, she tries to make sure the group stays inspired. This is significant for her because she reveals on another episode, “Awaken the power”, that she doesn’t like to be other people (i.e. she is socially awkward) and before she joined Aquors she enjoyed her time in the library with her friend Ruby, something which their fellow school idol, Leah, sympathizes with. In episodes that follow, she works together with her friends Yohane, Ruby, and Leah on a song, and participates in a closing ceremony for the Uranohoshi Girls’ High School, in the episode of the same name, even helping Yohane draw a summoning circle.

In the show’s final episode, “Our Own Shine,” she works with Ruby to pack up everything in the library, with the books read at a new school. She admits that she is afraid of going to a new school, something which Ruby agrees with. She, Yohane and Ruby, touch the library door together and close it, symbolically closing a chapter of their lives. Later in the episode, Chika visits the empty library in the now-abandoned school building. As one reviewer put it, it is hard watching these girls say goodbye to their school, especially affected by the scene when Hanamaru, Ruby, and Yohane closed the door to the library. [12]

By the end of the series, there are open questions about the future of Aquors with the departure of Kanan, Dia, and Mari, and whether their efforts were worthwhile since the school would be closed anyway. In some ways, Hanamaru somewhat addresses that in the episode “Sea of Light. She notes that while reading books in the library with her friend Ruby was “always enough” to make her happy, that her time in Aquors allowed her to venture into the world outside of the library, and realize things about herself. Basically, she gained self-confidence from the experience and became a better person.

In the series proper she is clearly identifiable, but is not stereotypical, nor does she wear frumpy clothes. She does not have her hair in a bun, and she does not have glasses in a chain around her neck. She is, arguably, a regular person who happens to be a librarian, specifically a student library assistant who is likely volunteering at the school library. She is arguably “sexy” but likely not in the way that straight men tend to see librarians as noted by David Austin who notes the stereotype of librarians as “sexually repressed.” At the same time, she is not, in any way, a person whose primary job is to keep “order and quiet.” Rather, the library itself is a sanctuary for her, a place away from the outside world, a place where she can access its “storehouse of knowledge.”

Hanamaru packing up the library’s books in boxes in the show’s final episode, asssited by her friend, Ruby

This is self-confidence is further bolstered in the Love Live! Sunshine!! The School Idol Movie: Over the Rainbow film, which serves as the series capstone. She sings and dances in the film and trains for live shows, but also comforts her friends. She even travels to Italy with them to find Kanan, Dia, and Mari, the former three members of Aquors. She later assists Mari in her desire to have independence from her seemingly strict mother and cajoles Yohane to connect with the members of their new school. During the film, she also assists Ruby in choosing outfits for their performance, and is part of a performance win a mock Love Live! competition meant to buoy the spirits of one member of Saint Snow, a fellow school idol group.

Unlike in the series, she is shown wearing glasses multiple times in the film, alluding to a “shy bookworm” stereotype often associated with librarians, who are shown wearing glasses. Famously this was used for the alternative Mary Bailey in the film It’s a Wonderful Life. As Marie wrote, people who wear corrective glasses are “often stereotyped as bookish, intelligent, and socially inept” with those glasses as a barrier or shield, but can also be removed to “let a dormant attractiveness and sensuality shine through.” And there is no doubt that many librarians are well-educated and smart, and many undoubtedly wear eyeglasses. It is a symbol, a stereotype, that Marie says should would fully embody, while rejecting the trope that librarians are smart, but weird and unapproachable. For Hanamaru, she is similar in some ways to Kanon Shibuya, the protagonist of Love Live! Superstar who ties up her hair and wears glasses at home but in public does not wear glasses. Kanon fulfills what Marie wrote about librarians. Unlike her, Hanamaru doesn’t mind wearing glasses in public. It fits with her warm personality, including a love of chocolate and eating a lot, and support for her friends. She could care less whether she is “attractive.”

Toward the end of the film she performs a song and dance number together as a part of Aquors. The school library is also shown, in a short scene, empty in the still-standing school, which Chika declares will stay. This is despite the fact that is seems strange that a school building would be left abandoned with no apparent use and not be torn down a la the Gama Gama Aquarium in The Aquatope on the White Sand. Perhaps they wanted to keep the show upbeat so a similar scene was not included in the film.

The film serves as an end to Hanamaru’s story within the franchise. However, her future beyond the film is uncertain. Will her future include her pushing her friend Ruby on a book cart, working in a library, study Japanese language, operate a library, and be a writer as some fan art and fans have guessed? [13] Or will it be a combination of all of the above or none of these? Its hard to know. It is likely she will continue to be a school idol, which puts into question if she would still work within the library as she might be too busy.

No matter whether she returns to the library or not, there is no doubt that her experience in the library shaped her as a person. If she does return to being a library assistant, or pursues being a librarian, the self-confidence she gained from being a school idol could bolster her ability to help patrons and be a great person. She could even put on shows either by herself or with her friends to promote the library. The possibilities ahead for her are endless. She is not someone who neatly falls into a librarian character type, but is a fully-fledged character who is unique in her own way, with her own hopes and desires.

Hanamaru perks up in the film when Chika mentions that the library of their former school will still be there.

Notes

[1] For this I am using definitions from Merriam-Webster, the Bureau of Labor Statistics, the now-defunct LISWiki, and Librarian Avengers. More specific terms include reference librarian, bibliographers, reader’s advisors, interns, library technicians (formerly a BLS category), and those with a practicum. It is different from other roles such as, archivists, scribes (defunct profession), and superintendents of documents. Some of these librarians may be what some call “paraprofessionals“. Another example of a librarian like Hanamaru, who is a school assistant, is Rin Shima in Laid-Back Camp, who appears to work in the library. Like Hanamaru, she appears to be a student assistant, and is also not shown doing any actual library tasks (although Hanamaru does accept books), and is shown reading in the library. However, the number of scenes and times in the library are so short, and the library is just another place she hangs out, reading, relaxing as she camps during the winter, sometimes with Nadeshiko. In another episode, however, she kicks Nadeshiko, to wake her up when she is sleeping on the floor of the library, and shelves books in the library.

[2] Crystalyn Hodgkins, “Love Live! Sunshine!! Idol Group’s Name, 1st Single Date Revealed,” Anime News Network, Jun. 27, 2015. A fandom page also describes her as a “fan of reading” who has “a deep fondness for Japanese literature” or another image which describes her as lover of books.

[3] Apart from RubyMaru (a ship of Ruby and Hanamaru), there is YoshiMaru (a ship of Yoshiko Tsushima and Hanamaru), ChikaMaru (Chika Takami and Hanamaru), DiaMaru (Dia Kurosawa and Hanamaru), LeahMaru (Leah Kazuno and Hanamaru), RinMaru (Rin Hoshizora and Hanamaru), YouMaru (You Watanabe and Hanamaru), AZALEA (Kanan Matsuura, Dia Kurosawa, and Hanamaru), and ChikaMariMaru (Chika Takami, Mari Ohara, and Hanamaru). The same page also notes Chika Takami, You Watanabe, Riko Sakurauchi, Ruby Kurosawa, Yoshiko Tsushima, Hanamura, Mari Ohara, Kanan Matsuura, and Dia Kurosawa as Aqours [friends]. There is a lot of wonderful yuri fan art of Hanamuru on /r/wholesomeyuri and a few on /r/lovelivefanart, along with fan art, fan videos, cosplays, news, and more about Hanamaru on /r/lovelive, along with other posts on /r/SIFallstars.

[4] “Kunikida Hanamaru,” Fandom of Pretty Cure Wiki, Feb. 11, 2020. As one reviewer put it, she somehow has “never seen a computer before” which seems strange, leading to a “couple of great scenes” like seeing windows for the first time, accidentally turning off a laptop, and recognizing Yoshiko’s chuuni tendencies in order to “distinguish herself” so she isn’t just “normal.” One post on /r/lovelive pointed out that in “Their Feelings” she is “seated at the librarian’s desk and there was a very clear computer monitor on the desk.” Some commenters responded that the library computer doesn’t have internet access or is “locked to some library system,” said the computer is small and “made specifically for a library management system,” common for rural Japan. Others theorized that the “librarian taught Hanamaru how to use the computer and how to do her work” and since Hanamaru doesn’t know about the internet, she “doesn’t venture far and only goes on whatever program the librarian told her to” or that she was confused when she saw the laptop in the next episode. Some said the scene in that next episode is “explaining Hanamaru’s fascination with technology” more than anything else, said that the computer in the library could be “strictly for books,” that the writing might be sloppy, or that there are “tiny plotholes and inconsistencies” in the series.

[5] Bamboo Dong, “Love Live! Sunshine!!: Episode 4 [Review],” Anime News Network, Jul. 23, 2016. Another WordPress site also noted that she “helps out at the school library, and her ambition is to become a writer some day,” one of the first places calling her a librarian. A page for the doll of her calls her a “daughter of a temple and a freshman of the library committee.”

[6] Bamboo Dong, “Love Live! Sunshine!!: Episode 6 [Review],” Anime News Network, Aug. 7, 2016; Bamboo Dong, “Love Live! Sunshine!!: Episode 7 [Review],” Anime News Network, Aug. 14, 2016; Bamboo Dong, “Love Live! Sunshine!!: Episode 15 [Review],” Anime News Network, Oct. 15, 2017; Bamboo Dong, “Love Live! Sunshine!!: Episode 22 [Review],” Anime News Network, Dec. 3, 2017; Bamboo Dong, “Love Live! Sunshine!!: Episode 24 [Review],” Anime News Network, Dec. 18, 2017.

[7] Fobazi Ettarh, “Vocational Awe and Librarianship: The Lies We Tell Ourselves,” In the Library with the Lead Pipe, Jan. 20, 2018. This similar to one of the one of the seven reasons that libraries are essential according to freelance writer and book reviewer Sadie Trombetta: “Libraries are safe refuges for the homeless and underserved populations.” Her other other reasons are self-explanatory and seem like non-brainers, although they can have political implications: “[Libraries] offer free educational resources to everyone…help boost local economies…play an important role in English language learning…make communities healthier…preserve history, and more importantly, truth…[and] help connect communities.”

[8] “ABOUT Love Live! Project,” PROJECT Lovelive! Sunshine!!, 2017; “Hanamaru Kunikida,” Bleach: The King of Fighters Wiki, 2022; “Hanamaru Kunikida,” Heroes Wiki, 2021; “Hanamaru Kunikida,” Love Live! School Festival Wiki, Aug. 10, 2020;

[9] “Temporary Closure of Libraries,” Numazu Newsletter [English Edition], Koho Numazu, Mar. 2018, p. 1; “City Library’s Summer Program,” Numazu Newsletter [English Edition], No. 330, Koho Numazu, Jul. 15, 2016, p. 2-3; Various articles, Numazu Newsletter [English Edition], No. 319, Koho Numazu, Feb. 1, 2016, p. 2;“Japanese Classes for Foreign Residents,” Numazu City Official Website, Apr. 1, 2020; Various articles, Numazu Newsletter [English Edition], No. 335, Koho Numazu, Oct. 1, 2016, p. 1-3.

[10] Mariko Oi, “The dark side of Asia’s pop music industry,” BBC News, Jan. 26, 2016; Patrick W. Galbraith, “Innocence lost: the dark side of Akihabara,” Japan Today, Jul. 8, 2009; Jun Hongo, “Photos of preteen girls in thongs now big business,” Japan Times, May 3, 2007; Emiko Jozuka and Yoko Wakatsuki, “Why a pop idol’s stand against her assault sparked outrage in Japan,” CNN, Jan. 16, 2019; “Court rules pop idol has right to pursue happiness, can date,” Japan Times, Jan. 19, 2016; Eric Stimson, “Idol Fined 650,000 Yen for Dating Contract Violation,” Anime News Network, Sept. 20, 2015; Catherine Komuro, “Sacrificial idols: In J-pop, Teen Dreams Become Nightmares,” Bitch media, Jan. 9, 2018; Patrick St. Michael, “Rino Sashihara: Can one ‘idol’ beat the system?,” Japan Times, May 30, 2019; Patrick St. Michael, “For Japan’s Justin Biebers, No Selena Gomezes Allowed,” The Atlantic, Aug. 15, 2012; “Japanese pop star sacked over sex scandal,” AsiaOne, Aug. 9, 2011; “Ex-Morning Musume star Ai Kago blazing a trail back to top (using a cigarette lighter),” Mainchi Daily News, 2008; Jason Sevakis, “Why Can’t Idol Singers Have Lives Of Their Own?,” Anime News Network, Jul. 24, 2015; Rafael Antonio Pineda, “pixiv Representative Director Resigns From Company Amidst Lawsuits,” Anime News Network, Jun. 6, 2018; Karen Ressler, “Former Niji No Conquistador Idol Sues pixiv Representative Director for Sexual Harassment,” Anime News Network, Jun. 1, 2018; Brian Ashcraft, “After Idol’s Death, Bullying And Intimidation Allegations Surface,” Kotaku, Oct. 15, 2018; “Suicide of teen draws attention to poor working conditions, harassment of idols,” The Mainichi, Nov. 18, 2018; Misa Hirabayashi, “The dark side of Japan’s underground idols: Little pay, long hours and unbreakable contracts,” Japan Times, Dec. 21, 2018; Mari Yamamoto and Jake Adelstein, “Inside the Weird, Dangerous World of Japan’s Girl ‘Idols’,” The Daily Beast, Jan. 21, 2019; Satetsu Takeda, “No More Objectification of Me!” [in Japanese], GQ Japan, Mar. 5, 2019; “AKB48 member’s ‘penance’ shows flaws in idol culture,” Japan Times, Mar. 1, 2013; Fraser McAlpine, “The Japanese obsession with girl bands – explained,” BBC News, Jun. 30, 2017; Kara Dennison, “Creamy Mami Character Goods Prove Showa Idols Are Forever,” Crunchyroll, Jul. 11, 2019; Richard Eisenbeis, “The Fictional (Yet Amazingly Popular) Singers of Japan,” Kotaku, Sept. 7, 2012; “Animated pop star Hatsune Miku is only 10, but she has had a huge impact on music,” Japan Times, Aug. 24, 2017; “New Market Scale Estimation for Otaku: Population of 1.72 Million with Market Scale of ¥411 Billion— NRI classifies 5 types of otaku group, proposing a “New 3Cs” marketing frame —,” Nomura Research Institute, Ltd., Oct. 6, 2005. The latter article says “The archetype for the “takes it seriously otaku” is the “single male in his 20s and 30s with an interest in mechanical and idol fields.”

[11] Lauren Orsini, “What is a Fujoshi?,” Anime News Network, Dec. 21, 2016; Jordan, “The Idol Phenomenon in Japan and Anime,” The Artifice, Dec. 30, 2015; Guest mihsayam, “Horikoshi High School (a Real-life High School For Idols),” soompi, Feb. 20, 2009; “So “school idols” do they actually exist?,” Gamefaqs, Jan. 2000, also see page 2; “アイドルの衣装のスタンダード“制服ふう”衣装、いつから始まった！?” [Translation: When did the standard “uniform fuu” costumes for idols begin! ??], VIP Times, Aug. 8, 2017; “AKB48 (pictured 2010) popularized stylized school uniforms as costumes,” Wikimedia, 2010. This is also the case in South Korea, per an article entitled “Idols who were high school classmates.” In Catherine Komuro’s article, “Sacrificial idols: In J-pop, Teen Dreams Become Nightmares” in Bitch media, she says that “due to the manufactured nature of idols, their image of accessibility may do more harm than good” with fans often unable to “respect boundaries between an idol’s public character and private life.” This is manifested in the 2020 anime series If My Favorite Pop Idol Made It to the Budokan, I Would Die, where the protagonist in some ways did not respect the boundaries between the idol’s public and private life.

[12] Bamboo Dong, “Love Live! Sunshine!!: Episode 26 [Review],” Anime News Network, Dec. 31, 2017. . Closing doors happens a lot in episode, equivalent of closing chapters in their life and moving on. She later stands with her fellow students as they say one last goodbye to the school, then closing the school gate with them. Hanamaru is part of those who greet Chika for one last song together. Chika realizes she has been searching for her own shine the whole time.

[13] Baserdc, “What jobs do you think μ’s is doing and the future jobs the girls of Aqours would go for?,” /r/LoveLive, Dec. 27, 2017; isaactanyien1234, “Happy Birthday Hanamaru,” /r/LoveLive, Mar. 4, 2020; Offlinelol, “Librarian Hanamaru ~,” /r/LoveLive, Dec. 6, 2017. There are also a few fan fics which seem to have Hanamaru as a librarian. There is even a cargo ship, in which fans jokily ship a character with an inanimate object, or crack! ship of Hanamaru×Books, i.e. “the ship between Hanamaru Kunikida and books” as this page explains.

adventure anime comedy drama fantasy Fiction genres idol iyashikei Japanese people Librarians Libraries magical girl music Pop culture mediums school libraries speculative fiction supernatural

Countering the norm: Fictional librarians who sleep at the information desk

Post author By Burkely Hermann
Post date January 17, 2023
3 Comments on Countering the norm: Fictional librarians who sleep at the information desk

Rin lightly kicks Nadeshiko, who is sleeping on library floor, at end of an episode of Laid-Back Camp

As anyone knows, sleep is important for everyone. When it comes to libraries, like the New York Public Library, and across society, there is a tendency to crack down on anyone who is sleeping, with illustrator Steve Teare describing it as a criminalization of a basic human need which targets “the poor, vulnerable, and homeless.” In contrast, there is a residential library in the UK, Gladstone, which doubles as a hotel, and a hotel in Tokyo which allows people to “sleep between bookshelves” to give two examples. [1]

Some librarians say that anyone who is sleeping has to be dealt with on a case-by-case basis. Others state that it doesn’t “cause any trouble” or say that it must be stopped because is a “public space” or “public shared spaces” and that can lead to other problems, declaring that “public libraries do not provide basic needs.” While the latter is true in a limited sense, it also comes off as elitist. It is less understanding than those who explain why homeless patrons can’t stay in a library overnight. Anti-sleeping policies come down on students, who some describe rightly as sleep-deprived, wanting a designated place to study, as working on one’s bed can “subconsciously affect” your sleep! [2]

Policies across libraries, however, vary. Some include bans on “excessive sleeping” or camping, allowing non-disruptive naps, or are discouraged for “security” and “safety”, wanting to avoid becoming shelters for the homeless no matter what, or even incorporating anti-homeless designs to prevent people from loitering and sleeping. This is despite the stories of homeless students who slept nights in library basements or students in Papua New Guinea who slept in a library after a fire razed their dorms. Such sleeping policies need to be, as one article put it, enforced against all patrons, not just the homeless, because they aren’t equal enforcement otherwise. [3]

Two fictional characters challenge this general paradigm, specifically in Laid-Back Camp and As Miss Beelzebub Likes, as they are librarians and they sleep while on the job! Being nothing like the Asian people sleeping in libraries focused on by undoubtedly racist Tumblr users, [4] it makes sense to analyze how these characters challenge existing perceptions of librarians in fiction and what it means for representation of librarians, and the library profession as a whole.

Saitou prepares to put a mountain in Rin’s hair in an episode of *Laid-Back Camp*

Rin Shima (voiced by Nao Tōyama) in the adventure iyashikei anime, Laid-Back Camp a.k.a. Yuru Camp, fits how librarians are oft-portrayed as she is a generally quiet girl. She’s probably socially awkward too, like other anime characters. With this, it comes at no surprise that she likes camping by herself, something which slowly changes over the course of the series. Rin is a student librarian who likely volunteers at her school and might even be receiving student credit for her library work.

During one episode, “Meat and Fall Colors and the Mystery Lake”, Rin puts down the book she is reading and is about to close the library, even opening up a portable grill she got. She chats with her friend, Saitou, who convinces her to give an energetic girl named Nadeshiko Kagamihara, a person who recently showed an interest in camping, a gift. Later, while shelving books, she finds Nadeshiko sleeping in the library and kicks her to wake her up. Despite this rude awakening, she happily accepts the gift from Rin, and even proposes barbecue camp to her which Rin accepts. Some librarians may wag their finger and say that you never kick patrons. I agree with that sentiment, even though Rin only very lightly kicked Nadeshiko to wake her up, but it is even richer based on what happens in other episodes.

Although in the episode “Cape Ohmama in Winter” and “The Izu Camp Trip Begins!” she is either awake, reading, and talking with someone about camping (either Nadeshiko or Ena) or just chilling in the library, like in “Winter’s End and the Day of Departure”, two episodes are different. Tired from her long day, in the episode “A Night of Navigator Nadeshiko and Hot Spring Steam”, Rin sleeps at the information desk. I can’t think of one library in the U.S. which would allow a librarian to fall asleep at the desk. Anyway, in a practical joke on her, Saitou plays with Rin’s hair, turning it into a mountain of some type. Later, she walks out of the school, not realizing what Saitou did to her hair, while other are shocked her hair is like that without thinking about it a second time. Its pretty hilarious.

That isn’t the last time she falls asleep in the library, either. At the end of the episode “Caribou-kun and Lake Yamanaka”, she also falls asleep at the information desk. Then she has a dream where she can hear the thoughts of every living thing. In short, it is somewhat hypocritical for her to kick Nadeshiko to wake up when she sleeps in the library herself! While some may say that Rin is wrong for this, she is more of a camper than anything else, and she likes to ride her moped. So, you could say she is a moped-riding student librarian. I can’t think of anyone else who fits that description.

Dantalion sleeping, with his eyes barely open

Rin is not the only librarian who sleeps on the job. One recurring character in the supernatural comedy anime, As Miss Beelzebub Likes, is plagued with sleepiness. Dantalion (voiced by Aoi Yūki), is part rabbit, and is the librarian of the Pandemonium Library. He apparently is so dedicated to his job that he reads but sometimes doesn’t eat, loving the smell of paper and ink. He is very knowledgeable about what is in the library’s stacks, filled with millions of books, and is hundreds of years old. He works alongside over 10 possible library assistants, and serves many patrons, as I counted at least 30 of them in “A Bit Bitter, Bibliomania”, the debut episode of Dantalion.

This isn’t the only time he is sleeping in the library. Although he has an annoying and loud friend, he remains attentive to the patrons. Unfortunately, has to deal with someone (Eurynome) having a crush on him because they weirdly see him as a little boy, which is known as shotacon. He is even helped by one of the recurring characters, Mullin, a young male demon who is an assistant of Beezlebub, current ruler of Pandemonium who secretly loves fluffy things, in the episode “They Pass Each Other by Sometimes / I had a Dream”.

Despite being frozen in ice in part 2 of the episode “Your Scent on a Cold Day”, he remains self-conscious and awake in his final episode appearance, “Her Assistant Knows Not Her Highness’s Heart / The Name of That Feeling Is…”. In those episodes he also continues to deal with his loud and annoying friend, while recommending to Beezelbub that she have a flower-viewing party. Then in the episode, “The Pandemonium Baths Are Great. You Should Visit”, he is lounging in the pool, reading a book, and is not in the library.

I do think it is interesting that Dantalion’s voice actor is a woman. I’m not exactly sure of the significance of his blue eyes, hair, and eyes, but I’m guessing it is symbolic somehow. He description of his character on Wikipedia says that he likes to read books at night, often falling asleep at the desk, even falling asleep while talking to others or even standing up! In some ways, he exhibits some librarians stereotypes, as he experiences Bibliomania and Bibliophilia.

Ratura “Rara” sees Lynette sleeping at the academy library in an episode of *Lapis Re:Lights*, who awakens her so they can perform in an orchestra together

It seems like a normal thing for people to get sleepy while they are at work. Often characters get sleepy in anime, but I don’t see it happening as much in Western animation. It especially doesn’t happen with librarian characters, as they are often portrayed as either stuck-up, curmudegonly, strict, or spinsters. While Dantalion is closer to information provider character type outlined by Jennifer Snoek-Brown, I’d say that Rin is an atypical character, in that her portrayal goes “beyond stereotypical constraints.”

Rin in Laid-Back Camp fits with the overall theme of iyashikei, a genre of anime which is “healing,” shying away from romance or action in favor of “meaningful connections with family and friends, and finding joy in the minutiae of life” as Marley Crusch of Polygon put it. [5] This contrasts with Miss Beezlebub Likes. In that series, Dantalion is a bit of a strange and odd character, who has much less depth than Rin. I would go as far as to say that Rin gives a better message of libraries and librarians than Dantalion by any measure.

The only series I can think of off hand which includes people directly sleeping in a library is We Bare Bears, with the librarian letting Chloe and her friends sleep in the library overnight! There isn’t any other Western animation to my knowledge which has such a plotline, apart from a sleep-deprived Blake in RWBY or Blinky in Trollhunters. Hopefully, this changes in the future with portrayals which are based more on reality, noting the hardships that librarians have to endure. Sadly, I am more confident that this is a possibility in anime than Western animation. [6] The latter too easily falls into the land of stereotypes, with their use as a result of hap-dash writing which would be better if the portrayals reflected reality, at least to the extent of what librarians experience.

Notes

[1] “Sleeping with Books,” Gladstone Library, accessed May 25, 2022; Ahmad Al Shirawi, “Book and Bed Hotel in Tokyo allows bookworms to sleep between bookshelves and live in the library,” Twitter, May 19, 2022.

[2] See responses by Valetta Cannon, James Taber, Peter Bartholoew, Becky Coleman, Kerry Hamlett Fountain, and Eric Erickson to the question “Should they allow sleeping in the library?” on Quora, along with pages on Quora entitled “Why aren’t you allowed to sleep in the library?“, “Why can’t citizens sleep at a public library? Isn’t sleeping your basic need?“, “Why can’t homeless patrons stay in the library overnight?“, “Is it ok to nap in a public library?“; and “Studying in the Library or at Home – What is Better for You?“, University of the People, 2022.

[3] “Library Sleeping / Camping Policy,” Indiana University, accessed May 25, 2022; “Can I take a nap or sleep in the Library?,” University Library, California State University San Marcos, accessed May 25, 2022; “Sleeping Policy,” Arizona State University, accessed May 25, 2022; Karen W. Arenson, “Yes, Some Students Live in the Library (But Not Like This),” New York Times, Apr. 27, 2004; Cailynn Klingbeil, “No-sleeping rule at public libraries unwelcome change for Edmonton’s homeless,” Edmonton Journal, Apr. 13, 2015; Amy Mars, “Library Service to the Homeless,” Public Libraries Online, Apr. 26, 2013; Gloria Bauai, “Students sleeping in library after fire razed dorms,” The National, Mar. 18, 2022.

[4] Angry Asian Man, “asians sleeping in the library,” Angry Asian Man, Dec. 22, 2010.

[5]Marley Cursch, “Anime girls can finally chill,” Polygon, Aug. 17, 2021. The same article says that Iyashikei anime is seeing an increase in popularity, thanks to its “much-needed soothing effect on viewers,” and has a focus on the “smaller and more mundane, and…a heavy emphasis on visually stunning settings.” It also says that Laid-Back Camp takes “the chill vibes to the next level.” The article cites examples such as Flying Witch, Non Non Biyori (and all seasons on HIDIVE), Tamayura Hitotose, The Helpful Fox Senko-san, and Adachi and Shimamura all of which are on Crunchyroll, Yokohama Shopping Log which is an OVA, My Neighbor Totoro on the Internet Archive, Azumanga Daioh in HIDIVE, and Kuma Kuma Kuma Bear in Hulu.

[6] For instance, Myne is sleeping in a final scene of an episode of Ascendance of A Bookworm, or there is Operation Sleeping Books which is meant to transfer knowledge to the villain in R.O.D. the TV. There’s also Midori sleeping in a library basement in My-HIME and Aru sleeping in Kokoro Library, to give further examples.

academic libraries action adventure animated animation anime Black people comedy comic books Comics digital libraries drama fantasy Fiction genres floating libraries Indian people iyashikei Japanese people Librarians Libraries magic libraries magical girl Movies music Pop culture mediums public libraries religious libraries slice-of-life special libraries speculative fiction supernatural Thai people Vietnamese people White people

Librarians of Color on “Pop Culture Library Review”: A 2022 Assessment

Post author By Burkely Hermann
Post date January 10, 2023
No Comments on Librarians of Color on “Pop Culture Library Review”: A 2022 Assessment

19 librarians of color written about on this blog in 2022 — Left to right for top row: Mateo in *Elena of Avalor*, Myne in *Ascendance of A Bookworm*, Valerie the Librarian in *Spidey Super Stories*, Kokoro and Aru in *Kokoro Library,* Lilith and the woman she loves (Hazuki) in *Yamibou*, Fumi Manjōme in *Aoi Hana / Sweet Blue Flowers,* and Chiyo Tsukudate in *Strawberry* *Panic!*. Left to right for bottom row: Fumio Murakumi in *Girl Friend Beta*, Azusa Aoi in *Whispered Words*, George and Lance in *She-Ra and the Princesses of Power*, Anne and Grea in *Manaria Friends*, Sophie Twilight in *Ms. Vampire who lives in my* *neighborhood*, unnamed librarians in *We Bare Bears*, and Mr. Anderson in *The Public*. I also wrote about Clara Rhone in *Welcome to the Wayne*, Cagliostro in *What If…?*, and Mira and Sahil in *Mira, Royal Detective* this year. All are librarians of color. Another possible candidate is Isomura in *Let’s Make a Mug* *Too!*, a librarian-curator.

Since the early days of this blog, I’ve written about librarians of color, whether those in anime like Revolutionary Girl Utena and Gargantia, in animation such as She-Ra and the Princesses of Power (de facto librarians) or Mira, Royal Detective. Currently, there are over 40 posts with the “Librarians of Color” tag, along with various other posts under the “Latine librarians”, “Japanese librarians”, “Mexican librarians”, “Thai librarians”, “Vietnamese librarians”, “Cuban librarians”, “Indian librarians”, and corresponding terms for patrons of color. [1] Recently, I have also penned posts about Black, Asian, Latin American, Indian, and Japanese voice actors who voice librarians I have listed on this blog, along with other Japanese and English voices..

There is more to say about librarians of color beyond those I wrote about back in September 2021. Currently, I have 92 librarians of color listed on my “List of fictional librarians”. They break down into:

67 Japanese people (at least 41 are Japanese women)
12 Black people
4 Asian people
3 Latine people
6 other people of color

And this isn’t counting the 27 non-human librarians. This compares to the 84 White people on the list, who are primarily White women. I’ll focus on this topic later in the year. I added the appropriate tags after reading posts from Jennifer Snoek-Brown about portrayals of librarians of color, noting it is a sensitive issue considering the racist history and present of U.S. society, and addressing the “lack of diversity in librarianship”. She also noted that are very few “cinematic representations of librarians of color,” and even fewer who are protagonists. [2] In highlighting librarians of color, I tend to agree with the argument by Snoek-Brown about exposing stereotypes and single stories which echo “throughout every part of our lives” since stories matter. The same is the case for the argument by Chris Bourg that there is continued lack of diversity in the library field, or the fact that poor representation of some ethnic or racial groups among libraries might lead to speculation that something about librarianship is “inherently unwelcoming or unattractive” to such groups. [3]

I plan to expand this further in the coming year with posts about ten fictional Black librarians, two Black reel librarians, real-life Black librarians who should be in fiction, Hanamaru Kunikida in Love Live! Sunshine!!, Arab and Muslim librarians in fiction, six fictional librarians of Asian descent, and fictional librarians of color and their counterstories. I hope that in the future I come across more Black librarians in fiction, especially Black women like those in Lovecraft Country, except ones that are credited, and connect this to the historical role of Black librarians. Alma Dawson of Louisiana State University wrote about this in a Summer 2000 issue of Library Trends:

Throughout their history, African-American librarians have been pioneers, visionaries, risk-takers, hard-workers, innovators, organizers, and achievers. Through dedication and persistence, they have developed library collections and archives in spite of limited resources. They have provided reference and information services, and their libraries have served as cultural centers for many blacks in all types of communities…They have served as mentors and role models for many individuals and have contributed to the scholarly record of librarianship. These achievements are an inspiration worthy of continued emulation and cause for celebration.” [4]

The article also notes documentation of the Black library experience, general studies and monographs such as the Handbook of Black Librarianship in 1977, What Black Librarians are Saying in 1972, in Black Librarian in American Revisited in 1994, Untold Stories: Civil Rights, Libraries, and Black Librarianship in 1998, and various dissertations on related topics. Furthermore, key Black librarians in the 20th century are noted, such as: Regina M. Anderson, Augusta Baker, Hannah Diggs Atkin, Thomas Fountain Blue, Virgia Brocks-Shedd, Doris Hargett Clack, and Jean Ellen Coleman. There is additional information about roles of Black librarians in professional organizations, like the Black Caucus of the ALA (BCALA), and many others, along with information about library development and services, library education, recurring themes, and other resources. [5]

I would add that highlighting librarians of color on this blog helps ensure, in some way that people of color need to be represented in the profession, inspiring people of color to become librarians, to be part of initiatives (either started by them or by others), and engage in related tasks to counter the unbearable Whiteness of the profession. That’s my hope at least. I further believe that the focus on librarians of color on this blog can provide inspiration or even support, in some way, to break down institutionalized inequity, either in academic librarianship or elsewhere, where librarians of color are given hidden workloads. The latter manifests itself when such librarians are told to take on or lead diversity special projects, even if they don’t necessarily have experience in area, leading to a vicious cycle. [6]

A focus on Japanese librarians can also help to counter Whiteness within pop culture depictions of librarians and even within the profession. It could even be used to support changes within librarianship for more librarians of Asian descent, especially within the U.S., where there is a myth of the Asian community as “model citizens”, which leads to social and psychological costs. At the same time, this blog’s focus on librarians of color may support existing progress for an increased number of real-life librarians of color, and hint at the role of institutions in diversifying the workforce. [7]

However, this could all be hogwash. I’m not sure how influential, or not influential this blog is to make those changes. In any case, I remain committed to continuing to write about and list librarians of color on this site, as I continue to learn more about the library field every day.

Notes

[1] This includes tags such as “Japanese patrons”, “Black patrons”, “Indian patrons”, “Afro-Latine patrons”, “Mexican patrons”, “Korean patrons”, “Egyptian patrons”, “Taiwanese patrons”, and “Argentinian patrons”.

[2] Snoek-Brown, Jennifer. “Revisiting reel librarian totals,” Reel Librarians, Aug. 2, 2017; Snoek-Brown, Jennifer. “Reel librarians of color, 2021 update,” Reel Librarians, Jan. 27, 2021. In the first post, for those who are Black or or African decent, she lists Jaye Loft-Lyn as Microfilm Library Clerk in Pickup on South Street (1953), Jaye Stewart as Male Librarian in All the President’s Men (1976), Paul Benjamin as English in Escape from Alcatraz (1979), Tim Reid as Michael Hanlon in Stephen King’s It (TV, 1990), C. Francis Blackchild as Wanda & L. B. Williams as Howard in Party Girl (1995), Aunjanue Ellis as Jo & Demene E. Hall as Mrs. Biddle in Men of Honor (2000), Orlando Jones as Vox in The Time Machine (2002), Merrina Millsapp as Hall of Records Attendant in Ella Enchanted (2004), Zarrin Darnell-Martin as Intern Wanda in Oscar-winning Spotlight (2015), Ronald William Lawrence as Library Clerk in The Ring (2002), Octavia Spencer as Hildy in Follow the Stars Home (TV, 2001), Noreen Walker as Librarian in Somewhere in Time (1980), Jeff Feringa as Librarian #1 in Dangerous Minds (1995), Mary Alice as Alice, a children’s librarian, in Bed of Roses (1996), Lynette DuPree as Librarian in Back When We Were Grownups (TV, 2004), Delores Mitchell as Librarian in Autumn in New York (2000), and an uncredited book cart shelver in City Slickers II: The Legend of Curly’s Gold (1994). For those who are Asian or South Asian, lists Shakti as Kala in The Golden Child (1986), Alfred Ono as Mr. Fong in Elephant (2003), Sophia Wu as Librarian as Finding Forrester (2000), Anjali Jay and Hiro Kanagawa in Age of Adaline (2015), Tony Azito as Librarian and Juan Fernández as Attendant in Necronomicon: Book of the Dead (1993). Also four are listed as Latine: Liz Torres as Delores Rodriguez in Just Cause (1995), Javier Bardem as Reinaldo Arenas in Before Night Falls (2000), Damian Chapa as Miklo in Bound by Honor (aka Blood In, Blood Out… Bound by Honor, 1993), and Rose Bianco as Bella in The Ultimate Gift (2006). Additionally, one is listed as Arab + Middle Eastern (1): Erick Avari as Dr. Terrence Bey in The Mummy (1999), and one as indigenous: Jane Lind as Noayak in Salmonberries (1991). These racial designations apply to the characters NOT those who voice them. Elsewhere, she notes, Duana Butler who plays the “Library Clerk” role in The Manchurian Candidate (2004), unnamed Black male law librarian in Fatal Attraction, along with other librarians of color like the unnamed librarian in To All the Boys I’ve Loved Before (2018) (also see here), Wong in Doctor Strange (also see here, and here) and Avengers: Infinity War,

[3] Snoek-Brown, Jennifer. “‘The danger of a single story’ for reel librarians,” Reel Librarians, Nov. 2, 2016; Bourg, Chris. “The Unbearable Whiteness of Librarianship,” Mar. 3, 2014; Lance, Keith Curry (May 2005). “Racial and Ethnic Diversity of U.S. Library Workers,” American Libraries, p. 42.

[4] Dawson, Alma (Summer 2000). “Celebrating African-American Librarians and Librarianship,” Library Trends 49(1): 49-50. On page 77, Dawson adds: “there is still ample evidence from the literature to indicate that civil rights, discrimination, and racism are still concerns of African-American librarians”.

[5] Ibid, 52-78. Others include Gwendolyn Cruzat, Sadie Peterson Delaney, Virginia Proctor Florence, George W. Forbes, Nicholas Edward Gaymon, Eliza Gleason, Vivian Harsh, Jean Blackwell Huston, Mollie Lee Huston, Althea Jenkins, Clara Stanton Jones, Virginia Lacy Jones, Casper Leroy Jordan, E. J. Josey, Catherine A. Latimer, Mary F. Lenox, Ruby Stutts Lyles, Albert P. Marshall, Emily Moble, Daniel Murray, Major R. Owens, Annette L. Phinazee, Joseph Harry Reason, Charlemae Rollins, Henrietta M. Smith, Jessie Carney Smith, Lucille C. Thomas, Robert E. Wedgeworth, Dorothy Porter Wesley, John F. N. Wilkerson, Edward Christopher Williams, and Monroe Nathan Work.

[6] Agnes K. Bradshaw, “Strengthening the Pipeline-Talent Management for Libraries: A Human Resources Perspective” in Where Are All The Librarians of Color?: The Experiences of People of Color (ed. Rebecca Hankins and Miguel Juarez, Library Juice Press: Sacramento, CA, 2015), 123-4; Shaundra Walker, “Critical Race Theory and the Recruitment, Retention and Promotion of a Librarian of Color: A Counterstory” in Where Are All The Librarians of Color?: The Experiences of People of Color (ed. Rebecca Hankins and Miguel Juarez, Library Juice Press: Sacramento, CA, 2015), 146-7.

[7] Vince Lee, “Like a Fish Out of Water, But Forging My Own Path” in Where Are All The Librarians of Color?: The Experiences of People of Color (ed. Rebecca Hankins and Miguel Juarez, Library Juice Press: Sacramento, CA, 2015), 187-189; Roland Barksdale-Hall, “Building Dialogic Bridges to Diversity: Are We There Yet?” in Where Are All The Librarians of Color?: The Experiences of People of Color (ed. Rebecca Hankins and Miguel Juarez, Library Juice Press: Sacramento, CA, 2015), 267; Miguel Juarez, “Making Diversity Work in Academic Libraries” in Where Are All The Librarians of Color?: The Experiences of People of Color (ed. Rebecca Hankins and Miguel Juarez, Library Juice Press: Sacramento, CA, 2015), 313.

action adventure animated animation anime Black people comedy comic books Comics drama fantasy Fiction genres French people idol Japanese people Librarians Libraries live-action magic libraries Movies Pop culture mediums public libraries special libraries speculative fiction webcomics White people

End of the year wrap-up and looking forward to 2023

Post author By Burkely Hermann
Post date December 27, 2022
1 Comment on End of the year wrap-up and looking forward to 2023

Views and visitors to this website as shown in the stats for Dec. 21, 2022. The numbers have undoubtedly gone up since then.

Hey everyone! This is my last post of 2022. I’d like to talk about what I’ve accomplished this year on this blog and look forward to the coming year. [1] I have continued to write about library classification, librarians of color, library stereotypes, library users, LGBTQ librarians, and much more, even more than I did in 2021.

I began the year with the recently added titles from December 2021, along with a post on Sarah, the book jail and the “sanctity of library property” in Too Loud. I followed that with posts on Mateo in Elena of Avalor, and the church library in Ascendance of a Bookworm. Posts in later months focused on Amity Blight in The Owl House, the fictional library in LoliRock, reprinted my review of libraries/librarians in The Owl House for I Love Libraries, Twilight Sparkle in My Little Pony, the Library of the Eternal Equinox in Mysticons, and reprinting yet another post from I Love Libraries, this one about libraries in Milo Murphy’s Law. One of my favorites, from those first three months of this year was on the unnamed buff librarian in Totally Spies! (expanding from a post on the same subject I had written in May 2021), a post which garnered attention on LinkedIn, Twitter, and Reddit. In that post, I wrote:

…The episode clearly is setting the expectation that librarians aren’t “supposed” to be this strong. Rather they supposed to be “wimps,” as the librarian herself remarks, and “mild-mannered” as Jerry, the head of WHOOP, head of the spy agency…put it. Without a doubt, it is wrong for a librarian to assault patrons. Her reaction is understandable…when it comes down to it, I would even venture that Sam, and maybe even Alex, are fine with this librarian being buff, as long as the librarian isn’t decking patrons of course…By the episode end, there is an open question as to whether those whose personalities have been switched are switched back. This is because the spies don’t have time to switch back the personalities of anyone, apart from Jerry and Clover. Did they switch the personalities of the librarian and wrestler? Or did they leave them intact? That is open to viewer interpretation…I would argue that by being buff, this librarian is going against usual depictions of librarians, often as those who are strict, elderly, and uptight, as Snoek-Brown explains…I still think it is possible she was voiced by Janice Kawaye, an actress of Japanese descent who has voiced characters since 1983…Although this librarian in Totally Spies! is the only fictional librarian that I am aware of who lifts weights, jumps rope, and does other exercises, there are actual librarians who are also weightlifters…In writing this post, I really got into it and found that there are two wrestlers out there who compete using a librarian gimmick…there is an inaccurate image of a librarian in popular culture, a ‘petite, humorless woman…dressed in dowdy clothes, spectacles on her face, [and] hair knotted in a bun.’ A weightlifting librarian, or a wrestler-librarian…blows that completely out of the water, without question.

In April, I reprinted a post I wrote about Kaisa for Jennifer Snoek-Brown’s Reel Librarians, arguing that she is one of the best depictions of fictional librarians to date. That same month, I posted on the librarian, Barebones, in Brownie and Barebones, and the High Guardian Academy library in High Guardian Spice. This was followed by posts in May on Blinky’s library in Tales of Arcadia, and Gabrielle in the animated film, I Lost My Body. Some of my other favorite posts that I wrote which were published in May, and in later months, are as follows:

I also began my Behind the Screen series, profiling Black voice actors, Asian and Latin American voice actors, Indian voice actors, Japanese voice actors, and Japanese and English voices, who bring fictional librarians to life. Other posts were about The Stanza in Welcome to the Wayne, Mo Testa in Dykes to Watch Out For, Cleopatra in Space a nd information deficits in libraries, Page Turner in the Arthur TV series, the Roubai Academy Library in Akebi’s Sailor Uniform, and intersex characters and libraries.

I am proud this year that I finally added a page on librarians and libraries in film and another on watching pop culture media which I watch on this blog, showing where you can find the shows / films I’m writing about on this blog, making it accessible to the readers. I additionally did a huge update to the Bibliography page, so it now lists articles cited in each post and makes that available to users, while gutting the pages I had on Jennifer Snoek-Brown, who is often cited on this blog, and “Higgins o-rama.”

Upcoming next year will be a continuation of the Behind the Screen series with posts on White female and White male voice actors who bring fictional librarians to life, and revisiting the fictional librarians in Archie’s Weird Mysteries, which I had written about a while back. There will also be a post examining Hanamaru Kunikida in “Love Live! Sunshine!!”, a librarian and a school idol all in one!

Onward to 2023!

Notes

[1] Other than I ones I note in the main part of this post, I also posted recently added titles for January 2022, February 2022, March 2022, April 2022, May 2022, June 2022, July 2022, August 2022, September 2022, October 2022, and November 2022. There is an upcoming post in January which lists recently added titles for December 2022.

Tags Akebi's Sailor Uniform, Archie's Weird Mysteries, Arthur, Ascendance of a Bookworm, beauty standards, Behind the Screen, Black librarians, Black women, Brownie and Barebones, Cleopatra in Space, Dewey Decimal System, dragons, dress codes, Dykes to Watch Out For, elderly people, Elena of Avalor, fashion, French librarians, French women, Hilda, I Lost My Body, I Love Libraries, It's a Wonderful Life, Japanese librarians, Japanese women, Jennifer Snoek-Brown, Kaisa, Kim Possible, Kokoro Library, Latine librarians, Lesbian librarians, Let's Make a Mug Too, librarian stereotypes, librarian style, Librarians of Color, Love Live! Sunshine!!, marketing, My Little Pony, My Little Pony: Friendship is Magic, Non-human librarians, Reel Librarians, sexual harassment, Tales of Arcadia, The Owl House, Too Loud, Totally Spies, Trans librarians, Trans women, Victor and Valentino, voice actors, White librarians, White women, women librarians, Yamibou

action adventure anime fantasy Fiction genres floating libraries Japanese people Librarians Libraries magic libraries mobile libraries Pop culture mediums public libraries special libraries speculative fiction

Behind the Screen: Japanese and English voices which bring fictional librarians to life!

Post author By Burkely Hermann
Post date December 13, 2022
6 Comments on Behind the Screen: Japanese and English voices which bring fictional librarians to life!

Hideyuki Umezu (left) and Stephen Mendel (right)

There are many characters nowadays who have Japanese actors or actresses voice them in the original anime, then English-speaking actors voice them in a dubbed version.

Part of understanding fictional librarians is understanding those behind the screen, specifically when it comes to those who voice animated characters. Part 1 of this series focused on Black voice actors, Part 2 on Asian and Latin American voice actors, Part 3 on Indian voice actors, and Part 4 on Japanese voice actors.

In this fifth part of this series, I am profiling the Japanese-speaking and English-speaking voice actors, men and women, who have voiced librarian characters, whether in the original show or English dubs.

About the English-speaking and Japanese-speaking voice actors

One of these characters is Doctor Oldham in Gargantia on the Verdurous Planet. He was voiced by Hideyuki Umezu in the Japanese original, while the English dubbed voice was provided by Stephen Mendel. Umezu, like many of the other actresses on here, is relatively skilled, even providing voices for Japanese dubs of Western shows like Inside Job, Animaniacs, Teen Titans, and X-Men, along with various anime. Mendel, on the other hand, is a Canadian/American actor who has often appeared in live-action series, a total of 89 acting credits so far.

Even more prominent, in terms of a librarian protagonist, is Myne in Ascendance of a Bookworm. Yuka Iguchi voiced her in Japanese while Reba Buhr voiced her in the English dub. Iguchi is a well-known singer who provides vocals for J-pop songs, even releasing two albums, first Hafa Adai in 2014 and az you like… in 2016, and ten singles between 2013 and 2019 according to her Wikipedia page. Behr has voice dubbed of characters in Knights of Sidonia, Beastars, BNA: Brand New Animal, and Hayop Ka!.

Another lesser-known librarian is Hisami Hishishii in R.O.D. the TV. She is a 13-year-old and author from Japan who becomes friends with the Paper Sisters, especially Hisami, while Tohru has a crush on her. She is voiced by Taeko Kawata, along with Megan Taylor Harvey for the English dub. Kawata has voiced 70 characters, either in video games or anime. [1] Comparably, Harvey has voiced characters in animation like Charlie Brown, Ikki Tousen, and many live-action series.

More recently there is Yukiyo Fujii as Himeko Agari in Komi Can’t Communicate, while Sarah Williams voices the English dub. Fujii is a voice actress who has voiced anime characters since 2010, including in the third season of Sailor Moon Crystal, Edens Zero, and Life with an Ordinary Guy who Reincarnated into a Total Fantasy Knockout. Williams, on the other hand, did English dubs for Edens Zero and many other anime series, along with video games.

Tatakau Shisho: The Book of Bantorra featured many librarian characters. For example, Toru Ohkawa voiced Mattalast Ballory while David Wald did the English dub, Yuichi Nakamura voiced Volken Macmani while Greg Ayres did the English dub. At the same time, Tooru Furusawa voiced Fhotona Badgammon while Illich Guardiola did the English dub, and Masaki Terasoma voiced Makia Dekishart while John Gremillion did the English dub.

Ohkawa voiced characters in Macross Frontier and Gosick, while Nakamura voiced characters in Princess Tutu and Miss Kobayashi’s Dragon Maid S. Furusawa voiced characters in Cardcaptor Sakura and did many dubbed voice roles. Terasoma voiced characters in No. 6, Macross Delta, and The Aquatope on White Sand. English voice actors Wald, Ayres, Guardiola, and Gremillion voiced characters in English anime dubs.

Other characters in the same show had Japanese and English voice actors too. Romi Park voiced Hamyuts Meseta and Shelley Calene-Black voiced the English dub. Haruka Tomatsu voiced Noloty Malche and Cynthia Martinez provided the English dub. Akiko Takeguchi voiced Ireia Kitty while Marcy Bannor provided the English dub. Park is known for voicing characters in series like Hetalia: Axis Powers and The God of High School while Tomatsu voiced characters in A Certain Scientific Railgun, Tatakau Shisho, and Bodacious Space Pirates. Takeguchi voiced characters in Otherside Picnic and many other anime. Calene-Black voiced characters in the Engish dubs for Noir, Rosario + Vampire, and Battle Girls: Time Paradox. Martinez voiced English dubbed characters for Blue Drop, Bodacious Space Pirates, and Puni Puni Poemy. Bannor voiced dubbed characters too, but for BanG Dream!, Bloom Into You, and No. 6, to name a few.

About the characters

Doctor Oldham, Myne, Hisami Hishishii, Himeko Agari, Mattalast Ballory, and Volken Macmani. Bottom row: Fhotona Badgammon, Makia Dekishart, Hamyuts Meseta, Noloty Malche, and Ireia Kitty

Doctor Oldham in Gargantia on the Verdurous Planet is a medical doctor and said to be a “sage.” He also oversees a library of books in Gargantia and has some knowledge of the old ways. In this way, he is a librarian, although he isn’t always recognized as one.

Myne is the protagonist of Ascendance of a Bookworm. She was once a librarian in her previous life and vows to be a librarian in this life. She also becomes an apprentice priestess just so she can access the books and the library within the church. She also works on producing her own books. She is very industrious and smart!

Hisami Hishishii in R.O.D. the TV is the best friend of Anita King and is known as “Hisa” for short. She is a quiet and shy girl who likes books, leading her to become the librarian at the local school library, likely on a volunteer basis just like Desiree, Sarah, and Sara in Too Loud.

Himeko Agari in Komi Can’t Communicate is a member of the Library Committee and struggles to communicate like Shouko. She has low self-confidence and can’t withstand peer pressure. She is also a high school student and food reviewer.

Tatakau Shisho: The Book of Bantorra, otherwise known as Armed Librarians featured librarian characters like Mattalast Ballory, Volken Macmani, Fhotona Badgammon, Makia Dekishart, Hamyuts Meseta, Noloty Malche, and Ireia Kitty. Mattalast is one of the strongest Armed Librarians. Volken is a proud armed librarian and is very skilled. Fhotona was the Acting Director before Hamyuts. Makia is another acting director who served before Hamyuts. Then there’s Hamyuts, acting director of the library who lusts for battle and has an easy-going personality, even as she is often self-loathing. On the other hand, Noloty is a trainee armed librarian while Ireia Kitty is an older armed librarian trying to teach newer armed librarians.

When looking over my list, I later realized that I missed Yamada in B Gata H Kei who has Japanese and English voice actors. She will be covered in another part of this series.

Notes

[1] She has two pages on her website, here and here, which seem to allow submissions.

action adventure anime comedy drama fantasy Fiction genres Japanese people Librarians Libraries magic libraries Pop culture mediums public libraries special libraries speculative fiction

Behind the Screen: Japanese voice actors who bring fictional librarians to life!

Post author By Burkely Hermann
Post date November 15, 2022
7 Comments on Behind the Screen: Japanese voice actors who bring fictional librarians to life!

Top row, from left to right: Sanae Kobayashi, Kaori Nazuka, Yumi Ichihara, Miyuki Sawashiro, Chiwa Saitō, and Marina Inoue. Bottom row, from left to right: Tomoaki Maeno, Akira Ishida, Tatsuhisa Suzuki, Kanji Suzumori, Haruo Satō, and Takahiro Sakurai.

In this fourth part of this series, I am profiling the over 12 Japanese voice actors, men and women, who have voiced librarian characters over the years, in various anime.

About the voice actors

There are 12 Japanese voice actors which I’m describing here who voice librarians. One of the first I saw was Sanae Kobayashi, who voices Lilith in Yamibou and is a seasoned voice actress. Most recently, I was acquainted with Kaori Nazuka, as she voiced Fumio Murakumi in Girl Friend Beta. She has voiced over 200 other roles in shows like Restaurant to Another World 2, Revue Starlight, Akame Ga Kill, My Little Pony: Friendship is Magic, Fairy Tail, and RIN: Daughters of Mnemosyne.

There’s also the three voice actresses who have roles in Kokoro Toshokan, otherwise known as Kokoro Library: Yumi Ichihara who voices Aruto, Miyuki Sawashiro who voices Iina, and Chiwa Saitō, who voices Kokoro, the main protagonist. Sawashiro also voices Asako Shibasaki in Library War and Mirepoc Finedel in Tatakau Shisho: The Book of Bantorra, perhaps the only person on this list who is shown as voicing three librarian characters. Miyuki, on other hand, is also a seasoned voice actress, even voicing a character in My Little Pony. The final actor I’d like to mention is Marina Inoue who voices Iku Kasahara in Library War. She has voiced many anime characters over the years.

There were five other Japanese actors, all in Library War. This included Tomoaki Maeno (who voiced Atsushi Dojo), Akira Ishida (who voiced Mikihisa Komaki), Tatsuhisa Suzuki (who voiced Hikaru Tezuka), Kanji Suzumori (who voiced Ryusuke Genda), and Haruo Satō (who voiced Kazuichi Inamine). Meano voiced characters in well-known anime series while Sato voiced characters in anime too, but also Western animations like the Powerpuff Girls and Totally Spies.

There is also Takahiro Sakurai as Riichi Miura in The Ancient Magus Bride: Those Awaiting a Star. [1] He is known for he voicing of characters in Le Chevalier D’Eon, Naruto Shippūden, Ace of Diamond, and many other series, like Tatakau Shisho: The Book of Bantorra where he voiced Ruruta Coozancoona. Ishida also voiced a character in the same series, Mokkania Fluru. There are undoubtedly many more, so this is only scratching the surface when it comes to these characters.

About the characters

top row, left to right: Lilith, Fumio Murakumi, Riichi Miura, Aruto, Kokoro, Iina, Asako Shibasaki, and Iku Kasahara. Bottom row: Atsushi Dojo, Hikaru Tezuka, Ryusuke Genda, Mikihisa Komaki, Kazuichi Inamine, Ruruta Coozancoona, Mokkania Fluru, and Mirepoc Finedel.

Lilith in Yamibou is the library’s guardian. She is the third creator of worlds. She is also a lesbian attracted to Hazuki who she flirts with throughout the series. She dislikes Eve, who is the love interest of Hazuki, her adopted sister. She also is considerably wise and has a wide range of knowledge, while wanting to get Eve back to the library.

Fumio Murakumi is a main character in Girl Friend Beta, and third year student. She was once introverted and lonely, but Erena becomes one of her closest friends and she likely has a crush on her. She is often carrying a book and has a strong inner personality, while she can speak politely when needed, from time to time.

Riichi Miura in The Ancient Magus Bride: Those Awaiting a Star is a librarian of a library within a forest. He can be nurturing and gentle, even if a bit awkward at times. He helps out Chise Hatori, who took refuge from evil spirits in the library. Riichi later gets Chise a library card, lets her explore around the library, but she accidentally leaves the door open letting in monsters which eat all the books and seem to put him at death’s door. In the final episode, Chise watches as the monster swallows up the library and Riichi while she gives the book back to the person she intended to go to. She tries to go back there later and the library is gone, with no evidence of it being there. Her mentor later tells her the library is like something out of a legend, and she bonds with her mentor, and others over the story.

Aruto in Kokoro Library is one of the protagonists and is a quiet girl. She works at the small library located on an unpopulated mountain, with a strong-minded girl named Iina and a girl who has the same name as the library, Kokoro. All three are sisters.

Asako Shibasaki, Iku Kasahara, Atsushi Dojo, Hikaru Tezuka, Ryusuke Genda, Mikihisa Komaki, and Kazuichi Inamine are all characters in Library War. Asako is a library clerk supervisor who is an intelligence specialist and helps Iku study the catalogs. She also tries to give Iku advice and later falls in love with Hikaru, another library clerk supervisor. Iku, the protagonist, is a new member of the Library Defense Force who struggles in training. Atsushi is another librarian who is part of the defense force and develops romantic feelings for Iku, with both later marrying. Ryusuke is a supervising librarian and veteran field commander. Kazuichi commands the Library Defense Force and is a big part on the battle with the Media Betterment Committee. Mikihisa is another librarian who is often smiling or laughing at his coworkers, and pushed Iku to join the task force.

Some of the many characters in Tatakau Shisho: The Book of Bantorra, also known as Armed Librarians include Ruruta Coozancoona, Mokkania Fluru, and Mirepoc Finedel. Ruruta is director and founder of the Bantorra Library, while Mokkania is one of the strongest armed librarians, and Mirepoc is a third-grade armed librarian.

Notes

[1] IMDB breaks this up into Part 2, and Part 3 rather than putting them all under one show even though they all part of the same OVA, but doesn’t have Part 1, so this ANN page serves as a source here.

Tags Behind the Screen, Girl Friend Beta, Japanese librarians, Japanese men, Japanese women, Kokoro Library, Librarians of Color, library as refuge, Library War, male librarians, OVAs, quiet, Tatakau Shisho, The Ancient Magus Bride: Those Awaiting a Star, women librarians, Yamibou