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Examining and analyzing the librarians in The Simpsons

An elderly librarian asks Homer Simpson to leave the library in “The Wizard of Evergreen Terrace”, questioning whether he is a “valid” patron

As I wrote about back February 2021, libraries appear repeatedly in The Simpsons, time and again. Instead of covering the episodes I mentioned in that post, [1] I’d like to focus on the librarians within the series, then later about the libraries in the series. There are at least fourteen librarians shown in the course of the series, and even more if some librarians are counted as different characters.

In “The Wizard of Evergreen Terrace”, Homer reads about Thomas Edison at the Springfield Elementary School library because they won’t let him in the “big people library” in downtown Springfield because of some “unpleasantness.” The school librarian, an elderly White lady, asks him if he is a student at the school, and he says yes. She undoubtedly kicks him out after that. She questions whether he is a valid patron, which is understandable, but it would have made more sense to have him go about his business in the library instead.

The same librarian appears again in “Brother’s Little Helper”, where she almost gets run over by Bart’s tank. In another episode, “Sweets and Sour Marge” there is a book sale at the Old Springfield Library, the main library in Springfield which apparently has a “serious bat problem in the filing cabinets,” and has old books like calendars and diaries. It is often visited by Lisa. In that episode, Homer mocks the library selling books, asking why he would want to buy books from the library. Comic Book Guy buys books on Spock and Scotty, Nick Rivera reads a book about human anatomy entitled Grey’s Anatomy, and Lisa buys a cart full of books, saying she has to “save” them after Marge tells her she can’t buy more than her weight in books. There is even a scene after this of the aforementioned librarian feeding chopping up books and feeding them to pigs, ha. No books are sacred here.

The episode also features another unnamed librarian who is working at the cash register and looks much more formal and proper than the above librarian. Marge convinces Homer to get a book entitled the Duff Book of World Records which has photographs of deformities, making him laugh. After Lisa says tavern, he drives to Moe’s because she said the word, with Marge yelling she never agreed to that rule. He later uses the book throughout the episode.

In another episode, “Eeny Teeny Maya, Moe”, Moe tells the story of surfing the web at the local public library with occasional drinking fountain breaks, where he is going back and forth with another woman, Maya. He then calls the “Crazy Cat Lady” a man, and she throws cats on him. He says he would do anything to chat with Maya apart from buying an actual computer. Maya calls him cute and he dances a little with the elderly librarian, who is confused by the whole ordeal, before he leaves the library.

She finally appears in “No Good Read Goes Unpunished”. In that episode, in which she closes the library with reduced hours of operation, because after a certain point in the day the silverfish take over the library. Milhouse is trapped inside while covered with silverfish, just wanting to renew his library card. After that, the Simpsons family goes to a book-themed department store, then a bookstore with old books, some of which Bart is interested in. Unlike her other episodes, she is voiced by Tress MacNeille rather than Maggie Roswell, who had voiced her in previous episodes.

The librarian says that the library has reduced hours because of the silverfish

Apart from her, there is another librarian (voiced by Tress MacNeille) who briefly appears in the episode “Bart the Mother”. She looks even more of a spinster librarian than any of the others shown so far. This is after Bart watches a film about taking care of birds from Troy McClure (voiced by Phil Hartman). This episode marks Hartman’s last speaking appearance. This librarian tells Reverend Lovejoy that he has checked out the bible every weekend for the last nine years and asks him if it would be easier to just buy a Bible instead. He says he could do that on a “librarian’s salary,” implying that librarians make a lot of money, even though they do not. Although BLS statistics say that Librarians and Library Media Specialists earn an average of $60,820 per year, equivalent to $29.24 per hour, the more common Library Technicians and Assistants only earn, on average, $31,840 per year, equivalent to $15.31 per hour. That’s barely living wage! Disgusting if you ask me. That pay should definitely be higher, without a doubt.

There are two librarians that appear in the season 6 episode “Lisa’s Wedding”: a human librarian and a robot librarian. Lisa, in this future vision, goes to the reference desk where the librarian is and she types on her calculator and says that the book she needs was checked out by Hugh Parkfield. They both try to compete with each other in reading the book, then end up kissing one another. The one librarian quips that at one point Hugh and Lisa hated each other, then love each other, with the other librarian saying it doesn’t make sense to her because she is a robot, then her head melts. The voice actors of both librarians are sadly not known at this current time.

We also see other librarians in the series. This includes the library clerk in “Bart’s Girlfriend” voiced by Hank Azaria. He runs the young adult section at a library in Springfield and Lisa has a crush on him, while he also dates Jessica Lovejoy at one point. Lisa thinks she can “tame” him, even though she calls him “well-read and just a little wild.” There’s is, additionally, an unnamed prison librarian (voiced by Tress MacNeille)  in “Dial “N” for Nerder”. Lisa imagines herself as an older prisoner, with this librarian passing her jail cell with a trolley of books, asking whether she had Joyce Carol Oates. The librarian said she only had Danielle Steel, causing Lisa to scream in terror. This is significant because this librarian is perhaps the only prison librarian that I’ve ever seen in animation. Hopefully I see more in the future.

Prison libraries can be restricted, even though what they do can lead to empowerment of inmates. Such libraries, situated within prisons, can arguably be described as what Jeff Hirschy calls prison institutions, or those institutions in which a librarian or archivist “serves an oppressive higher power.” There is also an endless information void in prisons. In addition, grim prison life can eclipse the potential of prison library, and the service provided is not even. Some prison libraries are better than others. Furthermore, the case of Lisa, she is in a prison, rather than a jail, as a prison is operated at the state or federal level, housing inmates with long-term convictions while jails are run by a county or city, housing inmates who are awaiting trial or with short-term convictions. It makes sense there are library services in the prison she is in, because longer conviction terms of prisoners means that it is more likely there would be a library, while in jails, such libraries are less common. [2]

Lisa reacts in terror when she realizes that the prison librarian doesn’t have the book she wanted to read.

There are three other librarians I’d like to mention. The first two, an unnamed librarian voiced by Pamela Hayden and another named Martha voiced by Tress MacNeille are in the episode “The Color Yellow” and are hinted as lesbians, working at the Old Springfield Library. Martha tells Lisa that there are no books about Eliza Simpson, but she did find a cookbook by Eliza’s mother.

She calls Martha “the best” for finding this as Lisa and Marge read the book with a story about one of Lisa’s ancestors. Later, Lisa returns to the library and tells her about the film vault, giving her the key to it. The unnamed librarian asks Martha about the film vault and says that they hooked up there during the Christmas Party. Lisa then watched a documentary which interviews Eliza Simpson and continues to be disappointed. The unnamed librarian appears in the episode “Grift of the Magi” as well. In that episode, she is teaching a class in which they are trying to come with a name for a toy and Lisa gets in trouble for doing math in class, having to write on a chalkboard.

Then there’s Ms. Norton (voiced by Maggie Roswell), a librarian at Springfield Public Library, who “is on friendly terms with Lisa.” In the episode “Dead Putting Society”, Lisa says hello to her, as does a man named Ralph and a group of old men and women reading books. She helps Bart by showing him the card catalogs, finding him a book on golf putting. Bart is shown next carrying a stack of books, including a book by Lao-Tzu, The Tao-Te Ching. She even tells Bart they are borrowing the books, after he wonders if they can afford them.

Homer and the unnamed librarian in the Springfield University Library

Then in “Lisa the Greek”, Lisa goes to the very quiet public library, which has some new signs and banners up. Ms. Norton claims it has been a “madhouse” after Lisa says the signs are working, with Lisa then checking the card catalog, looking for books on football. Following this, in the episode “Homer Goes to College”, presumably the same librarian is shown with dark skin and hair. Homer, in one scene, wheels a stack of books out of the Springfield University Library, as she looks in, part of his cramming for a college test. Even in that episode, Maggie Roswell appears, although the librarian has no lines. [3]

Other than this, there is a brief scene in “Sideshow Bob Roberts” where Lisa and Bart go into the Old Springfield Library and bats come flying out of the card catalog. Then, in “It’s a Mad, Mad, Mad, Mad Marge”, Marge sneaks into the public library to find out about who Becky really is, and comes across a stories, while looking through the microfilm, which she thinks prove Becky as a bad person, but believes she has been unfair to Becky.

Then, in “Margical History Tour”, Lisa talks to an elderly librarian who says they don’t have books, but they are a multimedia learning center for those of all ages, but mostly bums. Lisa complains that there are hardly any books at all. Marge agrees to help them, saying she knows a little about history. Nelson later trips Milhouse and takes his book, hilariously declaring “the library, really is a great resource!,” adding that he only came in to trip nerds. Lisa later complains she can’t find anything on Sacagawea, beginning another story from Marge. She later tells Bart another story, this one about Mozart. Liza later criticizes Marge’s story, saying it sounds a lot like the movie Amadeus.

In many ways, this episode connects with technocratic themes which I wrote about this past August, noting an article about the technocratic library “of the future.” Such a library is possible with all the data collection today, even with datasets of certain people not collected at all, a date divide between those who are data-rich and data-poor. Some have argued that libraries need to encourage and help library patrons analyze and contribute knowledge which is created with this data, and called on libraries to create an inclusive climate so patrons can engage with this data. However, there continue to be data quality issues which plague researchers, even as there is push for open data, data literacy, critical skills by librarians despite the limits of data. [4]

An unnamed librarian dressed formally in a blazer and tie shown in the episode “Sweets and Sour Marge”, shown here operating a cash register

The main library in Springfield is more than than the one-story building which comprises the Springfield Public Library. [5] This library make an appearance in the episode “Like Father, Like Clown” when Lisa looks through the card catalog, looking for books on Judaism and takes notes on what she found. Bart comes with her and looks at pop-up books. He attempts to convince Krusty’s father to make up with him, using the knowledge that Lisa is finding. His attempts fail and Lisa gives him one last paper, hoping it will work, even though she calls it a long-shot to convince him, apart from learning Ancient Hebrew. At long last, they get through to him after Bart quotes from a book by Sammy Davis, Jr.

Then in the episode in “HOMЯ”, after the crayon is taken out of Homer’s brain, he becomes smart, and reading lots of books, just like Lisa. This also ends up changing his personality too. This is followed by a flashback in the episode “The Kids Are All Fight” in which six years prior, after a librarian read a book during storytime, Bart and Lisa fought, hitting each other with books, while Marge looks on, worried. Following this, A security guard then escorts them out, telling them in a quiet voice to leave, shouting as he opens the door to let them outside, not wanting such violence in the library. Finally, in “Looking for Mr. Goodbart”, Bart goes to the library to ask the librarian, possibly voiced by Valerie Harper who has voiced various characters over the years, how he looks up a word. He hands her his phone and asks how much he owes her. At first she hesitates, then asks him for five dollars, and pockets the money. BOO! Bad librarian!

On the whole, the librarians in The Simpsons episodes all have different styles. Some have a more relaxed style, while others are more formal. The episodes themselves consistently show libraries as places of information, learning, and knowledge, used especially by Lisa. The episodes also highlight information deficits. This includes silverfish causing a library to be closed certain hours, or another when a library is extremely scaled back (having no books on the shelves), justified by turning it into a multimedia center. The latter could almost be considered a criticism of efforts to undermine librarians and libraries across the U.S. It is equivalent to Philip J. Fry’s speech at the end of a Futurama episode which talks about the value of local libraries.

At the same time, some of the librarians can fall into existing stereotypes with spinster librarians, although others easily buck that, like the two lesbian librarians in “The Color Yellow.” Sadly, the librarians in the series are not very diverse. They are almost all White except for the one in “Homer Goes to College” and she is only shown briefly. Other series, like We Bare Bears, Welcome to the Wayne, What If…?, Elena of Avalor, and She-Ra and the Princesses of Power, to name a few, have done better than The Simpsons when it comes to showing librarians who are not White. Hopefully, this changes in future episodes as the show goes forward, but I’m not going to hold my breath for that, as the show has become a bit of a zombie series.

The two lesbian librarians making eyes at one another at one point during the episode “The Color Yellow”

© 2023 Burkely Hermann. All rights reserved.


Notes

[1] I’m talking about “Bart the General,” and “Cape Feare,” or the library jokes in “Marge the Lam” and “Last Tap Dance in Springfield” or the mentions in “Much Apu About Nothing,” “Bart After Dark,” “I Love Lisa,” “Lisa’s Substitute,” “Lady Bouvier’s Lover,” “Homerpalooza,” “One Fish, Two Fish, Blowfish, Blue Fish,” “Homer vs. Patty and Selma,” “You Only Move Twice,” “Treehouse of Horror VI,” “Krusty Gets Busted,” and “Some Enchanted Evening.”

[2] Jeff Hirschy, “Social Justice and Birmingham Collecting Institutions: Education, Research, and Reference Librarianship” in Reference Librarianship & Justice: History, Practice & Praxis (ed. Kate Adler, Ian Beilin, & Eamon Tewell, Library Juice Press: Sacramento, CA: 2018), p. 90 and also discussed briefly on page 91; Kate Adler, “Towards a Critical (Affective) Reference Practice: Emotional, Intellectual and Social Justice” in Reference Librarianship & Justice: History, Practice & Praxis (ed. Kate Adler, Ian Beilin, & Eamon Tewell, Library Juice Press: Sacramento, CA: 2018), p. 107; Emily Jacobson, “Reference by Mail to Incarcerated People” in Reference Librarianship & Justice: History, Practice & Praxis (ed. Kate Adler, Ian Beilin, & Eamon Tewell, Library Juice Press: Sacramento, CA: 2018), p. 157; Erin Rivero, Marisa Hernandez, Stephanie Osorio, and Vanessa Villareal,  “Dispatches from the Field of Prison Librarianship” in Reference Librarianship & Justice: History, Practice & Praxis (ed. Kate Adler, Ian Beilin, & Eamon Tewell, Library Juice Press: Sacramento, CA: 2018), p. 165, 167; Joshua Finnell, “2596 Girl School Road: The Indiana Women’s Prison Far-Away Reference Desk” in Reference Librarianship & Justice: History, Practice & Praxis (ed. Kate Adler, Ian Beilin, & Eamon Tewell, Library Juice Press: Sacramento, CA: 2018), p. 114.

[3] She also appears in “Marge On The Lam” with brown hair, at the very beginning of the episode, sitting at a table, as part of a pledge drive, by a phone. She is not shown in a library during the episode.

[4] Julia Marden, “The Case for Critical Data Reference in Public Libraries” in Reference Librarianship & Justice: History, Practice & Praxis (ed. Kate Adler, Ian Beilin, & Eamon Tewell, Library Juice Press: Sacramento, CA: 2018), p. 189-193, 195-7.

[5] The Springfield Public Library is also mentioned in the episode “Much Apu About Nothing”. It also apparently appears in The Simpsons Movie, the comic book “A Chair of One’s Own” and the video games Virtual Springfield, and The Simpsons: Hit and Run. The library is also shown briefly in the beginning of the episode “Lost Verizon” when Nelson is holding Martin Prince. As for the Old Springfield Library  also appears in The Simpsons: Tapped Out and is pictured in “Separate Vocations”. I believe the same is the case in the episodes “Dog of Death”, and “In Marge We Trust”.

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Librarians of Color on “Pop Culture Library Review”: A 2022 Assessment

19 librarians of color written about on this blog in 2022
Left to right for top row: Mateo in Elena of Avalor, Myne in Ascendance of A Bookworm, Valerie the Librarian in Spidey Super Stories, Kokoro and Aru in Kokoro Library, Lilith and the woman she loves (Hazuki) in Yamibou, Fumi Manjōme in Aoi Hana / Sweet Blue Flowers, and Chiyo Tsukudate in Strawberry Panic!. Left to right for bottom row: Fumio Murakumi in Girl Friend Beta, Azusa Aoi in Whispered Words, George and Lance in She-Ra and the Princesses of Power, Anne and Grea in Manaria Friends, Sophie Twilight in Ms. Vampire who lives in my neighborhood, unnamed librarians in We Bare Bears, and Mr. Anderson in The Public. I also wrote about Clara Rhone in Welcome to the Wayne, Cagliostro in What If…?, and Mira and Sahil in Mira, Royal Detective this year. All are librarians of color. Another possible candidate is Isomura in Let’s Make a Mug Too!, a librarian-curator.

Since the early days of this blog, I’ve written about librarians of color, whether those in anime like Revolutionary Girl Utena and Gargantia, in animation such as She-Ra and the Princesses of Power (de facto librarians) or Mira, Royal Detective. Currently, there are over 40 posts with the “Librarians of Color” tag, along with various other posts under the “Latine librarians”, “Japanese librarians”, “Mexican librarians”, “Thai librarians”, “Vietnamese librarians”, “Cuban librarians”, “Indian librarians”, and corresponding terms for patrons of color. [1] Recently, I have also penned posts about Black, Asian, Latin American, Indian, and Japanese voice actors who voice librarians I have listed on this blog, along with other Japanese and English voices..

There is more to say about librarians of color beyond those I wrote about back in September 2021. Currently, I have 92 librarians of color listed on my “List of fictional librarians”. They break down into:

  • 67 Japanese people (at least 41 are Japanese women)
  • 12 Black people
  • 4 Asian people
  • 3 Latine people
  • 6 other people of color

And this isn’t counting the 27 non-human librarians. This compares to the 84 White people on the list, who are primarily White women. I’ll focus on this topic later in the year. I added the appropriate tags after reading posts from Jennifer Snoek-Brown about portrayals of librarians of color, noting it is a sensitive issue considering the racist history and present of U.S. society, and addressing the “lack of diversity in librarianship”. She also noted that are very few “cinematic representations of librarians of color,” and even fewer who are protagonists. [2] In highlighting librarians of color, I tend to agree with the argument by Snoek-Brown about exposing stereotypes and single stories which echo “throughout every part of our lives” since stories matter. The same is the case for the argument by Chris Bourg that there is continued lack of diversity in the library field, or the fact that poor representation of some ethnic or racial groups among libraries might lead to speculation that something about librarianship is “inherently unwelcoming or unattractive” to such groups. [3]

I plan to expand this further in the coming year with posts about ten fictional Black librarians, two Black reel librarians, real-life Black librarians who should be in fiction, Hanamaru Kunikida in Love Live! Sunshine!!, Arab and Muslim librarians in fiction, six fictional librarians of Asian descent, and fictional librarians of color and their counterstories. I hope that in the future I come across more Black librarians in fiction, especially Black women like those in Lovecraft Country, except ones that are credited, and connect this to the historical role of Black librarians. Alma Dawson of Louisiana State University wrote about this in a Summer 2000 issue of Library Trends:

Throughout their history, African-American librarians have been pioneers, visionaries, risk-takers, hard-workers, innovators, organizers, and achievers. Through dedication and persistence, they have developed library collections and archives in spite of limited resources. They have provided reference and information services, and their libraries have served as cultural centers for many blacks in all types of communities…They have served as mentors and role models for many individuals and have contributed to the scholarly record of librarianship. These achievements are an inspiration worthy of continued emulation and cause for celebration.” [4]

The article also notes documentation of the Black library experience, general studies and monographs such as the Handbook of Black Librarianship in 1977, What Black Librarians are Saying in 1972, in Black Librarian in American Revisited in 1994, Untold Stories: Civil Rights, Libraries, and Black Librarianship in 1998, and various dissertations on related topics. Furthermore, key Black librarians in the 20th century are noted, such as: Regina M. Anderson, Augusta Baker, Hannah Diggs Atkin, Thomas Fountain Blue, Virgia Brocks-Shedd, Doris Hargett Clack, and Jean Ellen Coleman. There is additional information about roles of Black librarians in professional organizations, like the Black Caucus of the ALA (BCALA), and many others, along with information about library development and services, library education, recurring themes, and other resources. [5]

I would add that highlighting librarians of color on this blog helps ensure, in some way that people of color need to be represented in the profession, inspiring people of color to become librarians, to be part of initiatives (either started by them or by others), and engage in related tasks to counter the unbearable Whiteness of the profession. That’s my hope at least. I further believe that the focus on librarians of color on this blog can provide inspiration or even support, in some way, to break down institutionalized inequity, either in academic librarianship or elsewhere, where librarians of color are given hidden workloads. The latter manifests itself when such librarians are told to take on or lead diversity special projects, even if they don’t necessarily have experience in area, leading to a vicious cycle. [6]

A focus on Japanese librarians can also help to counter Whiteness within pop culture depictions of librarians and even within the profession. It could even be used to support changes within librarianship for more librarians of Asian descent, especially within the U.S., where there is a myth of the Asian community as “model citizens”, which leads to social and psychological costs. At the same time, this blog’s focus on librarians of color may support existing progress for an increased number of real-life librarians of color, and hint at the role of institutions in diversifying the workforce. [7]

However, this could all be hogwash. I’m not sure how influential, or not influential this blog is to make those changes. In any case, I remain committed to continuing to write about and list librarians of color on this site, as I continue to learn more about the library field every day.

© 2023 Burkely Hermann. All rights reserved.


Notes

[1] This includes tags such as “Japanese patrons”, “Black patrons”, “Indian patrons”, “Afro-Latine patrons”, “Mexican patrons”, “Korean patrons”, “Egyptian patrons”, “Taiwanese patrons”, and “Argentinian patrons”.

[2] Snoek-Brown, Jennifer. “Revisiting reel librarian totals,” Reel Librarians, Aug. 2, 2017; Snoek-Brown, Jennifer. “Reel librarians of color, 2021 update,” Reel Librarians, Jan. 27, 2021. In the first post, for those who are Black or or African decent, she lists Jaye Loft-Lyn as Microfilm Library Clerk in Pickup on South Street (1953), Jaye Stewart as Male Librarian in All the President’s Men (1976), Paul Benjamin as English in Escape from Alcatraz (1979), Tim Reid as Michael Hanlon in Stephen King’s It (TV, 1990), C. Francis Blackchild as Wanda & L. B. Williams as Howard in Party Girl (1995), Aunjanue Ellis as Jo & Demene E. Hall as Mrs. Biddle in Men of Honor (2000), Orlando Jones as Vox in The Time Machine (2002), Merrina Millsapp as Hall of Records Attendant in Ella Enchanted (2004), Zarrin Darnell-Martin as Intern Wanda in Oscar-winning Spotlight (2015), Ronald William Lawrence as Library Clerk in The Ring (2002), Octavia Spencer as Hildy in Follow the Stars Home (TV, 2001), Noreen Walker as Librarian in Somewhere in Time (1980), Jeff Feringa as Librarian #1 in Dangerous Minds (1995), Mary Alice as Alice, a children’s librarian, in Bed of Roses (1996), Lynette DuPree as Librarian in Back When We Were Grownups (TV, 2004), Delores Mitchell as Librarian in Autumn in New York (2000), and an uncredited book cart shelver in City Slickers II: The Legend of Curly’s Gold (1994). For those who are Asian or South Asian, lists Shakti as Kala in The Golden Child (1986), Alfred Ono as Mr. Fong in Elephant (2003), Sophia Wu as Librarian as Finding Forrester (2000), Anjali Jay and Hiro Kanagawa in Age of Adaline (2015), Tony Azito as Librarian and Juan Fernández as Attendant in Necronomicon: Book of the Dead (1993). Also four are listed as Latine: Liz Torres as Delores Rodriguez in Just Cause (1995), Javier Bardem as Reinaldo Arenas in Before Night Falls (2000), Damian Chapa as Miklo in Bound by Honor (aka Blood In, Blood Out… Bound by Honor, 1993), and Rose Bianco as Bella in The Ultimate Gift (2006). Additionally, one is listed as Arab + Middle Eastern (1): Erick Avari as Dr. Terrence Bey in The Mummy (1999), and one as indigenous: Jane Lind as Noayak in Salmonberries (1991). These racial designations apply to the characters NOT those who voice them. Elsewhere, she notes, Duana Butler who plays the “Library Clerk” role in The Manchurian Candidate (2004), unnamed Black male law librarian in Fatal Attraction, along with other librarians of color like the unnamed librarian in To All the Boys I’ve Loved Before (2018) (also see here), Wong in Doctor Strange (also see here, and here) and Avengers: Infinity War,

[3] Snoek-Brown, Jennifer. “‘The danger of a single story’ for reel librarians,” Reel Librarians, Nov. 2, 2016; Bourg, Chris. “The Unbearable Whiteness of Librarianship,” Mar. 3, 2014; Lance, Keith Curry (May 2005). “Racial and Ethnic Diversity of U.S. Library Workers,” American Libraries, p. 42.

[4] Dawson, Alma (Summer 2000). “Celebrating African-American Librarians and Librarianship,” Library Trends 49(1): 49-50. On page 77, Dawson adds: “there is still ample evidence from the literature to indicate that civil rights, discrimination, and racism are still concerns of African-American librarians”.

[5] Ibid, 52-78. Others include Gwendolyn Cruzat, Sadie Peterson Delaney, Virginia Proctor Florence, George W. Forbes, Nicholas Edward Gaymon, Eliza Gleason, Vivian Harsh, Jean Blackwell Huston, Mollie Lee Huston, Althea Jenkins, Clara Stanton Jones, Virginia Lacy Jones, Casper Leroy Jordan, E. J. Josey, Catherine A. Latimer, Mary F. Lenox, Ruby Stutts Lyles, Albert P. Marshall, Emily Moble, Daniel Murray, Major R. Owens, Annette L. Phinazee, Joseph Harry Reason, Charlemae Rollins, Henrietta M. Smith, Jessie Carney Smith, Lucille C. Thomas, Robert E. Wedgeworth, Dorothy Porter Wesley, John F. N. Wilkerson, Edward Christopher Williams, and Monroe Nathan Work.

[6] Agnes K. Bradshaw, “Strengthening the Pipeline-Talent Management for Libraries: A Human Resources Perspective” in Where Are All The Librarians of Color?: The Experiences of People of Color (ed. Rebecca Hankins and Miguel Juarez, Library Juice Press: Sacramento, CA, 2015), 123-4; Shaundra Walker, “Critical Race Theory and the Recruitment, Retention and Promotion of a Librarian of Color: A Counterstory” in Where Are All The Librarians of Color?: The Experiences of People of Color (ed. Rebecca Hankins and Miguel Juarez, Library Juice Press: Sacramento, CA, 2015), 146-7.

[7] Vince Lee, “Like a Fish Out of Water, But Forging My Own Path” in Where Are All The Librarians of Color?: The Experiences of People of Color (ed. Rebecca Hankins and Miguel Juarez, Library Juice Press: Sacramento, CA, 2015), 187-189; Roland Barksdale-Hall, “Building Dialogic Bridges to Diversity: Are We There Yet?” in Where Are All The Librarians of Color?: The Experiences of People of Color (ed. Rebecca Hankins and Miguel Juarez, Library Juice Press: Sacramento, CA, 2015), 267; Miguel Juarez, “Making Diversity Work in Academic Libraries” in Where Are All The Librarians of Color?: The Experiences of People of Color (ed. Rebecca Hankins and Miguel Juarez, Library Juice Press: Sacramento, CA, 2015), 313.

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“Shh!”: Examining the skeleton librarian Eztli in “Victor and Valentino”

Eztli shushes Victor with her extended skeleton arm

This post is a scary and spooky one for sure! I wrote this post specifically to appear right before Halloween on October 31st, and the beginning of the Mexican holiday, Day of the Dead (Dia de Los Muertos), which is celebrated between November 1st and 2nd. Today’s post examines Eztli, the skeleton librarian in the Victor and Valentino episode “An Evening with Mic and Hun“, and is likely voiced by accomplished actress of Cuban descent, Jenny Lorenzo.

Let’s start with what she is wearing: she has a black dress with a white collar, a medallion around her neck, and horn-rimmed glasses. This seriously invokes the spinster librarian stereotype, as she has her hair tied up in a bun, even though that seems somewhat unnecessary. Her first contact with Victor and Valentino, the two protagonists, is to shush them with her extended skeleton arm. Val, often the rule follower, accepts this, saying “she’s a librarian, she wants us to be quiet.” Victor rejects this and she then scares them away by doing something that is the equivalent to yelling.

After they run away, she starts putting books on a cart with the extra skeleton arm, and is sitting at the information desk, with a stack of card catalogs behind her. I loved the part when she stamped on the book “Past Due Fee: One Soul.” That made me laugh a little. Val comes up with a plan, distracting the librarian by ringing a bell, annoying her. That is until a huge orb, looking a planet, falls down on the librarian and scatters her bones. Val is annoyed at Vic, as that wasn’t the plan, as he was supposed to swing down and grab the arm. Funny enough, Vic shushes Vic with the arm, they subdue one of the other people trying to get the arm of Hun, and flee the library.

While the scene in the library is only a little more than a minute long, there is a lot going on here. More than anything, the library and librarian can be portrayed with vintage looks because there is “something nostalgic about reading books” and possibly even gives the implication that the librarian career is outdated. [1] The latter seems to be somewhat true in this episode, as there are card catalogs behind Eztli at the information desk and a bell to ring sitting on the same desk. What Eztli is wearing seems more sinister, evil, and mysterious than classy, distinguished, slimming, elegant, sexy, or chic like the outfits that Amity Blight in The Owl House or Kaisa in Hilda, which are either partly or fully black in their color. I’ll focus on that topic in my post next month, “Beauty, dress codes, and fashion: Examining twenty fictional White female librarians,” so look forward to that!

Eztli behind the information desk with a wall of card catalogs behind her, while Val comes up to the desk

Eztli is not the only skeleton librarian out there. Mumm-Ra in the Fudêncio e Seus Amigos episode “Biblioteca Maldita” is a librarian/priest and an evil figure. He considered the librarian his own private domain, claiming that time means nothing to him. But, he can be tricked, as the  characters fool him into thinking that he has the real eye of Thundera after they destroy the actual one. Then there’s the librarian in an issue of the 1992 Detective Comics who is the enemy of Batman as he has a library of souls or the soul records in the webcomic 180 Angel. Beyond this, in the webcomic, Guillotine Public Library, a librarian named Skeezix a.k.a. Jonathan von Abendroth finds out that a patron, Lavii, is a skeleton/reaper, causing him to freak out. It turns out that this librarian is Lavii’s mentor, causing her some shock, and he tells her that if she tells anyone about him then she will lose her powers! They later catch-up and he gets her a library card. [2]

In Mexican culture, skulls represent death and rebirth, as a skull represents life and afterlife, while skeletons, in Mesoamerican cultures were considered a symbol of fertility, good luck, and the “dicotomy of life.” On top of this, there are decorative skulls known as calaveras which are often created with cane sugar put on altars (known as ofrendas) for Día de Muertos, with José Guadalupe Posada creating skeleton imagery like La Catrina beginning in 1910, with its influence still felt today. Skulls and skeletons in Mexican folk art also reflect a dualism of balancing forces, like life and death, and without that duality in all parts of life, then ‘the universe loses its equilibrium.” At the same time, Indigenous Mexican art is said to celebrate the skeleton, using it as a “regular motif,” with the festival of the Day of the Dead along with its iconography of skeletons and skulls becoming part of works by those like Diego Rivera and becoming a “celebration of uniquely Mexican identity.” Such art of skeletons and skulls is also meant mock death in a powerful way. This is relevant to Eztli as Victor and Valentino puts a spotlight on mythologies and folklore from Mesoamerican cultures like the Maya, Olmec, Aztec, and other indigenous peoples. [3]

In Victor and Valentino more broadly, some of the episodes completely or partially are from the underworld (also called The Realm of the Dead or The Land of the Dead), as a Latin American folk-themed show, and various characters like Mic, Hun, El Toro, Elefante, Moreno, and Alfonso all live there. There’s even a sarcastic dog named Achi who occasionally joins or pushes Victor and Valentino in their adventures on the surface or in the underworld. The show itself premiered two days before a local Day of the Dead ceremony. Victor is voiced by the show’s creator, Diego Molano, a former writer for The Powerpuff Girls and background designer for OK K.O.!: Let’s Be Heroes, among many other series, while he hoped that the show would be a “good lesson for kids,” making Victor a bit of a self-insert. The show itself was even described as a “richly designed homage to the folk art and traditional storytelling of Mesoamerica” and said to creating “digestible content” which is rated for kids. [4]

Keeping this in mind, Molono, through Vic, is saying he won’t be stopped or silenced on his path forward. Eztli may represent those forces which are trying to hold people back and need to be resisted. Perhaps this is reading too much into it, but it would not be too far-fetched considering that Molono voices Vic. The episode writer David Teas, storyboarder Kayla Carlisle, and story writer, Julie Whitesell, may be able to shed more light on the themes in this episode. Teas previously has worked on shows like The Casagrandes and The Loud House, while Carlisle previously storyboarded for The Adventures of Puss in Boots and Whitesell for many comedy and drama sketch shows since 2010, almost exclusively live-action.

Eztli puts a book that Vic dropped on the ground onto the book with the help of the extra skeleton arm

There’s another aspect which I noticed when re-watching this episode for the purpose of this post: the religious imagery and intellectualism exuded by this library. You can’t say that Eztli is a priest, but the library itself, which is hidden away in the underworld house of Mic and Hun, is a bit of a sacred space. Librarian Fobazi Ettarh has argued that the physical spaces of libraries have often been seen as sacred spaces, treated as sanctuaries by keeping people and sacred things, serving as a refuge or shelter. This idea, she argues, is based in the fact that original libraries were monasteries, with buildings meant to “inspire awe or grandeur.” This still holds true today as libraries continue to “operate as sanctuaries in the extended definition as a place of safety,” centering themselves as “safe spaces.” [5] This isn’t the case for this library, however, as it isn’t really a place safe for anyone, but more of somewhere that is hidden away, almost the private domain of Eztli which needs to be quiet (and orderly) no matter what.

This is in contrast to libraries that are safe spaces, like the public library shown in the independent film by Emilio Estevez, The Public. It is one of the first films I reviewed on this blog back in 2020, and which I am thinking of revisiting sometime in the future, even though that library does not inspire “awe or grandeur.”At the same time, libraries in shown in the series Ascendance of a Bookworm, What If…?, and She-Ra and the Princesses of Power, are all sacred in their own ways. Specifically, the library in the latter animated series is a refuge (and home) for the two dads of one of the show’s protagonists. This is also the case for the magical secret library known as Stanza in Welcome to the Wayne and the huge library at the center of Yamibou, which allows people to access worlds. I have further explained on this blog how libraries are shown as a “place of refuge” in the animated series RWBY, with one character hiding in the library to escape her controlling father.

Many libraries which I have mentioned on this blog in the past are grand, like those in Classroom of the Elite, Macross Frontier, Adventure Time, Revolutionary Girl Utena, RWBY, El-Hazard, Steven Universe, Equestria Girls, Sofia the First, Elena of Avalor, and Simoun, to name a few. One series which somewhat counters this is Hilda, which has a relatively ordinary library on the outside but has a grand inner chamber called “Witches Tower” which is under the library itself. This means that most ordinary patrons would never be in “awe” of the library.

Getting back to Ettarh, she says that if libraries are sacred spaces, then the workers would be priests, noting that the earliest librarians were priests, noting that the service orientation of the profession motivates many to become librarians. This means that librarians are seen as “nobly impoverished,” working selflessly for the community and “God’s sake,” having a calling, with “spiritual absolution through doing good works for communities and society.” She continues the librarians-as-priests comparison to argue that the primary job duty of librarians is then to “to educate and to save,” with the idea of creating an “educated, enlightened populace, which in turn brings about a better society,” meaning that librarians who do this “good work” are the ones who “provide culture and enlightenment to their communities.” This carries with it the expectation that “fulfillment of job duties requires sacrifice…and only through such dramatic sacrifice can librarians accomplish something ‘bigger than themselves.'” [6]

Eztli happily stamps a book with an overdue stamp, using the skeleton arm, saying that the person who gave her the book (Vic in a sense, as he dropped the book) has to hand over his soul!

In the case of Eztli, she is less of a priest than characters like Iku Kasahara, Asako Shibasaki, and many others on the Library Protection Force in Library War. They are a manifestation of librarians as those who sacrifice, fighting those who try and censor books, although this is always with the idea that the library is neutral and that the books will enlighten society. The same can be said about Aruto, Iina, and Kokoro in Kokoro Toshokan a.k.a. Kokoro Library who live in a rural library and get very few visitors, or Isomura in Let’s Make a Mug Too episode (“The Garden of Sky and Wind”), to give two examples. Perhaps the same could be said about Hisami Hishishii in R.O.D. the TV, Himeko Agari in Komi Can’t Communicate, Fumio Murakumi in Girl Friend Beta, and many other librarians out there in fiction. [7]

The library that Eztli presides over may have a tenor of sacredness, but she is no priest. She is more akin to the spinster librarians of other series, in that she shushes the two protagonists and wants the library to remain quiet. This library is no temple either. It may be dated in what it has, but perhaps this isn’t a surprise as I don’t even think that the series itself is set in the present-day, although I can’t be totally sure about that. She has to deal with disruptive, problem patrons, who don’t follow the library’s rules, and crush her body into many pieces. How is she supposed to do her library work if her information desk is smashed and her body is in pieces? We never get the answer to that, because Victor and Valentino go to the next room, leaving as quickly as they came in, on their quest to find the rest of Hun’s body before is too late, and beat any of the other skeletons trying to get the body first.

Although I could be hoping too much, I think it would be interesting if she returns in a later episode, maybe even as a ghost who haunts them. Who knows. There’s a lot of interesting storylines with her that could be done. In any case, she is unlike any librarian I have seen since, and I hope to see more skeleton librarians, whether her or someone else, in animated series in the future. Criticisms and commentary on this post are welcome in the comments below this post, which I vet to make sure that I can make sure comments from spammers aren’t published and to publish those comments which are genuine instead.

© 2022 Burkely Hermann. All rights reserved.


Notes

[1] Brytani, “A Study of Librarian Fashion,” The Intrepid Nerd, Oct. 6, 2011.

[2] See episodes 1, 2, and 3, named “Skeleton in the Library“, “Chance Reunion“, and “Catching up” respectfully. There’s also skeletons in the world of Hilda as an elderly patron, Matilda “Tildy” Pilqvist, checks out a book entitled “The Skeleton Whisperer”.

[3] “what do skeletons represent in mexican culture,” lisbdnet, Dec. 20, 2021; Tom Swanson & Marianne Menditto, “So What’s With the Skeletons in Mexican Folk Art?,” PVAngels, Apr. 15, 2013; Gayle Trim, “Day of the Dead Sweets and Treats,” History.com, Nov. 2, 2012; “What’s Up with All of Skeletons in Mexican Art?,” Galeria de Ida Victoria, Oct. 26, 2017; “Why Are There So Many Skulls In Mexico ?,” Inspired Nomad Adventures, Oct. 8, 2017; Mary Jane Gagnier Mendoza, “Dia de los Muertos: the dead come to life in Mexican folk art,” MexConnect, 2003; ““La Catrina:” Mexican representation of Death,” The Yucatan Times, Dec. 8, 2017; Jonathan Jones, “Skull art is not a new idea,” The Guardian, May 2, 2008; David Agren, “Mexico’s Day of the Dead festival rises from the graveyard and into pop culture,” The Guardian, Oct. 27, 2019; Tracy Novinger, ““Catrinas” and Skeletons: Mocking Death in Mexican Culture,” Patzcuareando: Peripatetic in Patzcuaro, Oct. 28, 2007; Tracy Brown, “Spooky new cartoon ‘Victor and Valentino’ channels Mesoamerican folklore,” Los Angeles Times, Mar. 30, 2019; “Animated People: Diego Molano, Creator of Cartoon Network’s ‘Victor and Valentino’,” Animation Magazine, Apr. 25, 2019.

[4] Carolina del Busto, “Jenny Lorenzo, AKA Abuela, Lends Her Voice to Latino Series Victor & Valentino,Miami New Times, Mar. 29, 2019; “Cómica y sobrenatural: habla el director de la nueva serie de Cartoon Network” [translated title: Comic and supernatural: the director of the new Cartoon Network series speaks], Culto, Apr. 20, 2019; Dylan Hysen, ““Victor and Valentino” is off to a Fun, Adventurous Start,”  Overly Animated, Oct. 29, 2016; Brown, “Spooky new cartoon ‘Victor and Valentino’ channels Mesoamerican folklore,” Mar. 30, 2019; Michael Betancourt, “Diego Molano Aims to Teach Mesoamerican Mythology to Latino Kids With Animated Adventure Series ‘Victor and Valentino’,” Remezcla, Mar. 30, 2019; Carlos Aguilar, “‘Victor & Valentino’ Art Directors On Designing Cartoon Network’s Mesoamerica-Set Show,” Cartoon Brew, Apr. 25, 2019; “Animated People,” Apr. 25, 2019.

[5] Fobazi Ettarh, “Vocational Awe and Librarianship: The Lies We Tell Ourselves,” In the Library with the Lead Pipe, Jan. 20, 2018.

[6] She also says that considering the conjoined history of librarianship and faith, it is “not surprising that a lot of the discourse surrounding librarians and their job duties carries a lot of religious undertones. Through the language of vocational awe, libraries have been placed as a higher authority and the work in service of libraries as a sacred duty. Vocational awe has developed along with librarianship from Saint Lawrence to Chera Kowalski,” and says this idea has become so “saturated within librarianship” that Nancy Kalikow Maxwell can write Sacred Stacks: The Higher Purpose of Libraries and Librarianship which details the connections between faith and librarianship while advising libraries to nurture the “religious image conferred upon them.”

[7] This includes Hamyuts Meseta, Mirepoc Finedel, Noloty Malche, and Ireia Kitty in Tatakau Shisho: The Book of Bantorra, along with unnamed librarians in Cardcaptor Sakura episode (“Sakura and Her Summer Holiday Homework”), librarian in Little Witch Academia episode (“Night Fall”), Yamada in B Gata H Kei, Azusa Aoi in Whispered Words, Fumi Manjōme in Aoi Hana / Sweet Blue Flowers, Chiyo Tsukudate in Strawberry Panic!, Anne in Manaria Friends, Grea in Manaria Friends, Hasegawa Sumika in Bernard-jou Iwaku a.k.a. Miss Bernard said, Sophie Twilight in Ms. Vampire who lives in my neighborhood.

Categories
action animation fantasy Fiction genres Librarians Libraries Pop culture mediums public libraries speculative fiction

“Respected by the characters”: Paige Turner, the librarian in the Arthur TV series

Trading card of Paige Turner formerly on the PBS Kids website

In October 2012, a librarian described Paige Turner, a librarian at the Elwood City Public Library in the series, Arthur, as a “sweet, caring woman who enjoys students checking out books and who wants to help the children,” adding that she is “somewhat strict” as she wants people to be reasonably quiet and behave, often respected by characters. The librarian further said that this librarian portrayal is positive, encouraging “students and children to seek out the library as a place to gain knowledge or find books/information.” Turner was also mentioned by TV Tropes as an example of a “scary librarian.” The latter made me question whether it would be worth watching episodes just for her, but upon reading the wiki page for her, noting she appears in 47 episodes, I decided it would be worth a try to watch each of those episodes and come to an assessment here.

Turner, librarian at the Elwood City Library, and has been described as a “minor adult character who is not seen outside of the library.” Her character doesn’t change much during the series, and her name itself is a pun in and of itself. A running gag is how her patrons fear her due to their worries of responsibility of failure. Over the course of the series, her hair colors changes, while she remains polite, calm, and friendly to patrons and others, wearing various watches and glasses. [1] Unlike some other librarians, she is not human, but is, rather, a rabbit!

She begins the series as a minor character in the episode “Arthur and the Real Mr. Ratburn” alongside another librarian, Mrs. Lancaster. The latter character appears later as an apartment resident, and is locked out of the library’s computer network system in the episode “Arthur Makes a Movie” as is Turner. Her voice actress is not currently known. Turner has a role in a later episode, enforcing rules, and helps Arthur check out a book. Beyond this, she reminds Arthur and his friends about the time the library will close, helps fulfill their information needs, appears to remove books at the request from a parents’ organization, hosts an event about safety, and has minor roles in other episodes. [2] This isn’t all. She helps people get their own library cards, puts out an open call for a musician to perform at the library, asks for assistance in holding a fundraiser for a new library reading room, mentions the replacement of books with so-called “bookazines“, and convinces a character to become an author! She, additionally, checks out book for patrons, is able to get patrons to appeal to the City Council so the library can be saved from closure, and deals with patrons who shush other patrons who makes “too much noise in the library.” [3] She is so popular that the kids even try and set her up with another character, Mr. Ratburn, although this doesn’t work because he is gay.

One moment where she shines in the series is the episode “Arthur’s Almost Live Not Real Music Festival” where she sings two versions of the song “Library Card.” It is a song about more books, story time, puppet shows, and offerings of the library. This is where her voice actress really comes through. At first it isn’t clear who that voice actress, is however. It is confirmed that Kate Hutchinson voiced her in Season 16, and Felicia Shulman in Season 21, but its not known who voiced her in this song, as even Behind the Voice Actors only names Hutchinson and no one else. IMDB clears it up: Hutchinson voiced Turner from 1996 to 2012. That means she is the one singing here! [4]

Turner is said to be “kind and friendly to people who check out books” but not afraid to be strict, disliking those who get too noisy or misbehave. She is even pictured as an antagonist in the dream sequences the kids have, interestingly enough. This is because she is an authority figure who is in charge of the library. [5] She is not to be confused with the drag queen of the same name!

On the whole, she appears to be a much more positive depiction of a librarian than many of the librarians on this blog, perhaps on par with Kaisa in Hilda, Desiree in Too Loud, or Fumio Murakumi in Girl Friend Beta but not directly supporting the forces of oppression and censorship like Cletus Bookworm or Francis Clara Censordoll. She is not magical like Cagliostro in What If…? or Blinky in Trollhunters, and definitely not a washed up former rock star like Swampy in Phineas and Ferb. While it is not known if she is overworked like the unnamed librarian in an episode of We Bare Bears, she definitely isn’t some librarian-soldier fighting enemies. That is clear.

Turner appears to pass the first tenant of the Librarian Portrayal Test, and the final tenant, as she isn’t necessarily stereotypical. However, she completely fails the second tenant: that her character be not only, or primarily, defined by their role as a librarian. This is because she is, from the sources I consulted, never seen outside the library.

Onto the next post!

© 2022 Burkely Hermann. All rights reserved.


Notes

[1] See Dee Ann Wotring’s “Librarian by Day, Dance Queen by Night” (Mar. 1, 2010); Wikipedia list of fictional librarians, and list of Arthur characters, “Arthur,” JCP Live Productions, accessed December 23, 2021.

[2] See “Locked in the Library! (episode)“, “Francine Frensky, Superstar“, “Arthur and the True Francine (episode)“, “I’m a Poet“, “The Scare-Your-Pants-Off Club“, “Binky Barnes, Art Expert“, “Buster Hits the Books“, “Arthur’s Faraway Friend“, “Sue Ellen’s Lost Diary“, “D.W. Blows the Whistle“, “D.W.’s Name Game“, “Buster’s Back“, “Background Blues“, “Arthur’s Dummy Disaster“, “Prunella’s Special Edition“, “Fernkenstein’s Monster“, “Sue Ellen Chickens Out“, “Unfinished“, “Mind Your Manners“, “Phony Fern“, “The Making of Arthur“, “Dancing Fools“, “Mr. Alwaysright“, “Do You Believe in Magic?“, “Brain Gets Hooked“, “To Eat or Not to Eat“, “Get Smart“, “The Best Day Ever“, “Brain Freeze“, “The Case of the Girl with the Long Face“, “The Tardy Tumbler“, “Brain Sees Stars“, “Binky Can’t Always Get What He Wants“, and “Muffy’s House Guests” pages on the Arthur Wiki. She also had cameo in the episode “Moose on the Loose” of Postcards for Buster.

[3] “D.W.’s Library Card (episode)“,  “My Music Rules“, “You Are Arthur“, “Breezy Listening Blues“, “Fern and Persimmony Glitchet“, “Prunella Packs It In“, “Last Tough Customer“, and “Sue Ellen and the Last Page” pages on the Arthur Wiki.

[4] This is further confirmed by her CV, for instance.

[5] See the “Paige Turner” page on the Heroes Wiki, “Pagie [sic] Turner” page on the TVOKids Arthur Wiki, and the “Elwood City Public Library” page on the Elwood City Wiki.

Categories
action adventure animation Chinese people fantasy Fiction genres Librarians Libraries magic libraries Pop culture mediums public libraries special libraries speculative fiction Thai people White people

Behind the Screen: Asian and Latin American voices of fictional librarians

From left to right: Benedict Wong, Ashly Burch, Joey Haro, Elaine Del Valle, and Kenn Navarro

There are Asian and Latin American actors who have voiced many librarians in fiction over the years. Part of understanding fictional librarians is understanding those behind the screen and this article contributes to that. Part 1 of this series focused on Black women and men who voice fictional librarians.

In this part, I am profiling Asian and Latin American voice actors who voiced librarians.

About the voice actors

There are many talented voice actors who aren’t White men or White woman, who comprise the majority of those who voice animated librarians, especially in Western animation. These talented voice actors include Benedict Wong as Wong in What If…? episode (“What If… Doctor Strange Lost His Heart Instead of His Hands?”), Ashly Burch who likely voices an unnamed librarian in a We Bare Bears episode (“The Library”), and Joseph “Joey” Haro as Mateo in Elena of Avalor. Specifically, Burch is of Thai descent, Wong is of Hong Kong descent, and Haro is of Cuban descent (and is gay).

There’s also Elaine Del Valle as Val the Octopus in Dora the Explorer episode (“Backpack”) who is Latine, and Kenn Navarro as Flippy in Happy Tree Friends episode (“Random Acts of Silence”) who is a Filipino animator. Additionally, there is Emanuel Garijo as Kaeloo in French in Kaeloo episode (“Let’s Play at Reading Books”). Doug Rand voices Kaeloo in the English dub, and Domenico Coscia in the Italian dub, to name another character. As it turns out, Navarro is one of the creators of Happy Tree Friends, while Valle is known  as the actor and writer of an one-woman stage play she created: Brownsville Bred. Garijo has done French voice work for years, while Rand has done English voice work, while I couldn’t find anything on Coscia.

Another person worth mentioning is Vivienne Medrano, a Latine animator of Salvadoran descent who created the animated shows Hazbin Hotel and Helluva Boss along with a video for her webcomic Zoophobia. She voices Sarah in Nico Colaleo’s series, Too Loud, replacing Julia Vickerman, who was racked by controversy following allegations that she engaged in pedophilia, after beginning her series, Twelve Forever, which was sadly cancelled by Netflix after the end of its first season. The reason for its cancellation is not known.

It is also highly probable that Janice Kawaye, an actress of Japanese descent who has voiced characters since 1983, likely voices the librarian in Totally Spies episode (“Totally Switched”). Kawayke has voiced characters like Couchpo in Edens Zero, Shiori in Yashahime: Princess Half-Demon, Jenny / XJ-9 in My Life as a Teenage Robot, and Sara in Invader Zim, to name a few characters she has voiced.

An additional late entry to this list is Jenny Lorenzo, who presumably voices the skeleton librarian, Eztli, in an episode of Victor and Valentino. Lorenzo is known for her role as Lupe in the same show, but she has also voiced Choo Choo and Spooky in Jellystone. She is a Cuban-American actor known for her work on We Are Mitú and is a co-founder of BuzzFeed’s Pero Like, becoming a viral sensation for her Abuela character, and what her IMDB page calls “relatable, Latino-based content seen through the comedic and nostalgic lens of a 1st generation Cuban-American.”

Another additional entry is Danny Trejo. He voices Bobby Daniels, a bad-boy librarian in an episode of The Ghost and Molly McGee. Trejo, who is of Mexican descent, is best known for his role as Isador “Machete” Cortez in the Spy Kids franchise films. In terms of animation, he voiced Enrique, Victor Velasquez, and other characters in multiple King of the Hill episodes, along with assorted roles in El Tigre: The Adventures of Manny Rivera, The Cleveland Show, Young Justice (as Bane), Phineas and Ferb: Mission Marvel, and Tangled: The Series (as Wreck Marauder / Malice Marauder). He also voiced characters in Big City GreensElena of Avalor, 3Below: Tales of Arcadia (Tronos), Victor and Valentino, and The Casagrandes.

About the characters

From left to right: Wong, unnamed librarian, Val, Flippy, Kaeloo, Sarah, unnamed librarian, and Eztli

As I described Wong, he is the first librarian shown in the series What If…?, trying to guide Doctor Strange, warning him that tinkering with time will threaten the entire fabric of the universe, but he cares little. Even so, he later helps the good Strange train to fight the evil Strange. Unfortunately, he has less of a role in the episode as the other librarian, Cagliostro. Luckily, he has more of a role in the live-action films, as Jennifer Snoek-Brown has written about time and again.

The librarian in the We Bare Bears episode, on the other hand, is stern, has some characteristics of a spinster librarian, professional work attire, wanting to do her job and following the rules. I concluded that she is probably overworked and exhausted, something you don’t always see when you see depictions of librarians in animation. She also is helpful to patrons, even letting them sleep in the library, which I found surprising. Mateo, on the other hand, is a wizard and royal advisor to the show’s protagonist, Elena. He bucks stereotypes of Latine people, not shushing people at all, remaining as helpful as he can instead.

Val the Octopus is a minor character in Dora the Explorer, having a variety of odd jobs like running a cash register, driving a mail truck (or an ice cream truck), being a lifeguard, or a librarian. She is the latter in the episode (“Backpack”) and is vary courteous to Dora.

Flippy in Happy Tree Friends episode (“Random Acts of Silence”) is perhaps the most murderous librarian I have ever seen in animation to-date. This not unique to this episode, as he often causes other characters to die on purpose. Despite this, he seems to die very infrequently during the run of the series.

Kaeloo is the protagonist of Kaeloo. She is the guardian of the place known as Smileyland and has an ambiguous gender. And in the episode “Let’s Play at Reading Books” she acts as a librarian, attempting to shush people and get them to listen, even though this is a failure.

Sarah in Colaleo’s series, Too Loud, is a new librarian who joins Sara and Desiree (going by a different name for much of the series), brought in to help out with the library. While Sara nor Desiree are big fans of her at first, they come around to her, and she becomes more of their friend as the series moves forward, helping with librarian matters.

Librarian in Totally Spies episode (“Totally Switched”) is one of the most interesting librarian characters in fiction that I have ever seen. Due to a personality switcher, which switched her personality with that of a wrestler, she becomes buff and even throws a patron across the room. She is later shown listing weights and doing jump rope. Hopefully she becomes a stronger librarian and better to her librarian.

Another entry is Eztli in the Victor and Valentino episode “An Evening with Mic and Hun”. In the episode, Victor and Valentino, who are in the underworld, have to get past Eztli, a skeleton librarian, who shushes them. Victor won’t stand for this, while his brother, Valentino comes up with a plan. This is disregarded as the librarian is smashed by a boulder and they get the extra skeleton arm she is holding. In the episode, she is also shown putting a book on a cart and stamping a book with a past due stamp, with the fee of one soul.

One final entry is Bobby Daniels in an episode of The Ghost and Molly McGee which is aptly named “Bad Boy Bobby Daniels”. In the episode, Molly, her father, and Scratch go to the Mewline Public Library to find the Bad Boy of Brighton, Bobby Daniels, to help her elderly friend. They attempt to turn Daniels “back” into a bad boy but it doesn’t work and they let him stay as the librarian. Later, Bobby and Patty get together after Molly put in a false book delivery notice. Their love ends up blossoming and it seems that he is taken away from his library job.

That’s all for this post! Until the next one!

© 2022 Burkely Hermann. All rights reserved.

Categories
action adventure animation Black people comedy fantasy Fiction genres Librarians Libraries magic libraries Pop culture mediums public libraries special libraries speculative fiction

Behind the Screen: Black voice actors who bring fictional librarians to life!

From left to right: Harriet D. Foy, Regi Davis, Chris Jai Alex, Ike Imadi, and Kimberly D. Brooks

Part of understanding fictional librarians is understanding those behind the screen, especially when it comes to anime and animation. [1] I plan to do more posts like this if I find additional fictional librarians, so this post is the beginning of what I call the “Behind the Screen” series, hopefully getting some interviews with some of these voice actors too. I’m starting with Black voice actors in this first part of the series.

About the voice actors

Perhaps the most prominent Black voice of an animated librarian is Harriett D. Foy. She steals the show with the chief librarian of the Stanza, named Clara Rhone in Welcome to the Wayne. Foy is known for roles on Broadway, television, film, regional plays, regional musicals, and concerts. Rhone was her first animated role.

Just as powerful is Ike Amadi, a Nigerian man who voices a librarian named voices Cagliostro in a What If…? episode (“What If… Doctor Strange Lost His Heart Instead of His Hands?”). Imadi has voiced characters like Agency Boss / Subquatos in Kid Cosmic, Officer Mantus / Platoon Sergeant in Love, Death & Robots, Angor Rot and Detective Scott in Tales of Arcadia, to name a few.

Most curious of all, in terms of Black people voicing animated librarians is Kimberly Brooks, also known as Kimberly D. Brooks. She voices an uptight librarian in a DC Super Hero Girls episode (“#SoulSisters Part 2”). Apart from voicing Elephant Grandma in The Cuphead Show!, she voiced characters such as Sky Young in Arcane, Teela and Eldress in He-Man and the Masters of the Universe, Skara in The Owl House, Amsaja in Cleopatra in Space, Allura in Voltron: Legendary Defender, young Mari in Vixen, and over 10 characters [2] in Steven Universe and Steven Universe Future, most prominently Jasper.

Other Black voice actors include two Black men: Regi Davis as George and Chris Jai Alex as Lance in She-Ra and the Princesses of Power. Davis and Alex are seasoned voice actors. Davis has been in countless television, theatre, and film productions. Alex has been working in the entertainment industry since 2005, starting at the bottom. He has voiced at least 40 characters according to Behind the Voice Actors. [3]

About the characters

From left to right: Clara Rhone, O’Bengh, Unnamed librarian, George, and Lance

As I wrote in my review of Welcome to the Wayne, Clara Rhone is one of the “very few librarians of color in popular culture” and works with others at the library, emphasizing the value of these institutions as places of knowledge and understanding. Clara also has a granddaughter named Goodness, who is a library ninja, and is voiced by another Black woman: Charnele Crick.

Just as striking of a character is Cagliostro in What If…?. As I wrote in my review of that episode, he masquerades under the name “O’Bengh,” and runs the Lost Library of Cagliostro, a library-temple. He tries to the best of his ability to help Doctor Strange, as he “grows out of control.” He attempts to warn Strange but is unsuccessful and ends up dying in the library, taking on a number of roles in the episode at the same time: all-knowing person, a medic, and a sorcerer, while happening to be the only librarian. It is unfortunate that he is never shown outside the library.

The librarian that Brooks voices is interesting, as the unnamed librarian in the DC Super Hero Girls episode is uptight. I suppose this makes the character interesting and gives more life to it, but the character is very stereotypical and straight-lace. She voices two characters in that episode: Bumblebee and the Librarian, according to IMDB. One day, if possible, I’d like to ask her about that character.

Then there’s George and Lance in She-Ra and the Princesses of Power. Both call themselves historians but they run a family library. They help the protagonists Adora, Glimmer, and Bow translate an ancient message and keep their library open for as long as they can, before abandoning it. Even then, they provide vital information which helps Adora and her friends stop the vile Horde from destroying the world and universe.

© 2022 Burkely Hermann. All rights reserved.


Notes

[1] Not profiled in this series is Emilio Estevez (who voiced Stewart Goodson), Jeffrey Wright (who voiced Mr. Anderson), and Jena Malone (who voiced Myra) in The Public. For Malone, also see her Facebook and Instagram pages here and here. I also cannot include the 30 webcomic characters I have included on my “List of fictional librarians” page, nor the unnamed librarians in a Revolutionary Girl Utena episode (“The Sunlit Garden – Prelude”), the Black male librarian in a We Bare Bears episode (“Our Stuff”), Isomura in Let’s Make a Mug Too episode (“The Garden of Sky and Wind”) as her voice actress is not known. Voice actors of the librarian in Steven Universe episode (“Buddy’s Book”), Librarian in Futurama episode (“The Day the Earth Stood Stupid”), Librarian in Zevo-3 episode (“Zevo-3”), librarians in The Simpsons, librarian in Martin Mystery episode (“Return of the Dark Druid”), librarian in Martin Mystery episode (“The Warlock Returns”), unnamed librarians in Phineas and Ferb episode (“Dude, We’re Getting the Band Back Together”), another librarian in Martin Mystery episode (“Return of the Dark Druid”), librarian in Amphibia episode (“True Colors”), Arlene in Phineas & Ferb episode (“Phineas and Ferb’s Quantum Boogaloo”), Librarian in Bob’s Burgers episode (“Y Tu Ga-Ga Tina Tambien”), librarian in Phineas & Ferb episode (“The Doonkelberry Imperative”), and a librarian in The Flintstones episode (“The Hit Songwriter”) are also not known. Also, librarian in Teen Titans Go! episode (“Magic Man”) of Azarath Public Library and Little Squeak in Colonel Bleep do not have any voices either. It is further not known who voiced librarian in Courage the Cowardly Dog episode (“Wrath of the Librarian“), librarian in Uncle Grandpa episode (“Back to the Library”), the librarian in Beavis and Butt-Head episode (“Cyber-Butt“), Violet Stanhope and Ms. Herrera in the Archie’s Weird Mysteries episode (“The Haunting of Riverdale“),  Miss Dickens in Carl Squared episode (“Carl’s Techno-Jinx”), or Mrs. Shusher in The Replacements episode (“Quiet Riot“).

[2] Jasper, Cherry Quartz, Superfan Rose, Shy Rose, Hippy Rose, Angel Aura Quartz, Zebra Jasper, Ocean Jasper (2), Flint, Malachite, Carnelian, and Skinny. She also voiced eight characters in Winx Club.

[3] Also see his IMDB bio, Facebook page, Twitter, YouTube channel, Instagram, and LinkedIn profile, or the website of Davis.

Categories
action adventure Black people comic books Comics fantasy Fiction genres Librarians Libraries Pop culture mediums public libraries speculative fiction

Smashing Stereotypes: Valerie the Librarian in “Spidey Super Stories”

Valerie the Librarian and E.Z. Reader in a cropped version of the “The Book-Worm Bully!” story in a Dec. 1975 issue of Spidey Super Stories

In February 7, in my weekly newsletter, I mentioned Valerie the Librarian, a character who appeared in 14 episodes of the Spidey Super Stories. Some described Valerie as defending the library she works at from villains, while working with Spider-Man and standing against many 1970s stereotypes in media of Black people, including Black women,and mimic’s Spider-Man’s crawling abilities with suction cups on her fingers. In that newsletter I also mentioned that her character appeared in the educational television series The Electric Company, with Hattie Winston voicing Valerie from 1973 to 1976. [1]

There is more to Valerie than her donning a Spider-Man costume and a lackluster page on the Marvel fandom site. She is shown as a side character in one issue. In another, she has a supporting role in a later comic which is based on a script of The Electric Company by Sara Compton. [2] The cover sets the scene for a battle with book worm. It begins with Valerie filing books in a box, while E.Z. Reader is reading a book, and they work together and uncover a book worm! One of my favorite parts is where Valerie says she heard about the bookworm in library school, meaning that she has a MLIS, often not acknowledged or recognized in many depictions of librarians, apart from Mo Testa in Dykes to Watch Out For. They work with Spider-Man, who is quietly reading in the library, to stop the bookworm, but it escapes.

In one issue Valerie notes that patrons, even villains, are only able to take out a certain number of books at a time, has fun with E.Z. Reader (who has a button saying “word power”) as she does her librarian work, like asking someone for a library card before checking out their books, facing a villain who takes books including those other people are using. She gets help from Spider-Man often and even use a card catalog in order to try and defeat the Vanisher, a villain who makes objects vanish, causing him to read a spell which traps him in a jail. [3]

In others, a trickster sprays her in the face with water and so she traps him under a pile of books, dons an outfit as Spider Woman, and reads a magical mystery book. Spider-Man is always willing to lend a helping hand, but she is not incapable, even without spider powers, making wise cracks along the way. She has supporting roles in other comics, adding to stories even when she isn’t in the library. [4] In one comic, she deals with someone, Wanda, who steals huge number of books from the library, completely emptying the shelves, without checking them out with a library card. Despite this, Wanda is later satisfied when Valerie gets her a library card. [5]

Valerie tells the villain, The Vanisher, he can check out books, but only with a library card, on page 4 of a Spider Super Stories issue.

In later comics, Valerie is asked patron information about who had a book, gets her name in one comic on a placard at her desk, and realizes where she is a true hero: as a librarian, helping people. This is clear in one comic where the library is a mess when she isn’t there to help out, and it is noted that her job is important. [6] That’s not something you see in depictions of librarians every day. Her last mention in the Spidey Super Stories series is a comic in which she plays a secondary role, helping a detective, in some capacity, solve a case. She isn’t even seen in a library in that issue, which is unfortunate as its her last appearance in the comic, and it would have been better for her to go out on a better note than the last issue issue she appeared within.

So it makes more sense as to why she was not remembered, as Valerie does not have consistent secondary role in the comics, sometimes more in the background and other times having a more active role. At the same time, it appears, according to the Hattie Winston Wikipedia page, that Easy Reader (voiced by Morgan Freeman) was Valerie’s girlfriend in The Electric Company series, which explains their relation to each other a little more with how they interact with one another in the comics. Other sources show that Sylvia and Valerie, in the same show, are not the same, as I had previously thought. The Root said that Valerie’s actress joined the cast in the third season, playing a “groovy librarian” who sings a duet with Easy Reader in one episode while wearing sunglasses in a library for some reason. This really makes me want to watch The Electric Company, appearing in 520 episodes according to the listing on her IMDB page. [8]

There is more to Valerie the librarian than what I have previously mentioned. For one, she is the only one of Black female librarians that I have mentioned on this blog and I have found in animated shows, films, and comics that has a MLIS degree. Neither Lydia Lovely in Horrid Henry, a Black woman who is voiced by a White actress, nor Clara Rhone in Welcome to the Wayne, a Black woman voiced by Harriet D. Foy, are noted as having MLIS degrees, although it implied that both have such degrees. The same can be said about the unnamed Black male librarian in an episode of We Bare Bears. Unfortunately, some characters are not shown to have professional experience because they are in fantasy realms. This includes two gay Black men, George and Lance in She-Ra and the Princesses of Power, are self-declared historians who run a family library, making them de facto librarians, while O’Bengh / Cagliostro, a Nigerian man, in an episode of What If…?. As such, Valerie is the first Black librarian, male or female, that I have found who has a MLIS degree. And that it definitely significant!

People like Valerie are not common in the librarian profession, however. Currently the profession suffers from a “persistent lack of racial and ethnic diversity that has not changed significantly over the past 15 years,” with only 9.5 percent of librarians identified as Black or African American in the year 2020. [9] Despite this lack of diversity, there have been prominent Black female librarians who have their names etched in the annals of history. For instance, Catherine A. Latimer was the first Black librarian of New York Public Library. Dorothy Porter, who led Howard University’s Moorland-Spingarn Research Center, challenged the Dewey Decimal System’s racial bias and created her own classification system for Black scholarship. Marjorie Adele Blackistone Bradfield was the first Black librarian of Detroit Public Library, expanding the library’s Black literature collection. Belle Da Costa Greene was the personal librarian for J.P. Morgan, curating a collection of manuscripts, art, and rare books, but controversially passed as White. Alma Smith Jacobs was the first Black librarian in Montana, spearheading the construction of a modern library for the city of Great Falls. There are many more Black female librarians beyond the five mentioned in this paragraph, as these examples only scratch the surface of Black women’s impact on librarianship over the years. [10] In fact, one of the most outspoken Black female librarians in recent years is April Hathcock, who has been very prolific, passionate, and dedicated to librarianship. Her last post on her blog, to date, explains why she is leaving the American Library Association (ALA), calling it an organization “centered on promoting the ‘neutrality’ of white supremacy and capitalism.”

While the comic doesn’t show it, due to the fact that she is sometimes a background character and other times a secondary character, as a librarian who is a Black woman, she undoubtedly experienced racial microaggressions. This subject has been examined by scholars Shamika D. Dalton, Gail Mathapo, and Endia Sowers-Paige in a 10-page article in 2018 as it applies to Black women who are legal librarians, and more broadly by Caitlin M. J. Pollock and Shelley P. Haley the same year. In the latter article, they write that:

“Black women have always been integral to first literacy movements of the 1800s and later librarianship… literacy, social justice activism, and literary cultural production have always intersected for middle class, educated Black women…Activism, writing, and literacy have been interconnected in the history of Black women…These Black women [in the 1920s] were often librarians in white structures of power. They often had to struggle within those power structures that racialized and gendered them. For some of these women, they sought to contextualize their librarianship and libraries, some on a local level and some on a professional and national level. Regardless of the scope, these women had similar goals, to change, expand, and challenge libraries and librarianship…For some of these women, their work offered critiques of libraries that did not adhere to the ethos delineated by the laws…There were and are many more Black female librarians whose narratives are just as insightful and fascinating as the women described in this chapter…[but] these women do not have biographies written about them or their stories otherwise memorialized…Long before the practice became more accepted, Black women were critiquing and modifying the tools of library science, which were reinforcing the marginalization of Black Americans…we can infer that class and colorism played a role in which Black women were placed in librarian positions…One reason for the racial disparity is the continued structural whiteness and implicit racism in librarianship and libraries.” [11]

I wish some of this history informed the depiction of Valerie, Miss Lovely in Horrid Henry, or Clara Rhone in Welcome to the Wayne, to name the three Black female librarians I’ve written about on this blog. More likely than not, all three were drawn and conceptualized by White people, especially since one of these three characters, Miss Lovely, is voiced by a White person after all. On the positive side, there are resources like those provided by the Black Caucus of the ALA, the Free Black Women’s Library which “celebrates the brilliance, diversity and imagination of Black women writers,” and the Disrupting Whiteness in Libraries and Librarianship reading list. Hopefully, in the future, I come across media with Black librarians who challenge established power structures, but I’m not holding my breath for that. Unfortunately, stereotypes of librarians continue to remain plentiful in pop culture. Even those librarians who are prominent, tend to be White and female, as is the case for those in The Owl House, Hilda, and Too Loud, to give three examples of shows in the last few years.

Valerie telling Spidey she is bored on page 15 of an issue of Spidey Super Stories

© 2022 Burkely Hermann. All rights reserved.


Notes

[1] See Hunter, Nicholas. “Marvel’s Forgotten Original Spider-Woman Was A Black Librarian,” Screenrant, Jan. 28, 2022; Fraser, Ryan. “Spider-Woman (Character),” WorldofBlackHeroes, Jan. 27 2014; Gramuglia, Anthony. “How Many Spider-Women ARE There?,” CBR, Jun. 21, 2020. Jennifer Snoek-Brown described Valerie the Librarian as a recurring character from 1973 to 1976 in multiple episodes of The Electric Company.

[2] Spidey Super Stories Vol 1 3, p. 27 (cover of “How to be a Super-Hero”); Spidey Super Stories Vol 1 6, p. 14-18.

[3] Spidey Super Stories Vol 1 7, p. 1-5, 7-13.

[4] Spidey Super Stories Vol 1 10, p. 18-19; Spidey Super Stories Vol 1 11, p. 1-7, 9-13; Spidey Super Stories Vol 1 27, p. 15-20; Spidey Super Stories Vol 1 30, p. 4, 7, 12-13; Spidey Super Stories Vol 1 32, p. 19-20; Spidey Super Stories Vol 1 36, p. 15, 17, 20-22, 25, 27; Spidey Super Stories Vol 1 48, p. 15-17, 20;

[5] Spidey Super Stories Vol 1 42, p. 16-20.

[6] Spidey Super Stories Vol 1 49, p. 17-18, 22 (the story “Fargo’s Problem”); Spidey Super Stories Vol 1 53, p. 15-20

[7] Spidey Super Stories Vol 1 57, p. 17-18 (the story “Fargo’s Brother”).

[8] See episodes 130B (1977), 129B (1977), 128B (1977), 127B (1977), 126B (1977), 125B (1977), 124B (1977), 123B (1977), 122B (1977), 121B (1977), 120B (1977), 119B (1977), 118B (1977), 117B (1977), 116B (1977), 115B (1977), 114B (1977), 113B (1977), 112B (1977), 111B (1977), 110B (1977), 109B (1977), 108B (1977), 107B (1977), 106B (1977), 105B (1977), 104B (1977), 103B (1977), 102B (1977),- 101B (1977), 100B (1977), 99B (1977), 98B (1977), 97B (1977), 96B (1977), 95B (1977), 94B (1977), 93B (1977), 92B (1977), 91B (1977), 90B (1977), 89B (1977), 88B (1977), 87B (1977), 86B (1977), 85B (1977), 84B (1977), 83B (1977), 82B (1977), 81B (1977), 80B (1977), 79B (1977), 78B (1977), 77B (1977), 76B (1977), 75B (1977), 74B (1977), 73B (1977), 72B (1977), 71B (1977),- 70B (1977), 69B (1977), 68B (1977), 67B (1977), 66B (1977), 65B (1977), 64B (1977), 63B (1977), 62B (1977) , 61B (1977), 60B (1977),- 59B (1977), 58B (1977), 57B (1977), 56B (1977), 55B (1976), 54B (1976), 53B (1976), 52B (1976), 51B (1976), 50B (1976), 49B (1976), 48B (1976), 47B (1976), 46B (1976), 45B (1976), 44B (1976), 43B (1976), 42B (1976), 41B (1976), 40B (1976), 39B (1976), 38B (1976), 37B (1976), 36B (1976), 35B (1976), 34B (1976), 33B (1976), 32B (1976), 31B (1976), 30B (1976), 29B (1976), 28B (1976), 27B (1976), 26B (1976), 25B (1976), 24B (1976), 23B (1976), 22B (1976), 21B (1976), 20B (1976), 19B (1976), 18B (1976), 17B (1976), 16B (1976), 15B (1976), 14B (1976), 13B (1976), 12B (1976), 11B (1976), 10B (1976), 9B (1976), 8B (1976), 7B (1976), 6B (1976), 5B (1976), 4B (1976), 3B (1976), 2B (1976), 1B (1976), 130A (1976), 129A (1976), 128A (1976), 127A (1976), 126A (1976), 125A (1976), 124A (1976), 123A (1976), 122A (1976), 121A (1976), 120A (1976), 119A (1976), 118A (1976), 117A (1976), 116A (1976), 115A (1976), 114A (1976), 113A (1976), 112A (1976), 111A (1976), 110A (1976), 109A (1976), 108A (1976), 107A (1976) , 106A (1976), 105A (1976), 104A (1976), 103A (1976), 102A (1976), 101A (1976), 100A (1976), 99A (1976), 98A (1976), 97A (1976), 96A (1976), 95A (1976), 94A (1976), 93A (1976), 92A (1976), 91A (1976), 90A (1976), 89A (1976), 88A (1976), 87A (1976), 86A (1976), 85A (1976), 84A (1976), 83A (1976), 82A (1976), 81A (1976), 80A (1976), 79A (1976), 78A (1976), 77A (1976), 76A (1976), 75A (1976), 74A (1976), 73A (1976), 72A (1976), 71A (1976), 70A (1976), 69A (1976), 68A (1976) , 67A (1976), 66A (1976), 65A (1976), 64A (1976), 63A (1976), 62A (1976), 61A (1976), 60A (1976), 59A (1976), 58A (1976), 57A (1976), 56A (1976), 55A (1976), 54A (1976), 53A (1975), 52A (1975), 51A (1975), 50A (1975), 49A (1975), 48A (1975), 47A (1975), 46A (1975), 45A (1975), 44A (1975), 43A (1975), 42A (1975), 41A (1975), 40A (1975), 39A (1975), 38A (1975), 37A (1975), 36A (1975), 35A (1975), 34A (1975), 33A (1975), 32A (1975), 31A (1975), 30A (1975), 29A (1975), 28A (1975), 27A (1975), 26A (1975), 25A (1975), 24A (1975), 23A (1975), 22A (1975), 21A (1975), 20A (1975), 19A (1975), 18A (1975), 17A (1975), 16A (1975), 15A (1975), 14A (1975), 13A (1975), 12A (1975), 11A (1975), 10A (1975), 9A (1975), 8A (1975), 7A (1975), 6A (1975), 5A (1975), 4A (1975), 3A (1975), 2A (1975), 1A (1975), 520 (1975), 519 (1975), 518 (1975), 517 (1975), 516 (1975), 515 (1975), 514 (1975), 513 (1975), 512 (1975), 511 (1975), 510 (1975), 509 (1975), 508 (1975), 507 (1975), 506 (1975), 505 (1975), 504 (1975), 503 (1975), 502 (1975), 501 (1975), 500 (1975), 499 (1975), 498 (1975), 497 (1975), 496 (1975), 495 (1975), 494 (1975), 493 (1975), 492 (1975), 491 (1975), 490 (1975), 489 (1975), 488 (1975), 487 (1975), 486 (1975), 485 (1975), 484 (1975), 483 (1975), 482 (1975), 481 (1975), 480 (1975), 479 (1975), 478 (1975), 477 (1975), 476 (1975), 475 (1975), 474 (1975), 473 (1975), 472 (1975), 471 (1975), 470 (1975), 469 (1975), 468 (1975), 467 (1975), 466 (1975), 465 (1975), 464 (1975), 463 (1975), 462 (1975), 461 (1975), 460 (1975), 459 (1975), 458 (1975), 457 (1975), 456 (1975), 455 (1975), 454 (1975), 453 (1975), 452 (1975), 451 (1975), 450 (1975), 449 (1975), 448 (1975), 447 (1975), 446 (1975), 445 (1975), 444 (1975), 443 (1975), 442 (1974), 441 (1974), 440 (1974), 439 (1974), 438 (1974), 437 (1974), 436 (1974), 435 (1974), 434 (1974), 433 (1974), 432 (1974), 431 (1974), 430 (1974), 429 (1974), 428 (1974), 427 (1974), 426 (1974), 425 (1974), 424 (1974), 423 (1974), 422 (1974), 421 (1974), 420 (1974), 419 (1974), 418 (1974), 417 (1974), 416 (1974), 415 (1974), 414 (1974), 413 (1974), 412 (1974), 411 (1974), 410 (1974), 409 (1974), 408 (1974), 407 (1974), 406 (1974), 405 (1974), 404 (1974), 403 (1974), 402 (1974), 401 (1974), 400 (1974), 399 (1974), 398 (1974), 397 (1974), 396 (1974), 395 (1974), 394 (1974), 393 (1974), 392 (1974), 391 (1974), 390 (1974), 389 (1974), 388 (1974), 387 (1974), 386 (1974), 385 (1974), 384 (1974), 383 (1974), 382 (1974), 381 (1974), 380 (1974), 379 (1974), 378 (1974), 377 (1974), 376 (1974), 375 (1974), 374 (1974), 373 (1974), 372 (1974), 371 (1974), 370 (1974), 369 (1974), 368 (1974), 367 (1974) , 366 (1974), 365 (1974), 364 (1974), 363 (1974), 362 (1974), 361 (1974), 360 (1974), 359 (1974), 358 (1974), 357 (1974), 356 (1974), 355 (1974), 354 (1974), 353 (1974), 352 (1974), 351 (1974), 350 (1974), 349 (1974), 348 (1974), 347 (1974), 346 (1974), 345 (1974), 344 (1974), 343 (1974), 342 (1974), 341 (1974), 340 (1974), 339 (1974), 338 (1974), 337 (1974), 336 (1974), 335 (1974), 334 (1974), 333 (1974), 332 (1974), 331 (1974), 330 (1974), 329 (1974), 328 (1974), 327 (1974), 326 (1974), 325 (1974), 324 (1974), 323 (1974), 322 (1974), 321 (1974), 320 (1974), 319 (1974), 318 (1974), 317 (1974), 316 (1974), 315 (1974), 314 (1974), 313 (1974), 312 (1974), 311 (1973), 310 (1973), 309 (1973), 308 (1973), 307 (1973), 306 (1973), 305 (1973), 304 (1973), 303 (1973), 302 (1973), 301 (1973), 300 (1973), 299 (1973), 298 (1973), 297 (1973), 296 (1973), 295 (1973), 294 (1973), 293 (1973), 292 (1973), 291 (1973), 290 (1973), 289 (1973), 288 (1973), 287 (1973), 286 (1973), 285 (1973), 284 (1973), 283 (1973), 282 (1973), 281 (1973), 280 (1973), 279 (1973), 278 (1973), 277 (1973), 276 (1973), 275 (1973), 274 (1973), 273 (1973), 272 (1973), 271 (1973), 270 (1973), 269 (1973), 268 (1973), 267 (1973), 266 (1973), 265 (1973), 264 (1973), 263 (1973), 262 (1973), and 261 (1973)

[9] AFL-CIO Department of Professional Employees, “Library Professionals: Facts & Figures,” Fact Sheet, Jun. 10, 2021. Of course, being Black and a professional, as not stopped incidents like Stephanie Bottom, a Black female librarian in Atlanta, from being assaulted by police, who don’t care about professional credentials, seeing Black people through their racist mindsets.

[10] Evans, Rhoda. “Catherine Latimer: The New York Public Library’s First Black Librarian,” New York Public Library, Mar. 20, 2020; Nunes, Zita Christina. “Remembering the Howard University Librarian Who Decolonized the Way Books Were Catalogued,” Smithsonian magazine, Nov. 26, 2018, reprinted from Perspectives of History; Audi, Tamara. “Marjorie Bradfield: Put black history into library,” Detroit Free Press, Nov. 20, 1999; Bates, Karen Grigsby. “J.P. Morgan’s Personal Librarian Was A Black Woman. This Is Her Story,” NPR News, Jul. 4, 2021; Milner, Surya. “Honoring Montana’s first Black librarian,” High Country News, Feb. 15, 2021. Other examples of prominent Black female librarians include, as noted by Book Riot, Charlemae Rollins as head librarian at the Chicago Public Library, Clara Stanton Jones as the first Black president of the American Library Association, Eliza Atkins Gleason as the “first Black American to earn a doctorate in library science at the University of Chicago” in 1940, Sadie Peterson Delaney who was key in bibliotherapy, Annette Lewis Phinazee as the “first woman and the first Black American woman to earn a doctorate in Library Science from Columbia University,” Carla Diane Hayden as the current Librarian of Congress, Effie Lee Morris as the “first woman and first black person to serve as president of the Public Library Association,” Mollie Huston Lee as the “first black librarian in Raleigh, North Carolina,” Virginia Lacy Jones as the second black person to earn a doctorate in Library Science, Virginia Proctor Powell Florence as the “first black woman in the United States to earn a degree in library science from the Pittsburgh Carnegie Library School,” and Vivian Harsh became the “first black librarian for the Chicago Public Library where she passionately collected works by Black Americans” in February 1924.

[11] Pollack, Caitlin M. J. and Shelley P. Haley, “When I Enter’: Black Women and Disruption of the White, Heteronormative Narrative of Librarianship,” chapter of In Pushing the Margins: Women of Color and Intersectionality in LIS, p. 1-4, 21, 35-36, 40. On pages 5-33, the article focuses on five Black women in particular: Nella Larsen, Pura Belpré, and Regina Anderson Andrews, Ann Allen Shockley, and Audre Lorde.

Categories
animation anime fantasy Librarians Libraries

This blog in 2021 (and beyond)

Doctor Strange surrounded by books in a magical library in an episode of What If…?

In my last post in 2021, I thought I’d review what I’ve posted on this blog in the past year. From my first post on January 5, until this one, I’ve written about library stereotypes, library classification, librarians of color, library users, records, library workers, non-human librarians, and romance. Other posts have focused on LGBTQ librarians (esp. gay and lesbian ones), male librarians, female librarians, censorship, abandoned libraries, ethics, data files, jokes, and more.

For the whole year, apart from the archives on my homepage, for old posts, nine posts garnered a significant amount of views:

Of these posts, three of them, at least, focus specifically on Librarians of Color, specifically the first one listed here about the unnamed librarian in We Bare Bears, the second one listed about the vampire librarian, Sophie Twilight, in Ms. Vampire who lives in my neighborhood, and the seventh one about the librarian-soldiers in Library War. While I would note how many posts I have used the “librarian of color” tag, I know it is probably not even 50%, so I don’t even want to calculate that, as I’ll just end up depressing myself in the process, although, I may expand this in the future with other posts on other shows like Kokoro Library and Armed Librarians: Book of Bantorra. [1] While some of my best posts in 2020 were about POC librarians, like ones on librarians in Revolutionary Girl Utena, Gargantia (Dr. Oldham), Ascendance of a Bookworm (Myne), or Read or Die / R.O.D., some of my favorites, other than those on the above list, are as follows:

Of these posts, I loved watching Mira, Royal Detective, especially since it has a nice song and dance about the importance of libraries, reading, and learning. So, that was nice.

There was also a related post on BIPOC librarians in animated series (She-Ra and the Princesses of Power and Yamibou), a guest post on Reel Librarians, rehashed shows I watched in 2020, which I enjoyed writing. I hope that in the future I can write other guest posts on Reel Librarian.

In 2021, posted about recently added titles in July / August, September, October, and November, and added a page about librarians, and libraries, in comics and webcomics. I also began series about fictional libraries and fictional librarians of the month. I expect that will continue until sometime next year.

I liked writing about Kaisa in Hilda (also see here), the chief librarian, and Black woman, in the series Welcome to the Wayne, Clara Rhone, and the British wrestler-librarian, the wonderful buff librarian, in an episode of Totally Spies. The same can be said about the librarian protagonists in Too Loud, the vampire librarian Sophie Twilight and the value of weeding collections, and the quiet sanctum and “peaceful” reading in the Seiran Academy library in Dear Brother. I also proposed the Librarian Proposal Test in August 10 in a post about the We Bare Bears, and expanded upon it on August 31.

Onward to a productive year ahead!

© 2021 Burkely Hermann. All rights reserved.


Notes

[1] Others may include Craig of the Creek, The Loud House, China IL, The Amazing World of Gumball, and Castlevania.

Categories
adventure animation Chinese people fantasy Fiction genres Librarians Libraries magic libraries Nigerian people underfunded libraries

Doctor Strange’s quest for power and the Black sorcerer-librarian

Strange talks to Wong, the first librarian shown in the episode, and only very briefly.

As you may or may not know, a recent episode of the Marvel animated series, What If…?, which takes prominent moments in the lives of superheroes and provides a new twist on them, featured a librarian. The episode before that had a violent library scene, but no librarian was present. Instead, in this episode, titled “What If… Doctor Strange Lost His Heart Instead of His Hands?,” the librarian, voiced by Nigerian voice actor Ike Amadi, masquerades under the name “O’Bengh,” and runs the Lost Library of Cagliostro. He tries to help the protagonist, Doctor Strange, although Strange grows out of control. So, warning, here, this post, which examines this wonderful librarian of color, a Black librarian to be exact, his role in the episode, how he connects to other examples on this blog, and whether he passes the Librarian Portrayal Test (LPT) or not.

Even so, reviewers of the episode in prominent publications often either ignored the librarian, library, or barely mentioned it. For example, Engadget, The Mary Sue, and IGN did not even mention either the librarian or library in their reviews. [1] On the other hand, reviewers for Den of Geek, Yahoo! Movies, Digital Spy, and The A.V. Club mentioned it in passing. These reviews only noted that Strange visited the “mysterious”/”most exclusive”/”mystical” Library of Cagliostro, that a sorcerer named “O’Bengh” takes Strange to the library, which he is visiting by traveling back in time to gain the power and knowledge he needs to bring back his girlfriend, Christine Palmer, in an attempt to reverse an absolute point in time. That isn’t saying that these reviews were terrible, badly written, or anything like this, but it is unfortunate when a librarian or library has a prominent role in an episode or media, and a reviewer barely mentions it, as it implies that they feel it isn’t important enough to mention. With that, let me move into the rest of my review.

Early on in the episode, Strange (voiced by Benedict Cumberbatch) talks to Wong (voiced by Benedict Wong), the Chinese special librarian and sorcerer who recently appeared in the film Shang-Chi and the Legend of the Ten Rings. Wong tells him that tinkering with time will threaten the entire fabric of the universe, and the Ancient One telling him the same. He later becomes the sorcerer supreme after the Ancient One passed, but he could not let go of the past. Wong talks to Strange two years later, and tells him to join him before he does something “reckless.” Strange doesn’t listen and he travels back in time, trying to relieve the moment of Christine’s death over and over, hoping to change the outcome. The Ancient One tells him that the death of Christine is an “absolute point in time” which cannot be changed or reversed, warning him that his path only leads to darkness, but he disregards this, causing them to fight. He finds himself in a jungle and asks a man he sees about the lost library of Cagliostro and the man leads him to the library, with this man as O’Bengh, described as a keeper of the library, and enters the library using his magic, specifically runes on the floor, and falls down a deep, dark hole, caused by the runes.

In this library-temple, Strange meets O’Bengh yet again, who calls him the “strangest dressed sorcerer” he has ever seen, and messes with Strange, Cagliostro is here, there, or nowhere. In this inter-dimensional library, O’Bengh calls him sorcerer Armani, bringing him inside the vast library, with Strange saying he will stay as long as it takes. He collects as many books as he can, while the area around him is lit by candles, perpetuating a stereotype of libraries as some badly lit place, even if the collections themselves are well-resourced.

Strange summons a mystic being and O’Bengh tries to warn Strange to not summon such beings, even recognizing he has pain that is causing him to go to these desperate measures, saying that there is a “fine line between devotion and delusion,” saying that love can not only break your heart but it can shatter your mind. Strange decides that O’Bengh may be right, so he wants to take the power rather than the monsters giving the power to him, absorbing their powers one by one. The Watcher refuses to intervene, saying the fate of his universe is not worth risking the safety of all others. Centuries pass as he absorbs the power of the monster which first attacked him. O’Bengh is dying and refuses Strange’s help to let him live longer.

O’Bengh says that death is inevitable, saying that while he recognizes Strange won’t accept this about death, the “other Strange” will, and is only “half a mind.” It turns out there is another Strange out there, a “good” Strange, while the one that went to the library is the “evil” Strange. The good Strange on the other hand, stayed with Wong instead, and could see the world falling apart around him. He learns from the Ancient One that she split Strange in two. Wong helps the good Strange train to fight the evil Strange before he fades away himself, like everyone else, putting a protection spell on him. Both Stranges meet in the library, with the good Strange telling the other Strange that he can’t bring her back, and the evil Strange declares that both of them together can save Christine. I won’t say any more about the episode beyond that, except to say that it gets very dark.

The Evil Strange begins taking in the knowledge of the library’s books

Now, before getting to the LPT, let me say that O’Bengh is implied to be Cagliostro. Beyond that, while some reviews say he “helps” Strange, others are more accurate, noting that O’Bengh warns Strange, even on his deathbed, and is said to have an impressive library, while he is described as “soft-spoken” by some. Other reviewers noted that O’Bengh was “a powerful and ancient sorcerer” and speculate that he might have, after his wife / partner died, built the library and “filled it with books about the magic he learned over his unnaturally long life.”

It is disconcerting the number of roles he takes on in the episode: an all-knowing person, a medic, and a sorcerer, to name the three most prominent. Archives in Fiction (AIF) makes a good point that while the space was beautifully rendered, it is “utterly impractical” and argued that the episode has the subtext that “librarians are magic” or that they are “expected to work miracles.” In response to AIF saying that they since when anyone calls “us” (archivists, librarians) miracle workers, even if it comes “from a good place,” saying that there is “really nothing miraculous about the work we put into making things findable,” I said that that perspective makes sense. I gave the example of Kaisa in Hilda who is a witch but doesn’t use her magical powers, and noted that for O’Bengh it makes sense for him to be magical as he is a sorcerer, but added that it is problematic to say that librarians are magical, although some can work in a magical library but not be magical themselves, like Kaisa as previously mentioned (although she is a witch) or Clara Rhone in Welcome to the Wayne.

More than any of this, O’Bengh, who is based off the alias of Giuseppe Balasamo / Joseph Balsamo, Count Alessandro do Cagliostro, a glamorous magician and Italian adventurer involved in the occult arts, according to his Wikipedia page, is the fact that O’Bengh is the ONLY librarian managing the whole library, with no one else shown. How in the world could he manage it all? It seems like a near-impossible task. Compare this to Clara Rhone in Welcome to the Wayne. While the library in that show (The Stanza) was also magnificent and special, like the one in this episode, Rhone, a Black woman, is the chief librarian and there are various non-human employees helping her. Additionally, the library itself is key to the series, shown as a place of understanding and knowledge,and is meticulously organized, with some episodes highlighting the issues of underfunded libraries, the role of librarians as gatekeeper and the shushing librarian stereotype.

That brings me to the LPT. O’Bengh is undoubtedly a librarian, fulfilling the first criterion. And his role is integral to the plot in that his removal would impact the plot in a significant way, partially fulfilling the third criterion. However, this episode does not fulfill this completely. While O’Bengh is not there for laughs, shushing patrons, or even a foil, he does fall into the librarian as an information provider stereotype, or even an inspirational librarian stereotype to some extent, even as he does matter in and of himself. Sure, he is not a spinster librarian, a liberated librarian, a librarian as failure, an anti-social librarian (a little bit), a naughty librarian, but he still pushes the idea that librarians somehow magically know everything. Furthermore, his character is primarily defined by his role as a librarian, as he is, apart briefly from early in the episode, never shown outside the library! As such, the episode fails the third criterion of the LPT. As such, you could say the show gets a rating of 1.5 out of 3 on the LPT, or put more simply, 50%, to be exact.

O’Bengh meets Strange in the deep, dark hole of the library, early in the episode.

The library itself is also very large. And AIF has a point that the library is impractical. I would further say that the design would be only if there was appropriate staffing for it, but this is obviously not the case, so it is absurdly large. The library itself is also literally a temple, furthering the perception that libraries, and by extension librarians, are somehow sacred, a dangerous and faulty idea which could result in lack of accountability of libraries themselves or even librarians, which are not removed from the oppressive systems in our society.

It is wonderful to have a librarian of color, specifically a Black librarian, in a popular animated show, with animation which is so life-like that it reminds me of the rotoscoped characters in Undone, or the 2019 French film, I Lost My Body. The latter has a librarian named named Gabrielle, voiced by Victoire Du Bois (French) and Alia Shawkat (English), who is a protagonist of the film. It is also interesting he is a Black librarian because he is portrayed as being Italian and ruling over a kingdom in India in his profile on the Marvel database fandom site. However, I wish they could have done more and had a character which exists outside of the library, and not be like a monk inside of a monastery who never leaves the monastery.

Compare O’Bengh to Kaisa in Hilda, who is a witch and may be asexual. [2] She is able to, in the show’s first season, presciently guess what the protagonist and her friends need in term of books, trying to serve them to the best of her ability. In the next season she talks about the value of witchcraft, which can be seen as analogous to librarianship and helps get a book from a patron, her old friend, Ms. Tildy, traveling deep within the library itself. But, she has a life outside the library, even helping the protagonists on a quest to catch soul-eating mice. Unlike O’Bengh, her mysterious nature fades into nothingness in the show’s second season, while she still has unparalleled knowledge of mystical items and cemetery records, she is never shown using her magical powers to complete her library tasks, showing she takes her job seriously. Alike the library in What If…?, the library in Hilda is a bit ordinary on the outside, it is grand inside, with passageways reaching the chambers of witches which control the Witches Tower. Furthermore, unlike O’Bengh, Kaisa is the only librarian I know of in animation at the present who presumably has a professional degree.

All in all, while I am glad there was a librarian of color who had a key part in an animated series, it could have been much much better. There could be more people working at the library with O’Bengh, having O’Bengh not be some all-knowing librarian and having a life outside the library itself, and portraying the library as something less ornate and spacious as something that resembled a temple, to name a few suggested changes. With that, until next week, where I’ll write about another librarian or library in fiction, whether on “Librarian work” in Kokoro Library, Amity Blight, the librarian in The Owl House, or another subject entirely, among my 13 draft posts.

Inside (top) and outside (bottom) of the Lost Library of Cagliostro

© 2021 Burkely Hermann. All rights reserved.


Notes

[1] Naudus, K., “Marvel’s ‘What If?’ expands beyond its anthology beginnings,” Engadget, Sept. 1, 2021, accessed Sept. 8, 2021; Marvel’s What If…? Flips the Script on Fridging,” The Mary Sue, Sept. 1, 2021, accessed Sept. 8, 2021; Jorgensen, Tom, “What If…? Season 1, Episode 4 – Review,” IGN, Sept. 1, 2021, accessed Sept. 8, 2021; Knight, Rosie, “What If…? Episode 4 Review: Doctor Strange Loses His Heart,” Den of Geek, Sept. 1, 2021, accessed Sept. 8, 2021; Warmann, Amon. “‘What If’: Benedict Cumberbatch’s Doctor Strange leads the best episode yet,” Yahoo! Movies, Sept. 1, 2021, accessed Sept. 8, 2021; Opie, David, “Marvel’s What If…? episode 4 is more important to the MCU than you think,” Digital Spy, Sept. 1, 2021, accessed Sept. 8, 2021; Barsanti, Sam, “In a bleak What If…?, Doctor Strange tries to become Doctor Who and fails spectacularly,” The A.V. Club, Sept. 1, 2021, accessed Sept. 8, 2021.

[2] On December 18, 2020, creator Luke Pearson, when asked if the colors of the librarian named Kaisa in Hilda were made to intentionally match the asexual flag, said that while he did not purposely make her colors match those of the aromantic flag in his rough design for the character, it was “not impossible” that her design, her hair and colors, matched the colors of the asexual flag because he did not draw the final design of the character in the show. Kaisa has purple hair, a black cape, a gray shirt with white sleeves, all of which are colors on the asexual flag.

Categories
action adventure animated animation anime Black people comedy Fiction genres Librarians Libraries Movies Pop culture mediums science fiction speculative fiction White people

Recently added titles (July/August 2021)

Hey everyone! I’m thinking of doing the same thing as Jennifer Snoek-Brown on her wonderful blog, Reel Librarian, who will be posting “on the first Wednesday of the month…to document the new titles of reel librarian titles” which she has added to various movie lists on her site during the previous month. She noted that her titles won’t necessarily be films which have been added recently, but they are ones newly added to the site. I’ll be posting on here on the first Tuesday of each month noting recent titles with libraries or librarians in popular culture which I’ve come across. Each of these has been watched or read by yours truly. I’d never add anything on this site which I haven’t reviewed myself first, that’s just a rule I’ve come up with. I also have a page on comics which I’m working on, and I’ll publish that as soon as I have finished it, as I don’t think it has enough entries on it at this point to justify it being its own page.

Luz and Amity, in The Owl House, shush each other in hopes of hiding from Amity’s library boss…

Animated series recently added this page

  • “#WorldsFinest” episode of DC Super Hero Girls
  • Milo Murphy’s Law 
  • “Mystery At The Sweet Sale” episode of Mira, Royal Detective
  • Phineas and Ferb
  • “Through the Looking Glass Ruins” episode of The Owl House
  • Trollhunters: Rise of the Titans [film]
  • “The Library” episode of We Bare Bears
  • What If… the World Lost Its Mightiest Heroes?” and “What If… Doctor Strange Lost His Heart Instead of His Hands?” episodes of What If…?
  • Young Justice
  • Trese

Anime series recently added this page

  • The Ancient Magus Bride: Those Awaiting a Star
  • To Heart 2 adnext

© 2021 Burkely Hermann. All rights reserved.


Thank you to all my regular readers. As always, if you have any titles or anything to suggest, let me know, because I’m basically just building off what I know for the posts on this blog. If you like this idea, let me know. Feel free to keep sharing any titles that may have been missed in this post.